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"Sierz, Aleks"
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Rewriting the nation : British theatre today
2011
A perfect companion to British theatre from 2000-2010 that examines the burgeoning 'new writing' system, provides a study of the principle theatres associated with it and explores in themed chapters the key concerns being addressed by the main playwrights who have gained acclaim in the last ten years.
Modern British Playwriting: The 1990s
by
Sierz, Aleks
in
British Theatre and Performance (Drama ASC3)
,
Drama & Performance Studies
,
English drama
2012
British theatre of the 1990s witnessed an explosion of new talent and presented a new sensibility that sent shockwaves through audiences and critics. What produced this change, the context from which the work emerged, the main playwrights and plays, and the influence they had on later work are freshly evaluated in this important new study in Methuen Drama's Decades of Modern British Playwriting series. The 1990s volume provides a detailed study by four scholars of the work of four of the major playwrights who emerged and had a significant impact on British theatre: Sarah Kane (by Catherine Rees), Anthony Neilson (Patricia Reid), Mark Ravenhill (Graham Saunders) and Philip Ridley (Aleks Sierz). Essential for students of Theatre Studies, the series of six decadal volumes provides a critical survey and study of the theatre produced from the 1950s to 2009. Each volume features a critical analysis of the work of four key playwrights besides other theatre work, together with an extensive commentary on the period. Readers will understand the works in their contexts and be presented with fresh research material and a reassessment from the perspective of the twenty-first century. This is an authoritative and stimulating reassessment of British playwriting in the 1990s.
The Methuen Drama Guide to Contemporary British Playwrights
by
Middeke, Martin
,
Schnierer, Peter Paul
,
Sierz, Aleks
in
Biographie
,
English drama
,
English drama -- 20th century -- History and criticism
2011
The Methuen Drama Guide to Contemporary British Playwrights is an authoritative guide to the work of twenty-five playwrights who have risen to prominence since the 1980s. Written by an international team of scholars, it will be invaluable to anyone interested in, studying or teaching contemporary drama. Among the many playwrights whose work is examined are Sarah Daniels, Terry Johnson, Martin Crimp, Sarah Kane, Anthony Neilson, Mark Ravenhill, Simon Stephens, Debbie Tucker Green, Tanika Gupta and Richard Bean. Each essay features: A biographical sketch and introduction to the playwright A discussion of their most important plays An analysis of their stylistic and thematic traits, the critical reception and their place in the discourses of British theatre A bibliography of texts and critical material
The Methuen Drama guide to contemporary British playwrights
This is an authoritative single-volume guide to the work of 25 British playwrights from the 1980s to the present written by an international team of 25 eminent scholars. It is the perfect companion for students of Theatre Studies and English Literature.
British Theatre after Brexit: One Year On
2018
The author uses a metaphor involving a new puppy to explain the state of Brexit and British theater. British theatre has reacted to Brexit with a range of emotions. A couple of years after the Referendum of summer 2016, and about a year before the official leave date of March 29, 2019, cultural industries of all kinds are partly depressed, partly resigned, and partly angry.
Journal Article
Dark Times
2017
A poll by the Creative Industries Federation in May found that 97% of British theater community members wanted to remain in the EU. More than 250 artists signed a letter arguing that Britain's cultural industries faced disaster if the UK left. Likewise, Samuel West, the actor and director who leads the National Campaign for the Arts, found that some 96% of creatives wanted to remain. Sierz examines British theater after Brexit.
Journal Article