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"Railton, Ben, 1977- author"
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We the people : the 500-year battle over who is American
\"'We the People.' The Constitution begins with those deceptively simple words, but how do Americans define that 'We'? In We the People, Ben Railton argues that throughout our history two competing yet interconnected concepts have battled to define our national identity and community: exclusionary and inclusive visions of who gets to be an American\"-- Provided by publisher.
History and hope in American literature
2016
Through the examination of literary works by twentieth and twenty-first century American authors, this book shows how literature can allow us to cope with difficult periods of history (slavery, the Great Depression, the AIDS crisis, etc.) and give hope for a brighter future when those realities are confronted head-on.
Contesting the Past, Reconstructing the Nation
2007,2011
Fables of American history embodied in Gilded Age literature In this study of Gilded Age literature and culture, Benjamin Railton proposes that in the years after Reconstruction, America’s identity was often contested through distinct and competing conceptions of the nation’s history. He argues that the United States moved toward unifying and univocal historical narratives in the years between the Centennial and Columbian Expositions, that ongoing social conflict provided sites for complications of those narratives, and that works of historical literature offer some of the most revealing glimpses into the nature of those competing visions. Gilded Age scholarship often connects the period to the 20th-century American future, but Railton argues that it is just as crucial to see how the era relates to the American past. He closely analyzes the 1876 and 1893 Expositions, finding that many of the period’s central trends, from technology to imperialism, were intimately connected to particular visions of the nation’s history. Railton’s concern is with four key social questions: race, Native Americans, women, and the South. He provides close readings of a number of texts for the ways they highlight these issues. He examines established classics (The Adventures of Huck Finn and The Bostonians) ; newer additions to the canon (The Conjure Woman, Life Among the Piutes, The Story of Avis) ; largely forgotten best-sellers (Uncle Remus, The Grandissimes) ; unrecovered gems (Ploughed Under, Where the Battle Was Fought) ; and autobiographical works by Douglass and Truth, poems by Harper and Piatt, and short stories by Woolson and Cook. These readings, while illuminating the authors themselves, contribute to ongoing conversations over historical literature’s definition and value, and a greater understanding of not only American society in the Gilded Age, but also debates on our shared but contested history that remain very much alive in the present.