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"Walsh, Bridget, 1964- author"
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The innocents
The Variety Palace Music Hall is in trouble, due in no small part to a gruesome spate of murders that unfolded around it a few months previously. Between writing, managing the music hall and trying to dissuade her boss from installing a water tank in the building, Minnie Ward has her hands full. Her complicated relationship with detective Albert Easterbrook doesn't even bear thinking about. But when a new string of murders tears through London, Minnie and Albert are thrown together once more. Strangely, the crimes seem to link back to a tragedy that took place fourteen years ago, leaving 183 children dead. And given that the incident touched so many people's lives, everyone is a suspect.
Book
Domestic Murder in Nineteenth-Century England
Why did certain domestic murders fire the Victorian imagination? In her analysis of literary and cultural representations of this phenomenon across genres, Bridget Walsh traces how the perception of the domestic murderer changed across the nineteenth century and suggests ways in which the public appetite for such crimes was representative of wider social concerns. She argues that the portrayal of domestic murder did not signal a consensus of opinion regarding the domestic space, but rather reflected significant discontent with the cultural and social codes of behaviour circulating in society, particularly around issues of gender and class. Examining novels, trial transcripts, medico-legal documents, broadsides, criminal and scientific writing, illustration and, notably, Victorian melodrama, Walsh focuses on the relationship between the domestic sphere, so central to Victorian values, and the desecration of that space by the act of murder. Her book encompasses the gendered representation of domestic murder for both men and women as it tackles crucial questions related to Victorian ideas of nationhood, national health, political and social inequality, newspaper coverage of murder, unstable and contested models of masculinity and the ambivalent portrayal of the female domestic murderer at the fin de siècle.
eBook
The tumbling girl
1876, Victorian London. Minnie Ward, a feisty scriptwriter for the Variety Palace Music Hall, is devastated when her best friend is found brutally murdered. She enlists the help of private detective Albert Easterbrook to help her find justice. Together they navigate London, from its high-class clubs to its murky underbelly. But as the bodies pile up, they must rely on one another if they're going to track down the killer - and make it out alive.
Book