Explore the vast range of titles available.

Among the artists’ materials of the nineteenth century, pastel crayons merit scientific interest since their early commercial formulations are mostly unknown and, until now, have been considerably less studied with respect to other contemporary painting materials. In this framework, research herein reports the results of a comprehensive multi-analytical study of 44 pastel crayons of two recognized brands (LeFranc and Dr. F. Schoenfeld) from the Munch museum collection of original materials belonging to Edvard Munch. The integrated use of complementary spectroscopic and hyphenated mass-spectrometry techniques allowed the compositional profiles of the crayons to be traced providing the identification of the inorganic and organic pigments, the fillers/extenders and the binders. All crayons resulted to be oil- based and the binder was identified to be a mixture of a drying oil (safflower or linseed oil), palm oil or Japan wax and beeswax. Among others, pigments such as ultramarine, chrome yellows, Prussian blue, manganese violet, viridian and madder lake have been identified. A significant alignment in formulations of the brands was observed with the only exception of the greens which showed distinctive pigment and filler compositions. The analytical information provided for these commercial artists’ materials will be of great interest for academia, museum and other institutions hosting art collections dating from the same period and it will be used by the Munch museum to draw proper conservation strategies of its own artwork collections.

In Heritage Science, the evaluation of stone consolidation treatments by investigating the nature of in situ newly formed products and their penetration depth within the consolidated matrix is a grand challenge. A number of analytical methods have been proposed, but, currently, most of them are not able to supply a full overview of the spatial, structural and compositional information of the newly formed crystalline and amorphous phases with a submicrometric lateral resolution. Here, we examined, the capabilities of synchrotron radiation (SR)-based two-dimensional X-ray absorption near-edge structure (2D-XANES) spectroscopy at Ca K-edge for determining the structural and compositional properties of the compounds formed after the application of a calcium acetoacetate-based consolidant on a porous carbonatic stone (limestone) and for investigating their stratigraphic distribution at the submicrometric scale length. We evaluated advantages and drawbacks of three Ca K-edge 2D-XANES-based approaches: (i) transmission mode full-field-XANES (FF-XANES) imaging; (ii) micro-X-ray fluorescence (μ-XRF) mapping above the Ca K-edge combined with the acquisition of XRF mode μ-XANES spectra at a limited number of spots; (iii) full-spectral µ-XANES (FS µ-XANES) mapping in XRF mode and its variant called selectively induced X-ray emission spectroscopy (SIXES) mapping. Overall, Ca K-edge 2D-XANES spectroscopy provided accurate qualitative and semi-quantitative information on the newly formed calcium carbonates (i.e., amorphous calcium carbonate, vaterite and calcite) and their stratigraphic distribution at the submicrometric scale, thus opening a new scenario to study the carbonatation process of calcium-based consolidants in limestones.

Throughout the 20th Century, plastics found extensive use in fashion, art, and design due to their versatile nature. However, their degradation over time poses challenges, impacting material integrity, particularly in museum collections. To tackle this issue, different scientific techniques have been employed to study polymers. In this work, a complementary multi-analytical approach is proposed to investigate the light stability of ABS compounds, selecting LEGO® bricks as reference material. The method is based on fluorescence emission and lifetime integrating point-like analysis and imaging systems to corroborate chemical and spatial information specifically addressed at the surface level. The latter has shown promising results in studying ABS objects, offering insights into degradation and aiding conservation efforts.

Titanium dioxide (TiO2) has been used in numerous paintings since its creation in the early 1920s. However, due to this relatively recent adoption by the art world, we have limited knowledge about the nature and risk of degradation in museum environments. This study expands on the existing understanding of TiO2 facilitated degradation of linseed oil, by examining the effect of visible light and crystallographic phase (either anatase or rutile) on the reactivity of TiO2. The present approach is based on a combination of experimental chemical characterization with computational calculation through Density Functional Theory (DFT) modeling of the TiO2-oil system. Attenuated Total Reflection Fourier Transform Infrared Spectroscopy (ATR-FT-IR) enabled the identification of characteristic degradation products during UV and visible light aging of both rutile and anatase based paints in comparison to BaSO4 and linseed oil controls. In addition, cratering and cracking of the paint surface in TiO2 based paints, aged under visible and UV–vis illumination, were observed through Scanning Electron Microscopy (SEM). Finally, Density Functional Theory (DFT) modeling of interactions between anatase TiO2 and oleic acid, a fatty acid component of linseed oil, to form a charge transfer complex explains one possible mechanism for the visible light activity observed in artificial aging. Visible light excitation of this complex sensitizes TiO2 by injecting an electron into the conduction band of TiO2 to generate reactive oxygen species and subsequent degradation of the oil binder by various mechanisms (e.g., formation of an oleic acid cation radical and other oxidation products).

This study explores the early detection of degradation in plastic-based cultural heritage objects using non-invasive spectroscopic techniques. The results on artificially aged ABS specimens revealed degradation markers at low exposure levels. Changes in polymer composition were then correlated with mechanical stiffening and increased friction. The approach offers valuable tools for in situ monitoring and preventive conservation of modern art and design objects.

Maya blue is a hybrid pigment where an organic component, indigo, is incorporated in a porous clay. Despite its widespread use in the Mesoamerican artistic production and numerous studies devoted to understand the type of interactions between indigo and the host framework, its technology has not been completely unravelled yet. In this study portable non-invasive UV–vis reflection spectroscopy is proposed as a robust method for in situ investigation of Maya blue pigments. Laboratory mock-ups of powder Maya blue have been prepared employing different synthesis procedures (varying the nature of: clays, indigo–clay ratios, heating temperatures and time). The goodness of the prepared Maya blue samples—namely the occurrence of indigo–clay interactions—have been probed by micro-Raman spectroscopy and related UV–vis spectral markers have been identified. DFT calculations as well have been performed to deeply explain UV–vis profiles. The set of spectral markers have been finally exploited to interpret spectra recorded on Mesoamerican pictorial codices, through a multi-technique approach based on exploring the UV–Vis properties of the blue paint supported by the FT-IR vibrational study of the inorganic clays. The characterization of blue colours on pre-Hispanic and colonial Mesoamerican codices contribute to a better understanding of the compositional variability of these painting materials and to point out the existence of different technological traditions of colour preparation in ancient Mesoamerica.

The 1960s saw the emergence of plastic as an indispensable component in various fields, including art and design. Acrylonitrile-butadiene-styrene (ABS) is widely used by artists and designers for a range of applications including sculptures and decorative pieces. Consequently, the necessity to conserve ABS from deterioration is a crucial issue in the field of cultural heritage preservation. Many studies have highlighted the criticality of the stability of the polybutadiene component when exposed to light. We propose a new multimodal spectroscopic approach to assess the conservation status of plastic design objects. This non-destructive approach combines correlative Brillouin and Raman micro-spectroscopy (BRaMS), external reflection IR spectroscopy and portable NMR relaxometry. BRaMS is a novel non-destructive technique in the field of heritage conservation, allowing simultaneous monitoring of chemical and mechanical changes occurring at the sample surface. The present study focused on photochemically aged LEGO® bricks made of ABS and aimed to i) correlate chemical and mechanical changes induced by light exposure and ii) introduce a surface degradation index (SDI), measurable in situ by external reflection IR spectroscopy, to assess the state of conservation of plastic artefacts. Finally, non-invasive investigations were carried out on real design objects using the MObile LABoratory (MOLAB) platform.

Acrylonitrile butadiene styrene (ABS) is a thermoplastic polymer widely used in several everyday life applications; moreover, it is also one of the most employed plastics in contemporary artworks and design objects. In this study, the chemical and thermal properties of an ABS-based polymer and its photo-degradation process were investigated through a multi-analytical approach based on thermal, mass spectrometric and spectroscopic techniques. LEGO® building blocks were selected for studying the ABS properties. First, the composition of unaged LEGO® bricks was determined in terms of polymer composition and thermal stability; then, the bricks were subjected to UV–Vis photo-oxidative-accelerated ageing for evaluation of possible degradation processes. The modifications of the chemical and thermal properties were monitored in time by a multi-technique approach aimed at improving the current knowledge of ABS photodegradation, employing pyrolysis online with gas chromatography and evolved gas analysis, coupled with mass spectrometric detection (Py-GC-MS and EGA-MS), differential scanning calorimetry (DSC), thermogravimetric analysis (TGA), and corroborated by external reflection FT-IR spectroscopy. The multimodal approach provided new evidence on the two-step degradation pathway proposed for ABS, defining molecular markers for polybutadiene oxidation and styrene-acrylonitrile depolymerization. Moreover, the results highlighted the feasibility of correlating accurate compositional and thermal data acquired by bulk techniques with external reflection FT-IR spectroscopy as a non-invasive portable tool to monitor the state of conservation of plastic museum objects in-situ.

A new analytical approach, based on micro-transflection measurements from a diamond-coated metal sampling stick, is presented for the analysis of painting varnishes. Minimally invasive sampling is performed from the varnished surface using the stick, which is directly used as a transflection substrate for micro Fourier transform infrared (FTIR) measurements. With use of a series of varnished model paints, the micro-transflection method has been proved to be a valuable tool for the identification of surface components thanks to the selectivity of the sampling, the enhancement of the absorbance signal, and the easier spectral interpretation because the profiles are similar to transmission mode ones. Driven by these positive outcomes, the method was then tested as tool supporting noninvasive reflection FTIR spectroscopy during the assessment of varnish removal by solvent cleaning on paint models. Finally, the integrated analytical approach based on the two reflection methods was successfully applied for the monitoring of the cleaning of the sixteenth century painting Presentation in the Temple by Vittore Carpaccio. Graphical Abstract Micro-transflection FTIR on a metallic stick for the identification of varnishes during painting cleanings

Mesoamerican Manuscripts: New Scientific Approaches and Interpretations presents and connects a wide range of high-tech scientific and cultural-interpretative studies of pre-colonial and early colonial Mesoamerican manuscripts.