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"Stavans, Ilan, editor"
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And we came outside and saw the stars again : writers from around the world on the COVID-19 pandemic
Writers from around the world provide essays, stories, poems and artwork detailing the realities of the COVID-19 pandemic.
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César Chàvez
Labor leader, social justice advocate, Chicano leader, and humanitarian are only some of the multifaceted renderings of César Chávez. Ilan Stavans has compiled essays and first-person narratives that capture the multiple dimensions of this storied figure. To that end, Stavans's collection of timely articles separates fact from fiction, or as he puts it the \"objective is the opposite of hagiography.\" Broken into two sections, César Chávez explores a variety of topics central to understanding the actual person instead of a shadowy apparition. The first part, \"Considerations\" offers critical assessments of Chávez's life that utilize different approaches to understanding his life, including cultural studies critiques, historical narrative that provide invaluable context, and even eulogies following his untimely death. The second section, \"Voices\" includes personal reflections on Chávez's life that explore his religiosity, his role as an \"everyman, \" and the decline of the United Farm Workers union. The title is certain to assist readers in better comprehending this groundbreaking labor leader.
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The people's tongue : Americans and the English language
\"This volume is a people's history of English in the United States, told by those who have transformed it: activists, teachers, immigrants, journalists, poets, dictionary makers, actors, musicians, playwrights, preachers, presidents, rappers, translators, singers, children's authors, scientists, politicians, foreigners, students, homemakers, lexicographers, scholars, newspaper columnists, senators, novelists, and a slew of fanatics. It begins with the English used by the settlers in Plymouth Colony and concludes (for now) with John McWhorter's tribute to punctuation that bends the rules. The quest is to understand how an imperial language like English, with Germanic origins, whose spread resulted from the Norman conquest, came to be an intrinsic component of the most influential democratic experiment in the world. Edited by internationally renowned cultural commentator and consultant for the OED Ilan Stavans, it is organized chronologically and offers a banquet of letters, poems, essays, dictionary entries, stories, songs, legislative documents, and other evidence of verbal mutation. Immigrants have propelled these transformations. Hybrid dialects like Yinglish, Spanglish, and Hawaiian pidgin have flowered. Our linguistic and cultural multiplicity has sparked fierce national debates that play out in these pages--from the compulsory education (and deracination) of Native Americans, to the classification of Black Vernacular English (once celebrated and ridiculed as Ebonics), to the dictionary wars over prescriptive versus descriptive usage, to the push for \"English only\" mandates that persist to this day. What is clear is that as much as we try to corral it, American English gallops ahead to its own destiny. Driven by American innovators, English has become the global language of both business and entertainment--the medium of the laws that bind us, the art that inspires us, and the connections we forge across cultures. A compendium that is as rich and diverse as the country itself, The People's Tongue helps us grapple with how English has become the world's lingua franca.\"-- Provided by publisher.
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Words in transit : stories of immigrants
Western New England is home to immigrants and refugees from around the globe, and their presence revitalizes the region and redefines its culture. Their journeys have involved fear, uprootedness, and isolation as well as perseverance, creativity, and hope. Words in Transit collects the oral histories of nearly thirty people who have made this area their new home.
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Telenovelas
Drama! Excess! Men in bee suits! Often erroneously compared to soap operas of the United States, outside of the necessary and sometimes fantastical dramatic story arc, however, the telenovela differs greatly from U.S. soap operas and have regional and cultural distinctions throughout Latin America. In Telenovelas, Ilan Stavans has gathered over two-dozen essays covering the telenovela for readers to better understand the phenomenon and its myriad layers. Branching off from radionovelas, the telenovela was exported from pre-Castro Cuba during the 1950s. The essays found in Telenovelas covers a broad view of the genre, television's impact in Latino culture, as well as more in-depth discussions of specific telenovelas throughout the Spanish-speaking television audience in the North America. Also explored is how telenovelas depict stereotypes, respond to gender and class roles, and examines the differences in topic and thematic choices as well as production values unique to each country.
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The underdogs : a new translation, contexts, criticism
\"Mariano Azuela's 1915 novel Los de Abajo, here newly translated, is a fictional account of the Mexican Revolution through which he lived. Exploring themes of camaraderie, inequality, love, and justice, The Underdogs' story of peasant Demetrio Macias and his group of fellow rebels is still relevant a century after its serialization in a Texan newspaper. Ilan Stavans and Anna More have freshly rendered the Spanish into English, which is here included with a number of contextual and critical materials by authors such as Octavio Paz, Waldo Frank, and Subcomandante Marcos to help students position the book in history and in today's world\") -- Provided by publisher.
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Memories of Buenos Aires
In the 1970s, Argentina was the leader in the “Dirty War,” a violent campaign by authoritarian South American regimes to repress leftwing groups and any others who were deemed subversive. Over the course of a decade, Argentina’s military rulers tortured and murdered upwards of 30,000 citizens. Even today, after thirty years of democratic rule, the horror of that time continues to roil Argentine society. Argentina has also been in the vanguard in determining how to preserve sites of torture, how to remember the “disappeared,” and how to reflect on the causes of the Dirty War. Across the capital city of Buenos Aires are hundreds of grassroots memorials to the victims, documenting the scope of the state’s reign of terror. Although many books have been written about this era in Argentina’s history, the original Spanishlanguage edition of Memories of Buenos Aires was the first to identify and interpret all of these sites. It was published by the human rights organization Memoria Abierta, which used interviews with survivors to help unearth that painful history. This translation brings this important work to an Englishspeaking audience, offering a comprehensive guidebook to clandestine sites of horror as well as innovative sites of memory. The book divides the 48 districts of the city into 9 sectors, and then proceeds neighborhoodbyneighborhood to offer descriptions of 202 known “sites of state terrorism” and 38 additional places where people were illegally detained, tortured, and killed by the government.
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Border culture
The border between the United States and Mexico, despite attempts at containment, remains a vast and uniquely malleable yet indefinable region. With Border Culture, Ilan Stavans has collected essays representative of the tangled experiences and issues central to life between cultures. Divided into two sections, Border Culture covers topics essential to better understanding this often misunderstood region and state-of-mind. The first section, \"Considerations,\" culls essays covering socio-economic and political topics illustrating the hyper reality of life and living on La Frontera. Section two, \"Testimonios,\" takes careful consideration of lives affected by the border, either as a finite place, alternate universe, or the framework of the border as a state-of-mind, through various historic and literary accounts of La Frontera. This enlightening and comprehensive collection will no doubt help readers better understand border culture.
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Critical Approaches to the Films of Robert Rodriguez
Frederick Aldama’s The Cinema of Robert Rodriguez (2014) was the first full-scale study of one of the most prolific and significant Latino directors making films today. In this companion volume, Aldama enlists a corps of experts to analyze a majority of Rodriguez’s feature films, from his first break-out success El Mariachi in 1992 to Machete in 2010. The essays explore the formal and thematic features present in his films from the perspectives of industry (context, convention, and distribution), the film blueprint (auditory and visual ingredients), and consumption (ideal and real audiences). The authors illuminate the manifold ways in which Rodriguez’s films operate internally (plot, character, and event) and externally (audience perception, thought, and feeling). The volume is divided into three parts: “Matters of Mind and Media\" includes essays that use psychoanalytic and cognitive psychology to shed light on how Rodriguez’s films complicate Latino identity, as well as how they succeed in remaking audiences’ preconceptions of the world. “Narrative Theory, Cognitive Science, and Sin City: A Case Study\" offers tools and models of analysis for the study of Rodriguez’s film re-creation of a comic book (on which Frank Miller was credited as codirector). “Aesthetic and Ontological Border Crossings and Borderlands\" considers how Rodriguez’s films innovatively critique fixed notions of Latino identity and experience, as well as open eyes to racial injustices. As a whole, the volume demonstrates how Rodriguez’s career offers critical insights into the filmmaking industry, the creative process, and the consuming and reception of contemporary film.
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