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"Plain, Gill, editor"
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British literature in transition, 1940-1960 : postwar
\"'Postwar' is both a period and a state of mind, a sensibility comprised of hope, fear and fatigue in which British society and its writers paradoxically yearned both for political transformation and a nostalgic reinstatement of past securities. From the Labour landslide victory of 1945 to the emergence of the Cold War and the humiliation of Suez in 1956, this was a period of radical political transformation in Britain and beyond, but these changes resisted literary assimilation. Arguing that writing and history do not map straightforwardly one onto the other, and that the postwar cannot easily be fitted into the explanatory paradigms of modernism or postmodernism, this book offers a more nuanced recognition of what was written and read in the period. From wartime radio writing to 1950s travellers, cold war poetry to radical theatre, magazine cultures to popular fiction, this volume examines important debates that animated postwar Britain\"-- Provided by publisher.
Book
Scotland and the First World War
What did war look like in the cultural imagination of 1914? Why did men in Scotland sign up to fight in unprecedented numbers? What were the martial myths shaping Scottish identity from the aftermath of Bannockburn to the close of the nineteenth century, and what did the Scottish soldiers of the First World War think they were fighting for? Scotland and the First World War: Myth, Memory and the Legacy of Bannockburn is a collection of new interdisciplinary essays interrogating the trans-historical myths of nation, belonging and martial identity that shaped Scotland’s encounter with the First World War. In a series of thematically linked essays, experts from the fields of literature, history and cultural studies examine how Scotland remembers war, and how remembering war has shaped Scotland.
eBook
The Cambridge Companion to the Literature of World War II
The literature of World War II has emerged as an accomplished, moving, and challenging body of work, produced by writers as different as Norman Mailer and Virginia Woolf, Primo Levi and Ernest Hemingway, Jean-Paul Sartre and W. H. Auden. This Companion provides a comprehensive overview of the international literatures of the war: both those works that recorded or reflected experiences of the war as it happened, and those that tried to make sense of it afterwards. It surveys the writing produced in the major combatant nations (Britain and the Commonwealth, the USA, Japan, Germany, France, Italy, and the USSR), and explores its common themes. With its chronology and guide to further reading, it will be an invaluable source of information and inspiration for students and scholars of modern literature and war studies.
eBook