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4 result(s) for "Shen, Lindsay, author"
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Silver
\"From silver spoons to silver bullets, silver permeates our everyday culture and language. For millennia we have used it to buy what we need, adorn our bodies and trumpet our social status. Silver vanquishes our insecurities, as well as vampires and werewolves. Once valued primarily for its beauty and rarity, silver is now also exploited for its chemistry; while it used to lubricate markets, bolster dowries and pay armies, now it permeates our electronics, textiles and medical devices. Silver was formed through the supernovae of stars, and its history continues to be marked by cataclysm. Through currency and trade, it brought the continents of the Americas, Europe and Asia closer together, then, through war and trade imbalance, it destabilized empires. Great technological virtuosity was required in order to discover, extract and refine the precious metal, and ingenuity was needed to restore the landscapes that silver mining had despoiled. Throughout its history silver has inspired greed and ruination, yet it also cleanses water and wounds. Once used as a mirror, it reflects our most human needs and desires. Featuring glistening illustrations of silver in nature and art, jewellery, film, advertising and popular culture, this is a superb overview of a metal that is both precious and useful, with a rich and eventful history.\"--Page 2 of cover.
Silver
From spoons to bullets to sterling coins, silver permeates our everyday culture and language. For millennia we've used it to buy what we need, adorn our bodies, or trumpet our social status, and likewise it's been useful to vanquish werewolves, vampires, and even our own smelly socks. This book captures all of these facets of silver and more, telling the fascinating story of one of our most hardworking precious metals. As Lindsay Shen shows, while always valued for its beauty and rarity-used to bolster dowries and pay armies alike-silver today is also exploited for its chemistry and can be found in everything from the clothes we wear to the electronics we use to the medical devices that save our lives. Born in the supernovae of stars and buried deep in the earth, it has been mined by many different societies, traded throughout the world, and been the source of wars and the downfall of empires. It is also a metal of pure reflection, a shining symbol of purity. Featuring many glistening illustrations of silver in nature, art, jewelry, film, advertising, and popular culture, this is a superb overview of a metal both precious and useful, one with a rich and eventful history.
Pearl
From their creation in the maw of mollusks to lustrous objects of infatuation and conflict, a revealing look at pearls' dark history. This book is a beautifully illustrated account of pearls through millennia, from fossils to contemporary jewelry. Pearls are the most human of gems, both miraculous and familiar. Uniquely organic in origin, they are as intimate as our bodies, created through the same process as we grow bones and teeth. They have long been described as an animal's sacrifice, but until recently their retrieval often entailed the sacrifices of enslaved and indentured divers and laborers. While the shimmer of the pearl has enticed Roman noblewomen, Mughal princes, Hollywood royalty, mavericks, and renegades, encoded in its surface is a history of human endeavor, abuse, and aspiration—pain locked in the layers of a gleaming gem.
Knowledge is Pleasure
‘The Sensuous Realist’ Florence Ayscough—poet, translator, Sinologist, Shanghailander, avid collector, pioneering photographer and early feminist champion of women’s rights in China. Ayscough’s modernist translations of the classical poets still command respect, her ethnographic studies of the lives of Chinese women still engender feminist critiques over three quarters of a century later and her collections of Chinese ceramics and objets now form an important part of several American museum’s Asian art collections. Raised in Shanghai in an archetypal Shanghailander family in the late nineteenth century, Ayscough was to become anything but a typical foreigner in China. Encouraged by the New England poet Amy Lowell, she was to become a much sought after translator in the early years of the new century, not least for her radical interpretations of the Tang-dynasty poet Tu Fu. She later moved on to record China and particularly Chinese women using the new technology of photography, turn the Royal Asiatic Society’s Shanghai library into the best on the China Coast and build several impressive collections featuring textiles, Ming and Qing ceramics. By the time of her death Florence Ayscough has left a legacy of collection and scholarship unrivalled by any other foreign woman in China before or since. In this biography, Lindsay Shen recovers Ayscough for posterity and returns her to us as a woman of amazing intellectual vibrancy and strength.