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"Susan Merrill Squier"
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\"In 2205, the Nineteenth Amendment has been repealed and men hold absolute power. The Earth's economy relies on an insular group of linguists who 'breed' women to become interstellar translators until they are sent to the Barren House to await death. But instead, these women are secretly creating a language of their own to reclaim their autonomy and make resistance possible for all.\"--Back cover.
Book
Graphic medicine manifesto
This inaugural volume in the Graphic Medicine series establishes the principles of graphic medicine and begins to map the field. The volume combines scholarly essays by members of the editorial team with previously unpublished visual narratives by Ian Williams and MK Czerwiec, and it includes arresting visual work from a wide range of graphic medicine practitioners. The book’s first section, featuring essays by Scott Smith and Susan Squier, argues that as a new area of scholarship, research on graphic medicine has the potential to challenge the conventional boundaries of academic disciplines, raise questions about their foundations, and reinvigorate literary scholarship—and the notion of the literary text—for a broader audience. The second section, incorporating essays by Michael Green and Kimberly Myers, demonstrates that graphic medicine narratives can engage members of the health professions with literary and visual representations and symbolic practices that offer patients, family members, physicians, and other caregivers new ways to experience and work with the complex challenges of the medical experience. The final section, by Ian Williams and MK Czerwiec, focuses on the practice of creating graphic narratives, iconography, drawing as a social practice, and the nature of comics as visual rhetoric. A conclusion (in comics form) testifies to the diverse and growing graphic medicine community. Two valuable bibliographies guide readers to comics and scholarly works relevant to the field.
eBook
Liminal lives : imagining the human at the frontiers of biomedicine
Embryo adoptions, stem cells capable of transforming into any cell in the human body, intra- and inter-species organ transplantation—these and other biomedical advances have unsettled ideas of what it means to be human, of when life begins and ends. In the first study to consider the cultural impact of the medical transformation of the entire human life span, Susan Merrill Squier argues that fiction—particularly science fiction—serves as a space where worries about ethically and socially charged scientific procedures are worked through. Indeed, she demonstrates that in many instances fiction has anticipated and paved the way for far-reaching biomedical changes. Squier uses the anthropological concept of liminality—the state of being on the threshold of change, no longer one thing yet not quite another—to explore how, from the early twentieth century forward, fiction and science together have altered not only the concept of the human being but the contours of human life.
Drawing on archival materials of twentieth-century biology; little-known works of fiction and science fiction; and twentieth- and twenty-first century U.S. and U.K. government reports by the National Institutes of Health, the Parliamentary Advisory Group on the Ethics of Xenotransplantation, and the President's Council on Bioethics, she examines a number of biomedical changes as each was portrayed by scientists, social scientists, and authors of fiction and poetry. Among the scientific developments she considers are the cultured cell, the hybrid embryo, the engineered intrauterine fetus, the child treated with human growth hormone, the process of organ transplantation, and the elderly person rejuvenated by hormone replacement therapy or other artificial means. Squier shows that in the midst of new phenomena such as these, literature helps us imagine new ways of living. It allows us to reflect on the possibilities and perils of our liminal lives.
eBook
Liminal Lives
Embryo adoptions, stem cells capable of transforming into any cell in the human body, intra- and inter-species organ transplantation—these and other biomedical advances have unsettled ideas of what it means to be human, of when life begins and ends. In the first study to consider the cultural impact of the medical transformation of the entire human life span, Susan Merrill Squier argues that fiction—particularly science fiction—serves as a space where worries about ethically and socially charged scientific procedures are worked through. Indeed, she demonstrates that in many instances fiction has anticipated and paved the way for far-reaching biomedical changes. Squier uses the anthropological concept of liminality—the state of being on the threshold of change, no longer one thing yet not quite another—to explore how, from the early twentieth century forward, fiction and science together have altered not only the concept of the human being but the contours of human life.Drawing on archival materials of twentieth-century biology; little-known works of fiction and science fiction; and twentieth- and twenty-first century U.S. and U.K. government reports by the National Institutes of Health, the Parliamentary Advisory Group on the Ethics of Xenotransplantation, and the President’s Council on Bioethics, she examines a number of biomedical changes as each was portrayed by scientists, social scientists, and authors of fiction and poetry. Among the scientific developments she considers are the cultured cell, the hybrid embryo, the engineered intrauterine fetus, the child treated with human growth hormone, the process of organ transplantation, and the elderly person rejuvenated by hormone replacement therapy or other artificial means. Squier shows that in the midst of new phenomena such as these, literature helps us imagine new ways of living. It allows us to reflect on the possibilities and perils of our liminal lives.
eBook
The Uses of Graphic Medicine for Engaged Scholarship
Comics were an illicit pleasure for me when I was a girl. In my house, reading was restricted to “literature,” but my neighbors—Lindy, who was my age, and Sandy, her older sister—had stacks of comics in the bedroom they shared. When I spent the night at their house, I would sit on the floor under the glassy-eyed surveillance of their Ginny dolls and read comic after comic—Archie, Betty and Veronica, Little Lulu, and occasionally Superman or Batman.¹ In those comics-reading splurges that were never long enough, I would muse over the mysteries of teenage life—would Archie
Book Chapter
Liminal Lives
Embryo adoptions, stem cells capable of transforming into any cell in the human body, intra- and inter-species organ transplantation-these and other biomedical advances have unsettled ideas of what it means to be human, of when life begins and ends. In the first study to consider the cultural impact of the medical transformation of the entire human life span, Susan Merrill Squier argues that fiction-particularly science fiction-serves as a space where worries about ethically and socially charged scientific procedures are worked through. Indeed, she demonstrates that in many instances fiction has anticipated and paved the way for far-reaching biomedical changes. Squier uses the anthropological concept of liminality-the state of being on the threshold of change, no longer one thing yet not quite another-to explore how, from the early twentieth century forward, fiction and science together have altered not only the concept of the human being but the contours of human life. Drawing on archival materials of twentieth-century biology; little-known works of fiction and science fiction; and twentieth- and twenty-first century U.S. and U.K. government reports by the National Institutes of Health, the Parliamentary Advisory Group on the Ethics of Xenotransplantation, and the President's Council on Bioethics, she examines a number of biomedical changes as each was portrayed by scientists, social scientists, and authors of fiction and poetry. Among the scientific developments she considers are the cultured cell, the hybrid embryo, the engineered intrauterine fetus, the child treated with human growth hormone, the process of organ transplantation, and the elderly person rejuvenated by hormone replacement therapy or other artificial means. Squier shows that in the midst of new phenomena such as these, literature helps us imagine new ways of living. It allows us to reflect on the possibilities and perils of our liminal lives.
eBook
Graphic Medicine Manifesto
This inaugural volume in the Graphic Medicine series establishes
the principles of graphic medicine and begins to map the field. The
volume combines scholarly essays by members of the editorial team
with previously unpublished visual narratives by Ian Williams and
MK Czerwiec, and it includes arresting visual work from a wide
range of graphic medicine practitioners. The book's first section,
featuring essays by Scott Smith and Susan Squier, argues that as a
new area of scholarship, research on graphic medicine has the
potential to challenge the conventional boundaries of academic
disciplines, raise questions about their foundations, and
reinvigorate literary scholarship-and the notion of the literary
text-for a broader audience. The second section, incorporating
essays by Michael Green and Kimberly Myers, demonstrates that
graphic medicine narratives can engage members of the health
professions with literary and visual representations and symbolic
practices that offer patients, family members, physicians, and
other caregivers new ways to experience and work with the complex
challenges of the medical experience. The final section, by Ian
Williams and MK Czerwiec, focuses on the practice of creating
graphic narratives, iconography, drawing as a social practice, and
the nature of comics as visual rhetoric. A conclusion (in comics
form) testifies to the diverse and growing graphic medicine
community. Two valuable bibliographies guide readers to comics and
scholarly works relevant to the field.
eBook
Beyond Nescience: the intersectional insights of health humanities
Through a comparison of two graphic novels concerned with the experience of cancer diagnosis and treatment, Brian Fies's Mom's Cancer (2006) and Harvey Pekar and Joyce Brabner's Our Cancer Year (1994), this essay suggests some of the strengths and limitations of the medical humanities in responding to the experience of illness. It demonstrates how the graphic medium enables us to generate a new set of reading strategies and thus to articulate a more complex and powerful analysis of illness, disability, medicine, and health. Finally, the essay considers the question raised by the comparison of the graphic novels: whether the term \"health humanities\" might not be preferable to its predecessor, \"medical humanities.\"
Journal Article