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"Rees-Roberts, Nick, author"
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Fashion film : art and advertising in the digital age
\"The moving image has become a key marketing tool for luxury fashion, central in enabling brands to shape their visual codes and extend their brand awareness. This book is a detailed study of the shifting shape of fashion imagery in the digital age, investigating the role of the moving image in the promotion, communication, and spectacle of contemporary fashion. Combining interdisciplinary analysis of cinema and digital culture, this book traces the emergence of fashion film in the 21st century through its historical roots in pre-digital forms of photography, experimental cinema, mass-media advertising, and documentary film-making, right up to today's visual spread of contemporary fashion on video blogs, online magazines and live-streamed catwalk shows\"-- Provided by publisher.
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French queer cinema
French Queer Cinema reads queer self-representation in contemporary auteur film and experimental video. While advances have been made in the research of queer representations in France, this is the first comprehensive study of the cultural formation and critical reception of contemporary queer film and video. French Queer Cinema addresses the socio-political context informing both queer DIY video and independent gay cinema, including films such as Patrice Chéreau's Ceux qui m'aiment prendront le train, Olivier Ducastel and Jacques Martineau's Drôle de Félix, François Ozon's Le Temps qui reste, and André Téchiné's Les Témoins. Taking up recent Anglo-American research into queer migration, this book also considers gay fantasies of Arab (beur) men, as well as beur self-representation in Europe's fastest-selling gay DV porn production, Citébeur. Further chapters address transgender dissent and the effects of AIDS and loss on the formation of gay identities.
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