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"Shell, Marc"
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Talking the Walk & Walking the Talk: A Rhetoric of Rhythm
This book argues that we should regard walking and talking in a single rhythmic vision. In doing so, it contributes to the theory of prosody, our understanding of respiration and looking, and, in sum, to the particular links, across the board, between the human characteristics of bipedal walking and meaningful talk. The author first introduces the philosophical, neurological, anthropological, and aesthetic aspects of the subject in historical perspective, then focuses on rhetoric and introduces a tension between the small and large issues of rhythm. He thereupon turns his attention to the roles of breathing in poetry--as a life-and-death matter, with attention to beats and walking poems. This opens onto technical concepts from the classical traditions of rhetoric and philology. Turning to the relationship between prosody and motion, he considers both animals and human beings as both ostensibly able-bodied creatures and presumptively disabled ones. Finally, he looks at dancing and writing as aspects of walking and talking, with special attention to motion in Arabic and Chinese calligraphy. The final chapters of the book provide a series of interrelated representative case studies.
eBook
Wampum and the origins of American money
\"Wampum has become a synonym for money, and it is widely assumed that it served the same purposes as money among the Native Algonquians even after coming into contact with European colonists' money. But to equate wampum with money only matches one slippery term with another, as money itself was quite ill-defined in North America for decades during its colonization. Fledgling colonial currencies assimilated much more from Native American trading practices than they imposed on the locals, so much so that colonists regularly expressed fears of \"becoming Indians\" in their widespread use of paper money, a novel economic innovation adapted from wampum. In this stimulating and intriguing book, Marc Shell illuminates the context in which wampum was used by describing how money circulated in the colonial period and the early history of the United States. Wampum itself, generally tubular beads made from clam or conch shells, was hardly a primitive version of a coin or dollar bill, as it represented to both Native Americans and colonial Europeans a unique medium through which language, art, culture, and even conflict were negotiated. This wide-ranging exploration of economics, literature, and racial and ethnic imagery throughout American history is extensively illustrated with more than a hundred images of documents, artworks, and artifacts, including numerous depictions of Native Americans on paper money.\"--Jacket.
Book
Talking the Walk & Walking the Talk
This book argues that we should regard walking and talking in a single rhythmic vision. In doing so, it contributes to the theory of prosody, our understanding of respiration and looking, and, in sum, to the particular links, across the board, between the human characteristics of bipedal walking and meaningful talk. The author first introduces the philosophical, neurological, anthropological, and aesthetic aspects of the subject in historical perspective, then focuses on rhetoric and introduces a tension between the small and large issues of rhythm. He thereupon turns his attention to the roles of breathing in poetry-as a life-and-death matter, with attention to beats and walking poems. This opens onto technical concepts from the classical traditions of rhetoric and philology. Turning to the relationship between prosody and motion, he considers both animals and human beings as both ostensibly able-bodied creatures and presumptively disabled ones. Finally, he looks at dancing and writing as aspects of walking and talking, with special attention to motion in Arabic and Chinese calligraphy. The final chapters of the book provide a series of interrelated representative case studies.
eBook
Islandology : geography, rhetoric, politics
Islandology is a fast-paced, fact-filled comparative essay in critical topography and cultural geography that cuts across different cultures and argues for a world of islands. The book explores the logical consequences of geographic place for the development of philosophy and the study of limits (Greece) and for the establishment of North Sea democracy (England and Iceland), explains the location of military hot-spots and great cities (Hormuz and Manhattan), and sheds new light on dozens of world-historical productions whose motivating islandic aspect has not heretofore been recognized (Shakespeare's Hamlet and Wagner's Ring of the Nibelung). Written by Shell in view of the melting of the world's great ice islands, Islandology shows not only new ways that we think about islands but also why and how we think by means of them.
eBook
Talking the Walk & Walking the Talk
This book argues that we should regard walking and talking in a single rhythmic vision. In doing so, it contributes to the theory of prosody, our understanding of respiration and looking, and, in sum, to the particular links, across the board, between the human characteristics of bipedal walking and meaningful talk.
The author first introduces the philosophical, neurological, anthropological, and aesthetic aspects of the subject in historical perspective, then focuses on rhetoric and introduces a tension between the small and large issues of rhythm. He thereupon turns his attention to the roles of breathing in poetry—as a life-and-death matter, with attention to beats and walking poems. This opens onto technical concepts from the classical traditions of rhetoric and philology.
Turning to the relationship between prosody and motion, he considers both animals and human beings as both ostensibly able-bodied creatures and presumptively disabled ones. Finally, he looks at dancing and writing as aspects of walking and talking, with special attention to motion in Arabic and Chinese calligraphy.
The final chapters of the book provide a series of interrelated representative case studies.
eBook
Talking the Walk & Walking the Talk
This book argues that we should regard walking and talking in a single rhythmic vision. In doing so, it contributes to the theory of prosody, our understanding of respiration and looking, and, in sum, to the particular links, across the board, between the human characteristics of bipedal walking and meaningful talk. The author first introduces the philosophical, neurological, anthropological, and aesthetic aspects of the subject in historical perspective, then focuses on rhetoric and introduces a tension between the small and large issues of rhythm. He thereupon turns his attention to the roles of breathing in poetry--as a life-and-death matter, with attention to beats and walking poems. This opens onto technical concepts from the classical traditions of rhetoric and philology. Turning to the relationship between prosody and motion, he considers both animals and human beings as both ostensibly able-bodied creatures and presumptively disabled ones. Finally, he looks at dancing and writing as aspects of walking and talking, with special attention to motion in Arabic and Chinese calligraphy. The final chapters of the book provide a series of interrelated representative case studies.
eBook
Polio and its aftermath : the paralysis of culture
It was not long ago that scientists proclaimed victory over polio, the dread disease of the 1950s. More recently polio resurfaced, not conquered at all, spreading across the countries of Africa. As we once again face the specter of this disease, along with other killers like AIDS and SARS, this powerful book reminds us of the personal cost, the cultural implications, and the historical significance of one of modern humanity's deadliest biological enemies. In Polio and Its Aftermath Marc Shell, himself a victim of polio, offers an inspired analysis of the disease. Part memoir, part cultural criticism and history, part meditation on the meaning of disease, Shell's work combines the understanding of a medical researcher with the sensitivity of a literary critic. He deftly draws a detailed yet broad picture of the lived experience of a crippling disease as it makes it way into every facet of human existence.
Polio and Its Aftermath conveys the widespread panic that struck as the disease swept the world in the mid-fifties. It captures an atmosphere in which polio vied with the Cold War as the greatest cause of unrest in North America--and in which a strange and often debilitating uncertainty was one of the disease's salient but least treatable symptoms. Polio particularly afflicted the young, and Shell explores what this meant to families and communities. And he reveals why, in spite of the worldwide relief that greeted Jonas Salk's vaccine as a miracle of modern science, we have much more to fear from polio now than we know.
eBook
Walkie Talkies
The advent of “motion pictures” meant that theorists and experimental psychologists—from Christian Alban Ruckmick in The Role of Kinaesthesis in the Perception of Rhythm (1913)¹ to Dee Reynold’s “Kinesthetic Rhythms” (2008)²—became interested in the relationship of the rhythm of walking to the motions of cinematography. With the commercial availability of synchronized voices for motion pictures or “talking pictures”—the “talkies”—interest now focused on the rhythms of talking as well as those of walking. The first feature-length movie with synchronized voice was probably The Jazz Singer (1927), and by 1940, the talkie was standard across the world.
There
Book Chapter
Talking Cures
In a quasi-literary short story, “On Transience” (1915),² Sigmund Freud describes a summer countryside walk he took with a poet—perhaps Rainier Maria Rilke, a poet of walking.³ The analyst and poet are accompanied by a third person—probably the psychoanalyst Lou Andreas-Salome, who would correspond with Freud about patients whose symptoms involved walking.⁴ “Not long ago I went on a summer walk [Spaziergang] through a smiling countryside in the company of a taciturn friend and of a young but already famous poet.” Elegantly published in the highly literary Das Land Goethes (1916)⁵ over a reproduction of his signature, Freud’s
Book Chapter