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"Rowe, Mike, editor"
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Blues Unlimited
British blues fan Mike Leadbitter launched the magazine Blues Unlimited in 1963. The groundbreaking publication fueled the then-nascent, now-legendary blues revival that reclaimed seminal figures like Son House and Skip James from obscurity. Throughout its history, Blues Unlimited heightened the literacy of blues fans, documented the latest news and career histories of countless musicians, and set the standard for revealing long-form interviews. Conducted by Bill Greensmith, Leadbitter, Mike Rowe, John Broven, and others, and covering a who's who of blues masters, these essential interviews from twenty-five years of Blues Unlimited shed light on their subjects while gleaning colorful detail from the rough and tumble of blues history. Here is Freddie King playing a string of one-nighters so grueling it destroys his car; five-year-old Fontella Bass gigging at St. Louis funeral homes; and Arthur \"Big Boy\" Crudup rising from life in a packing crate to music stardom. Here, above all, is an eyewitness history of the blues written in neon lights and tears, an American epic of struggle and transcendence, of Saturday night triumphs and Sunday morning anonymity, of clean picking and dirty deals. Featuring interviews with: Fontella Bass, Ralph Bass, Fred Below, Juke Boy Bonner, Roy Brown, Albert Collins, James Cotton, Arthur \"Big Boy\" Crudup, Joe Dean, Henry Glover, L.C. Green, Dr. Hepcat, Red Holloway, Louise Johnson, Floyd Jones, Moody Jones, Freddie King, Big Maceo Merriweather, Walter Mitchell, Louis Myers, Johnny Otis, Snooky Pryor, Sparks Brothers, Jimmy Thomas, Jimmy Walker, and Baby Boy Warren.
eBook
Fodor's essential Great Britain
Presents a travel guide to England, Scotland, and Wales, providing recommendations on hotels, restaurants, shopping, local transportation, sights of interest, and nightlife.
Book
From the Ethnographic Turn to New Forms of Organizational Ethnography
This special issue of the Journal of Organizational Ethnography showcases some of recent ethnographies that reflect variety, in terms of methodology as well as context. Here are six very different contributions to novelty in organizational ethnography: from multi-site, video-based ethnographies that rely on inputs from team members across the globe to desk-based nethnographies, from explorations of space to those of emotions, and from studies of single organizations to those of entire fields. The variety is tantalizing, as is the dedication of these scholars to their method or subject of choice.
eBook