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True Story: A Trilogy gathers together three documentary plays by award-winning playwright and poet Dan OBrien concerning trauma, both political and personal. The Body of an Americanspeaks to a moment in history when a single, stark photographof a US Army Ranger dragged from the wreckage of a Blackhawk helicopter through the streets of Mogadishualtered the course of global events. In a story that ranges from Rwanda to Afghanistan to the Canadian Arctic, OBrien dramatizes the ethical and psychological haunting of journalist Paul Watson. In The House in Scarsdale: A Memoir for the Stage the playwright applies journalistic principles to investigating the source of his childhood unhappiness, as he searches for the reason why his parents and siblings cut him off years ago. The more he learns about his family, the more mysterious the circumstances surrounding their estrangement become, until his sense of self is shaken by rumors regarding his true parentage. The trilogy concludes with New Life, a tragicomedy that finds Paul Watson in Syria and the playwright in treatment for cancer, while together they endeavor to sell a TV series about journalists in war zones. New Life explores the paradox of war as entertainment, and dares to dream of healing after catastrophe. These three gritty yet poetic plays stand as a testament to the value of witnessing, honoring, and perhaps transcending the struggles of living.

Much research has examined how crime rates vary across urban neighborhoods, focusing particularly on community-level demographic and social characteristics. A parallel line of work has treated crime at the individual level as an expression of certain behavioral patterns (e.g., impulsivity). Little work has considered, however, whether the prevalence of such behavioral patterns in a neighborhood might be predictive of local crime, in large part because such measures are hard to come by and often subjective. The Facebook Advertising API offers a special opportunity to examine this question as it provides an extensive list of \"interests\" that can be tabulated at various geographic scales. Here we conduct an analysis of the association between the prevalence of interests among the Facebook population of a ZIP code and the local rate of assaults, burglaries, and robberies across 9 highly populated cities in the US. We fit various regression models to predict crime rates as a function of the Facebook and census demographic variables. In general, models using the variables for the interests of the whole adult population on Facebook perform better than those using data on specific demographic groups (such as Males 18-34). In terms of predictive performance, models combining Facebook data with demographic data generally have lower error rates than models using only demographic data. We find that interests associated with media consumption and mating competition are predictive of crime rates above and beyond demographic factors. We discuss how this might integrate with existing criminological theory.

A contemporary debate concerning the epistemology of testimony is portrayed by its protagonists as having its origins in the eighteenth century and the respective views of David Hume and Thomas Reid. Hume is characterized as a reductionist and Reid as an anti-reductionist. This terminology has been widely adopted and the reductive approach has become synonymous with Hume. In Sect. 1 I spell out the reductionist interpretation of Hume in which the justification possessed by testimonially-acquired beliefs is reducible to the epistemic properties of perception, memory and inductive inference. This account of testimony is taken to be found in the section ‘On Miracles’ of Hume’s Enquiry concerning Human Understanding. In Sect. 2 I introduce the distinction between global and local reductionism, and Coady’s interpretation of Hume as a global reductionist. He takes Hume’s position to be untenable. The rest of the paper explores alternative interpretations of Hume. Section 3 develops a local reductionist interpretation of Hume on testimony. It is argued, though, that such an approach is unstable and, in response, Sect. 4 turns to anti-reductionism in its contemporary forms and in Reid’s teleological account. In Sect. 5 I argue for an anti-reductionist account of Hume, one drawn from his discussion of the testimony of history in the Treatise of Human Nature, thus moving away from the usually exclusive focus upon the discussion of miracles in the first Enquiry, upon which the reductionist interpretation is based. Given the standard meaning of ‘Humeanism’ in the current debate, my interpretation amounts to the claim that Hume is not a Humean with respect to testimony.

[...]there's the comedy writer with my name; the biracial American decathlete who struck gold in Atlanta; a young queer bearded poet known more formally as Daniel; a bearded West End D.O'B. treading the boards in Mamma Mia! (And these are just the Dan O'Briens I've heard of-Googling my name is an exercise in mortification; maybe that explains the beards?) I know personally a bearded TV actor who erroneously receives my royalties from time to time. Anyhow she told me this Dan O'Brien lost her interest when he mansplained to her, prizing open yet another steamed mussel, decanting a flowery Sauvignon Blanc: \"Oh, I don't write anymore. Dan O'Brien has already said everything Dan O'Brien needs to say.\" * Dan O'Brien's most recent books are the essay collection A Story That Happens (Dalkey Archive Press, US / CB Editions, UK, 2021) and the poetry collection Our Cancers (Acre Books, 2021).

In this paper I distinguish between illustrative and performative uses of artworks in the teaching and communication of philosophy, drawing examples from the history of art and my own practice. The former are where works are used merely to illustrate and communicate a philosophical idea or argument, the latter are where the artist or teacher philosophizes through the creation of art. I hope to promote future collaboration between philosophers, art historians and artists, with artworks becoming catalysts for artistic-philosophical investigation, thus revitalizing the idea of universities embodying ongoing and open-ended conversations.

Winner of the 2018 PEN America Award in Drama _x000D_ As Tolstoy said, \"All happy families are alike; each unhappy family is unhappy in its own way.\" _x000D_ In The House in Scarsdale, playwright Dan O'Brien traces the roots of his family's particular unhappiness to learn why his parents and siblings cut him off years ago. The more Dan learns about his family, the more mysterious the circumstances surrounding their estrangement become, until his world is shaken when rumours surface that his real father might be another member of the family. _x000D_ Is his pathological pursuit of the truth worth the risk? Or should he follow the advice of a psychic and make his life a never-finished work of art?

A poem is presented.

A lapsed academic haunted by her past, and by an ambiguous angel, in the backwoods of the American South; a Midwestern widower dreams of returning to the Ireland of his youth; a heartsick cabbie auditions for his ex in a pub-theatre in Cork City; a schizophrenic grapples for freedom from the mother in his mind; three voices of the COVID-19 pandemic seek long-distance resolution and reunion. In these and other monologues, selected from over two decades of work, award-winning American playwright Dan O'Brien illuminates, in heartbreaking and unwavering fashion, the humanity of lost souls longing to be heard. \"Dan O'Brien is a playwright-poet who, like a mash-up of Seamus Heaney and Dashiel Hammett, puts the audience in the middle of an unfolding mystery promising both revelation and terror, and delivering an equal measure of both.\" Robert Schenkkan   \"O'Brien is an outstanding wordsmith and a sharp observer of character.\" Variety   \"emotionally gripping, psychologically astute...a bracing and absorbing piece of theater.\" New York Times (Critics' Pick) on The Body of an American \"A masterpiece of truthfulness and feeling\" The Guardian on War Reporter      \"utterly riveting...frequently exhilarating\" The Washington Post on The Body of an American

The first collection from the multi-award-winning American poet and playwright Dan O'Brien, including the award-winning The Body of an American. The Body of an American (2M) Two actors embody more than thirty roles in an exhilarating new form of documentary theatre, against a backdrop of some of the world's most iconic images of war. The House in Hydesville (5F/2M) At once an exploration of familial abuse and the need for spiritual transcendence, a compelling \"true ghost story\". The Cherry Sisters Revisited (5F/1M) The five Cherry sisters' love of the vaudeville carries them to the bright lights of Broadway. A provocative comedy with music. The Voyage of the Carcass (1F/2M) Trapped in the ice at the North Pole, only three members of the doomed Carcass crew survive. The Dear Boy (1F/3M) James Flanagan is not a kind teacher. Is he a good teacher? He likes to think so. An intimate and stirring character study of a man forced to face his past, his present, and the life he may still yet live.