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"Stransky, Oonagh, translator"
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The house on Via Gemito
A modest apartment in Via Gemito smelling of paint and turpentine. Its furniture pushed up against the wall to create a make-shift studio. Drying canvases moved from bed to floor each night. Federí, the father, a railway clerk, is convinced that he possesses great artistic promise. If it weren't for the family he must feed and the jealousy of his fellow Neapolitan artists, nothing would stop him from becoming a world-famous painter. Ambitious and frustrated, genuinely talented but also arrogant and resentful, Federí is scarred by constant disappointment. He is a larger-than-life character, a liar, a fabulist, and his fantasies shape the lives of those around him, especially his young son, Mimi, short for Domenico, who will spend a lifetime trying to get out from under his father's shadow. --from Amazon.
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The mortal and immortal life of the girl from Milan
Imagine a child, a daydreamer, always gazing out of the window. His grandmother, busy in the kitchen, keeps an eye on him. The child stares at a balcony on the opposite building, watching the black-haired girl as she dances her reckless dance. For a love like this, a child can push himself to extreme feats. He can turn into explorer or cabin boy, cowboy or castaway; he can fight duels to the death, or even master an unfamiliar language. His grandmother is not articulate, but does not lack imagination, and her love for the boy is immeasurable. She tells him about the entrance to the underworld, engraving indelible images in her nephew's mind. An irresistible book, as sharp as the swords of fantasy hidden under the bed, as precious as a family jewel, in which the discovery of love and the discovery of death follow each other, marking the end of childhood.
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