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\"The problem of the twentieth century is the problem of the color line.\" These were the prescient words of W. E. B. Du Bois's influential 1903 book The Souls of Black Folk. The preeminent Black intellectual of his generation, Du Bois wrote about the trauma of seeing the Reconstruction era's promise of racial equality cruelly dashed by the rise of white supremacist terror and Jim Crow laws. Yet he also argued for the value of African American cultural traditions and provided inspiration for countless civil rights leaders who followed him. Now artist Paul Peart-Smith offers the first graphic adaptation of Du Bois's seminal work. Peart-Smith's graphic adaptation provides historical and cultural contexts that bring to life the world behind Du Bois's words. Readers will get a deeper understanding of the cultural debates The Souls of Black Folk engaged in, with more background on figures like Booker T. Washington, the advocate of black economic uplift, and the Pan-Africanist minister Alexander Crummell. This beautifully illustrated book vividly conveys the continuing legacy of The Souls of Black Folk, effectively updating it for the era of the 1619 Project and Black Lives Matter. 

This volume assembles essential essays some published only posthumously, others obscure, another only recently translated by W. E. B. Du Bois from 1894 to early 1906. They show the first formulations of some of his most famous ideas, namely, \"the veil,\" \"double-consciousness,\" and the \"problem of the color line.\" Moreover, the deep historical sense of the formation of the modern world that informs Du Bois's thought and gave rise to his understanding of \"the problem of the color line\" is on display here. Indeed, the essays constitute an essential companion to Du Bois's masterpiece published in 1903 as The Souls of Black Folk. The collection is based on two editorial principles: presenting the essays in their entirety and in strict chronological order. Copious annotation affords both student and mature scholar an unprecedented grasp of the range and depth of Du Boiss everyday intellectual and scholarly reference. These essays commence at the moment of Du Bois's return to the United States from two years of graduate-level study in Europe at the University of Berlin. At their center is the moment of Du Boi's first full, self-reflexive formulation of a sense of vocation: as a student and scholar in the pursuit of the human sciences (in their still-nascent disciplinary organization that is, the institutionalization of a generalized \"sociology\" or general \"ethnology\"), as they could be brought to bear on the study of the situation of the so-called Negro question in the United States in all of its multiply refracting dimensions. They close with Du Bois's realization that the commitments orienting his work and intellectual practice demanded that he move beyond the institutional frames for the practice of the human sciences. The ideas developed in these early essays remained the fundamental matrix for the ongoing development of Du Boiss thought. The essays gathered here will therefore serve as the essential reference for those seeking to understand the most profound registers of this major American thinker.

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W. E. B. Du Bois was a political and literary giant of the 20th century, publishing over twenty books and thousands of essays and articles throughout his life. In The Social Theory of W. E. B. Du Bois, editor Phil Zuckerman assembles Du Bois's work from a wide variety of sources, including articles Du Bois published in newspapers, speeches he delivered, selections from well-known classics such as The Souls of Black Folk and Darkwater, and lesser-known, hard-to-find material written by this revolutionary social theorist. This book offers an excellent introduction to the sociological theory of one of the 20th century's intellectual beacons.

W.E.B.Du Bois is the founding figure of the sociological study of the Black Church.His discussion of the six functions of Philadelphia's Black Church in The Philadelphia Negro (1899) represented an early example of a \"functional analysis\" of a religious group.

This prophetic statement made by W. E. B. Du Bois over a century ago is from The Souls of Black Folk. One hundred years later, Souls remains the most important treatment of African-American life and culture published in the twentieth century. Richly illustrated, this special edition of Du Bois's seminal work includes historical woodcuts and engravings, photos and documents. Most of the photos, engravings, and documents are from the 19th and early 20th century and depict American slavery and its legacy, African-American life, and the prominent figures and events associated with the book's content. Assembled by Eugene F. Provenzo Jr., this illustrated edition of The Souls of Black Folk also offers extensive annotations, commentary and related materials from government, the media, advertising, and popular culture. Documents include the Act Establishing the Freedman's Bureau, Booker T. Washington's Atlanta Exposition Speech, W. E. B. Du Bois's essay \"The Talented Tenth,\" Ida B. Wells-Barnett's The Lynch Law in Georgia, W. E. B. Du Bois's report \"The Negro in the Black Belt,\" Alexander Crummell's sermon, \"Common Sense and Schooling,\" W. E. B. Du Bois's story, \"The Black Man Brings His Gifts,\" Thomas Wentworth Higginson's article \"Negro Spirituals,\" and more.

Restless Classics presents The Souls of Black Folk: W. E. B. Du Bois's seminal work of sociology, with searing insights into our complex, corrosive relationship with race and the African-American consciousness. Reconsidered for the era of Obama, Trump, and Black Lives Matter, the new edition includes an incisive introduction from rising cultural critic Vann R. Newkirk II and stunning illustrations by the artist Steve Prince. Published in 1903, exactly forty years after the Emancipation Proclamation, W.E.B. Du Bois's The Souls of Black Folk fell into the hands of an American nation that had still not yet found \"peace from its sins.\" With such deep disappointment among African-Americans still awaiting full emancipation, Du Bois believed that the moderate and conciliatory efforts of civil-rights leader Booker T. Washington could only go so far. Taking to the page, Du Bois produced a resounding declaration on the rights of the American man and laid out an agenda that was at the time radical but has since proven prophetic. In fourteen chapters that move fluidly between historical and sociological essays, song and poetry, personal recollection and fiction, The Souls of Black Folk frames \"the color line\" as the central problem of the twentieth century and tries to answer the question, \"Why did God make me an outcast and a stranger in mine own house?\" Striking in his psychological precision as well as his political foresight, Du Bois advanced ithe influential ideas of \"double-consciousness\"-an inner conflict created by the seemingly irreconcilable \"black\" and \"American\" identities-and \"the veil,\" through which African-Americans must see a spectrum of economic, social, and political opportunities entirely differently from their white counterparts'. Now, over fifty years after Du Bois's death and the Civil Rights Act, we need this seminal work more urgently than ever. Long overdue for reconsideration, it is the latest installment of Restless Classics, featuring illustrations by master printmaker Steve Prince and a new introduction by Atlantic staff writer Vann R. Newkirk II.

This edited reader showcases classic studies on the Black Church and religion by a pioneer of American sociology. Utilizing statistical, ethnographic, literary, and historical data, W. E. B. Du Bois captured the vibrant role the Black Church played in the African American community at the turn of the twentieth century.

Written in very accessible prose, these two booklets allowed W. E. B. Du Bois to reach a wide audience with an interest in Africa. What is so incredible about the two Africa booklets is their lasting relevance and value to the study of Africa today. Coupling Du Bois's breadth of scholarship with his passion for the subjects, the analyses in these booklets are integral to the study of Africa. Many of his arguments foreshadowed the issues and debates regarding Africa in the twentieth century. With an introduction by Emmanuel Akyeampong, this edition is essential for anyone interested in African history.

In Black Folk Then and Now, W. E. B. Du Bois embarks on a mission to correct the omissions, misinterpretations, and deliberate lies he detected in previous depictions of black history. An exemplary revisionist exploration of history and sociology, this essay reflects Du Bois's lifelong mission to bring to light the truths of Black history and expose the African peoples' noble heritage. With a series introduction by editor Henry Louis Gates, Jr., and an introduction by Wilson Moses, this edition is essential for anyone interested in African American history.