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"Thomas, Richard, author"
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The possibilities of transnational activism : the campaign for disarmament between the two World Wars
2007,2006
International non-governmental organisations and transnational activism are a prominent feature of contemporary world politics. This book sheds historical light on these phenomena by providing an in-depth study of the campaign for disarmament that took place between the two World Wars.
Dining with madmen : fat, food, and the environment in 1980s horror
\"In Dining with Madmen: Fat, Food, and the Environment in 1980s Horror, author Thomas Fahy explores America's preoccupation with body weight, processed foods, and pollution through the lens of horror. Conspicuous consumption may have communicated success in the eighties, but only if it did not become visible on the body. American society had come to view fatness as a horrifying transformation--it exposed the potential harm of junk food, gave life to the promises of workout and diet culture, and represented the country's worst consumer impulses, inviting questions about the personal and environmental consequences of excess. While changing into a vampire or a zombie often represented widespread fears about addiction and overeating, it also played into concerns about pollution. Ozone depletion, acid rain, and toxic waste already demonstrated the irrevocable harm being done to the planet. The horror genre--from A Nightmare on Elm Street to American Psycho--responded by presenting this damage as an urgent problem, and, through the sudden violence of killers, vampires, and zombies, it depicted the consequences of inaction as terrifying. Whether through Hannibal Lecter's cannibalism, a vampire's thirst for blood in The Queen of the Damned and The Lost Boys, or an overwhelming number of zombies in George Romero's Day of the Dead, 1980s horror uses out-of-control hunger to capture deep-seated concerns about the physical and material consequences of unchecked consumption. Its presentation of American appetites resonated powerfully for audiences preoccupied with body size, food choices, and pollution.\" -- Provided by publisher.
Understanding Truman Capote
2014
Truman Capote—along with his most famous works In Cold Blood and Breakfast at Tiffany’s—continues to have a powerful hold over the American popular imagination. His glamorous lifestyle, which included hobnobbing with the rich and famous and frequenting the most elite nightclubs in Manhattan, makes him the subject of ongoing interest for public and academic audiences alike. In Understanding Truman Capote, Thomas Fahy provides a new direction for Capote studies that offers a way to reconsider the author’s place in literary criticism, the canon, and the classroom. By reading Capote’s work in its historical context, Fahy reveals the politics shaping his writing and refutes any notion of Capote as disconnected from the political. Instead this study positions him as a writer deeply engaged with the social anxieties of the 1940s and 1950s. Understanding Truman Capote also applies a highly interdisciplinary framework to the author’s writing that includes discussions of McCarthyism, the Lavender Scare, automobile culture, juvenile delinquency, suburbia, Beat culture, the early civil rights movement, female sexuality as embodied by celebrities such as Marilyn Monroe, and atomic age anxieties. This new approach to Capote studies will be of interest in the fields of literature, history, film, suburban studies, sociology, gender/sexuality studies, African American literary studies, and American and cultural studies. Capote’s writing captures the isolation, marginalization, and persecution of those who deviated from or failed to achieve white middle-class ideals and highlights the artificiality of mainstream idealizations about American culture. His work reveals the deleterious consequences of nostalgia, the insidious impact of suppression, the dangers of Cold War propaganda, and the importance of equal rights. Ultimately Capote’s writing reflects a critical engagement with American culture that challenges us to rethink our understanding of the 1940s and 1950s.
Christian America and the Kingdom of God
2009,2010,2012
The idea of the United States as a Christian nation is a powerful, seductive, and potentially destructive theme in American life, culture, and politics. Many fundamentalist and evangelical leaders routinely promote this notion, and millions of Americans simply assume the Christian character of the United States. And yet, as Richard T. Hughes reveals in this powerful book, the biblical vision of the \"kingdom of God\" stands at odds with the values and actions of an American empire that sanctions war instead of peace, promotes dominance and oppression instead of reconciliation, and exalts wealth and power instead of justice for the poor and needy._x000B__x000B_With conviction and careful consideration, Hughes reviews the myth of Christian America from its earliest history in the founding of the republic to the present day. Extensively analyzing the Old and New Testaments, Hughes provides a solid, scripturally-based explanation of the kingdom of God--a kingdom defined by love, peace, patience, and generosity. Throughout American history, however, this concept has been appropriated by religious and political leaders and distorted into a messianic nationalism that champions the United States as God's \"chosen nation\" and bears little resemblance to the teachings of Jesus._x000B__x000B_Pointing to a systemic biblical and theological illiteracy running rampant in the United States, Hughes investigates the reasons why so many Americans think of the United States as a Christian nation despite the Constitution's outright prohibition against establishing any national religion by law or coercion. He traces the development of fundamentalist Christianity throughout American history, noting especially the increased power and widespread influence of fundamentalism at the dawn of the twenty-first century, embodied and enacted by the administration of President George W. Bush and America's reaction to the terrorist attacks on September 11, 2001._x000B__x000B_Timely and provocative, Christian America and the Kingdom of God illuminates the devastating irony of a \"Christian America\" that so often behaves in unchristian ways.
In sickness and in health : disease and disability in contemporary America
The increasing importance of sickness and disability data across health-related disciplines is the focus of this concise but comprehensive resource. It reviews the basics of morbidity at the population level by defining core concepts, analyzing why morbidity has overtaken mortality as central to demographic study, and surveying ways these data are generated, accessed, and measured.
Africa and France
Africa and France reveals how increased control over immigration has changed cultural and social production, especially in theatre, literature, film, and even museum construction. A hated of foreigners, accompanied by new forms of intolerance and racism, has crept from policy into popular expressions of ideas about the postcolony and ethnic minorities. Dominic Thomas's stimulating and insightful analyses unravel the complex cultural and political realities of longstanding mobility between Africa and Europe and question the attempt at placing strict limits on what it means to be French or European. Thomas offers a sense of what must happen to bring about a renewed sense of integration and global Frenchness.
Why Bob Dylan matters
When the Nobel Prize for Literature was awarded to Bob Dylan in 2016, a debate raged. Some celebrated, while many others questioned the choice. How could the world's most prestigious book prize be awarded to a famously cantankerous singer-songwriter who wouldn't even deign to attend the medal ceremony? In 'Why Bob Dylan matters', Harvard Professor Richard F. Thomas answers this question with magisterial erudition. A world expert on Classical poetry, Thomas was initially ridiculed by his colleagues for teaching a course on Bob Dylan alongside his traditional seminars on Homer, Virgil, and Ovid. Dylan's Nobel Prize brought him vindication, and he immediately found himself thrust into the spotlight as a leading academic voice in all matters Dylanological. Today, through his wildly popular Dylan seminar - affectionately dubbed \"Dylan 101\"--Thomas is introducing a new generation of fans and scholars to the revered bard's work. This witty, personal volume is a distillation of Thomas's famous course, and makes a compelling case for moving Dylan out of the Rock & Roll Hall of Fame and into the pantheon of Classical poets.
The Writing Dead
2015
The Writing Dead features original interviews with the writers of today's most frightening and fascinating shows. They include some of television's biggest names—Carlton Cuse ( Lost and Bates Motel ), Bryan Fuller ( Hannibal, Dead Like Me, Wonderfalls, and Pushing Daisies ), David Greenwalt ( Angel and Grimm ), Gale Anne Hurd ( The Walking Dead, The Terminator series, Aliens, and The Abyss ), Jane Espenson ( Buffy the Vampire Slayer and Battlestar Galactica ), Brian McGreevy ( Hemlock Grove ), Alexander Woo ( True Blood ), James Wong ( The X-Files, Millennium, American Horror Story, and Final Destination ), Frank Spotnitz ( The X-Files and Millennium ), Richard Hatem ( Supernatural, The Dead Zone, and The Mothman Prophecies ), Scott Buck ( Dexter ), Anna Fricke ( Being Human ), and Jim Dunn ( Haven ). The Writing Dead features thought-provoking, never-before-published interviews with these top writers and gives the creators an opportunity to delve more deeply into the subject of television horror than anything found online. In addition to revealing behind-the-scene glimpses, these writers discuss favorite characters and storylines and talk about what they find most frightening. They offer insights into the writing process reflecting on the scary works that influenced their careers. And they reveal their own personal fascinations with the genre. The thirteen interviews in The Writing Dead also mirror the changing landscape of horror on TV—from the shows produced by major networks and cable channels to shows made exclusively for online streaming services such as Netflix and Amazon Studios. The Writing Dead will appeal to numerous fans of these shows, to horror fans, to aspiring writers and filmmakers, and to anyone who wants to learn more about why we like being scared.