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"Shugaar, Antony"
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The Catholic school
\"A semiautobiographical coming-of-age story, framed by the harrowing 1975 Circeo massacre\"-- Provided by publisher.
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The liberty of servants
Italy is a country of free political institutions, yet it has become a nation of servile courtesans, with Silvio Berlusconi as their prince. This is the controversial argument that Italian political philosopher and noted Machiavelli biographer Maurizio Viroli puts forward in The Liberty of Servants. Drawing upon the classical republican conception of liberty, Viroli shows that a people can be unfree even though they are not oppressed. This condition of unfreedom arises as a consequence of being subject to the arbitrary or enormous power of men like Berlusconi, who presides over Italy with his control of government and the media, immense wealth, and infamous lack of self-restraint.
eBook
The Athenian women
The Athenian Women presents a powerful vision of class struggle, the subjugation of women under a patriarchal system, and the courage needed to change the course of history. Athens, 411 BC. In the countryside, Trasillo and Polemone, two veterans of the infamous battle of Mantinea, now live in adjacent cottages as humble farmers. They are determined to improve their lot by finding influential husbands for their daughters, Glicera and Charis. However, sensing that a violent political scheme is secretly afoot, the two friends agree that first they must defend Athens from oligarchs who are plotting to reinstate tyrannical rule. Charis and Glicera are convinced their fathers are being paranoid and, impatient, set about finding suitors themselves. Cimone, the rich and arrogant son of their neighbor Eubulo, soon becomes the object of their desire. When the men travel to Athens to see Aristophanes' latest comedy, the girls, far from their fathers' watchful eyes, break social order and accept an invitation to Cimone's house. While this romantic drama plays out in the countryside, from the stage, the Athenian Lysistrata and the Spartan Lampito raise their voices in protest against misogyny and war, calling into question the status quo that Athenians have accepted for centuries. Alessandro Barbero captures an Athens that feels extraordinarily contemporary, where citizens concerned about their freedoms choose to act and create change.
Book
Machiavelli’s god
To many readers ofThe Prince, Machiavelli appears to be deeply un-Christian or even anti-Christian, a cynic who thinks rulers should use religion only to keep their subjects in check. But inMachiavelli's God, Maurizio Viroli, one of the world's leading authorities on Machiavelli, argues that Machiavelli, far from opposing Christianity, thought it was crucial to republican social and political renewal--but that first it needed to be renewed itself. And without understanding this, Viroli contends, it is impossible to comprehend Machiavelli's thought.
Viroli places Machiavelli in the context of Florence's republican Christianity, which was founded on the idea that the true Christian is a citizen who serves the common good. In this tradition, God participates in human affairs, supports and rewards those who govern justly, and desires men to make the earthly city similar to the divine one. Building on this tradition, Machiavelli advocated a religion of virtue, and he believed that, without this faith, free republics could not be established, defend themselves against corruption, or survive. Viroli makes a powerful case that Machiavelli, far from being a pagan or atheist, was a prophet of a true religion of liberty, a way of moral and political living that would rediscover and pursue charity and justice.
The translation of this work has been funded by SEPS - Segretariato Europeo per le Pubblicazioni Scientifiche.
eBook
Machiavelli's God
To many readers of The Prince , Machiavelli appears to be deeply un-Christian or even anti-Christian, a cynic who thinks rulers should use religion only to keep their subjects in check. But in Machiavelli's God , Maurizio Viroli, one of the world's leading authorities on Machiavelli, argues that Machiavelli, far from opposing Christianity, thought it was crucial to republican social and political renewal--but that first it needed to be renewed itself. And without understanding this, Viroli contends, it is impossible to comprehend Machiavelli's thought.
Viroli places Machiavelli in the context of Florence's republican Christianity, which was founded on the idea that the true Christian is a citizen who serves the common good. In this tradition, God participates in human affairs, supports and rewards those who govern justly, and desires men to make the earthly city similar to the divine one. Building on this tradition, Machiavelli advocated a religion of virtue, and he believed that, without this faith, free republics could not be established, defend themselves against corruption, or survive. Viroli makes a powerful case that Machiavelli, far from being a pagan or atheist, was a prophet of a true religion of liberty, a way of moral and political living that would rediscover and pursue charity and justice.
The translation of this work has been funded by SEPS - Segretariato Europeo per le Pubblicazioni Scientifiche.
eBook
The Pope's daughter
\"Lucrezia Borgia is one of the most vilified figures in modern history. The daughter of a notorious pope, she was twice betrothed before the age of eleven and thrice married--one husband was forced to declare himself impotent and thereby unfit and another was murdered by Lucrezia's own brother, Cesar Borgia. She is cast in the role of murderess, temptress, incestuous lover, loose woman, femme fatale par excellence. But there is always more than one version of a story. Lucrezia Borgia is the only woman in history to serve as the head of the Catholic Church. She successfully administered several of the Renaissance Italy's most thriving cities, founded one of the world's first credit unions, and was a generous patron of the arts. She was mother to a prince and to a cardinal. She was a devoted wife to the Prince of Ferrara, and the lover of the poet Pietro Bembo. She was a child of the renaissance and in many ways the world's first modern woman.\"--Jacket flap.
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Pasta
Ranging from the imperial palaces of ancient China and the bakeries of fourteenth-century Genoa and Naples all the way to the restaurant kitchens of today, Pasta tells a story that will forever change the way you look at your next plate of vermicelli. Pasta has become a ubiquitous food, present in regional diets around the world and available in a host of shapes, sizes, textures, and tastes. Yet, although it has become a mass-produced commodity, it remains uniquely adaptable to innumerable recipes and individual creativity.Pasta: The Story of a Universal Foodshows that this enormously popular food has resulted from of a lengthy process of cultural construction and widely diverse knowledge, skills, and techniques.
Many myths are intertwined with the history of pasta, particularly the idea that Marco Polo brought pasta back from China and introduced it to Europe. That story, concocted in the early twentieth century by the trade magazineMacaroni Journal, is just one of many fictions umasked here. The true homelands of pasta have been China and Italy. Each gave rise to different but complementary culinary traditions that have spread throughout the world. From China has come pasta made with soft wheat flour, often served in broth with fresh vegetables, finely sliced meat, or chunks of fish or shellfish.Pastasciutta, the Italian style of pasta, is generally made with durum wheat semolina and presented in thick, tomato-based sauces. The history of these traditions, told here in fascinating detail, is interwoven with the legacies of expanding and contracting empires, the growth of mercantilist guilds and mass industrialization, and the rise of food as an art form.
Whether you are interested in the origins of lasagna, the strange genesis of the Chinese pasta bing or the mystique of the most magnificent pasta of all, thetimballo, this is the book for you. So dig in!
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