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"Osgerby, Jay"
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DESIGNER FILE
Designer Jay Osgerby, who founded his design studio Barber Osgerby with Edward Barber in 1996, shares the 10 top lessons he's learned in his career with Pamela Buxton 1 We've never felt the need to be independent egos. [...]we've managed to keep pace with how the studio has developed. BC Jay Osgerby founded design company Barber Osgerby with Edward Barber in 1996, followed by the architecture and interior design practice Universal Design Studio in 2001 and MAP, a strategy-based industrial design studio, in 2012.
Trade Publication Article
Barber Osgerby : projects
This definitive monograph of the acclaimed designers includes stunning images - many unpublished - with six essays from influential figures in design. Collaborators for over 20 years, Edward Barber and Jay Osgerby have applied their talents to everything from industrial design and furniture to lighting and installations. The most comprehensive survey of their work to date, this book offers a unique, 360-degree view of their approach and working methods. Stunning images explore their work thematically, while six essays provide an exclusive look into career-defining projects.
BOOK
Barber Osgerby's Olympic Torch experience
Called Frozen in Time, the premise is to cover the outside of Moscow's Pushkinsky Cinema with globular elements that disperse water to create a cooling mist in the summer and this dramatic ice and stalactite coating during the Russian winter. [...] 16 October, the Barbican's Curve Gallery is hosting an installation by Japanese architect Junya Ishigami.
Trade Publication Article
Olympic torch
The authors, from British design duo Barber Osgerby, describe how they were chosen to design the Olympic Torch for the 2012 Olympic Games, to be held in London, U.K.
Magazine Article
Underground U.S.A.: filmmaking beyond the Hollywood canon
Whether defined by the carnivalesque excesses of Troma studios (The Toxic Avenger), the arthouse erotica of Metzger and Wishman, or the narrative experimentations of Ferrara, Van Peebles, Smith, Harmony Korine, underground cinema has achieved an important position within American film culture. Often defined as \"cult\" and \"exploitation\" or \"alternative\" and \"independent,\" the American underground retains separate strategies of production and exhibition from the cinematic mainstream, while its sexual and cinematic representations differ from the traditionally conservative structures of the Hollywood system. Underground U.S.A. offers a fascinating overview of this area of maverick moviemaking by considering the links between the experimental and exploitative traditions of the American underground.
eBook