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Bitter freedom : Ireland in a revolutionary world
\"In the tradition of Margaret MacMillan's Paris 1919 comes this groundbreaking history of the Irish Revolution. The Irish Revolution has long been mythologized in American culture, but seldom understood. For too long, the story of Irish independence and its aftermath has been told only within an Anglo-Irish context. Now, in the critically acclaimed Bitter Freedom, journalist Maurice Walsh, with 'a novelist's eye for the illuminating detail of everyday lives in extremis' (Prospect) places revolutionary Ireland in the panorama of the global disorder born of the terrible slaughter of World War I, as well as providing a kaleidoscopic portrait of the human face of the conflict. In this 'invigorating account' (Spectator), Walsh demonstrates how this national revolution, which captured worldwide attention from India to Argentina, was itself shaped by international events, political, economic, and cultural. In the era of Russian Bolshevism and American jazz, developments in Europe and America had a profound effect on Ireland. Bitter Freedom is 'the most vivid and dramatic account of this epoch to date' (Literary Review)\"--Provided by publisher.
Book
The News From Ireland
The Anglo-Irish war of 1919-1921 was an international historical landmark: the first successful revolution against British rule and the beginning of the end of the Empire. But the Irish revolutionaries did not win their struggle on the battlefield - their key victory was in mobilising public opinion in Britain and the rest of the world. Journalists and writers flocked to Ireland, where the increasingly brutal conflict was seen as the crucible for settling some of the key issues of the new world order emerging from the ruins of the First World War. On trial was the British Empire's claim to be the champion of civilisation as well as the principle of self-determination proclaimed by the American president Woodrow Wilson.\"The News from Ireland\" vividly explores the work of British and American correspondents in Ireland as well as other foreign journalists and literary figures. It offers a penetrating and persuasive assessment of the Irish revolution's place in a key moment of world history as well as the role of the press and journalism in the conflict. This important book will be essential reading for anyone interested in Irish history and how our understanding of history generally is shaped by the media.
eBook
The leader writer
From his three years as a sub-editor on The Times of London, Graham Greene remembered, ‘the slow burning fire in the sub editors’ room, the gentle thud of coals as they dropped one by one in the old black grate’. For Greene the gently soporific memory of the fireplace in the subs room was a symbol of ‘the peaceful life’.¹ He knew of no one at the newspaper who had ever resigned or been sacked and so when he left in 1929 – after his first novel, The Man Within, turned out to be a spectacular success – the editor
Book Chapter
Unbiddable Pasts
At the Ulster Museum in Belfast two artefacts connect the momentous events of 1916 with the thirty years of conflict in Northern Ireland brought to an end by the Good Friday Agreement in 1998. One piece is the work of republican prisoners interned aboard HMS Maidstone in the Belfast docks in the early 1970s: a plaque, signed by its creators, bearing a portrait of the only socialist among the leaders of the Easter Rising in Dublin, James Connolly. The other is a painting by Gusty Spence, the founder of the modern loyalist paramilitary group, the Ulster Volunteer Force. It commemorates the Battle of the Somme: two soldiers in silhouette, bugles to their lips, on either side of a standard bearing the words ‘In Immortal Memory’, a reference to the 5,000 troops from the 36th Ulster Division who were killed or injured going over the top on 1 July 1916. These two objects not only bring home the importance of history and memory to the paramilitaries who fought each other during the Troubles but also point to how the story of the modern conflict is already being crafted for current political debates and future generations. As William Blair writes, the greatest challenge for the Ulster Museum in the near future will not be remembrance of the battles of a century ago but ‘dealing with the difficult and divisive legacy of “the Troubles”’.1 This is also an issue which historians have already begun to confront, often through their contributions to the debates surrounding the so-called ‘Decade of Centenaries’, stretching from the Home Rule crisis of 1912 to the end of the Irish revolution in 1923. These five books deal with the politics of memory in Ireland generally, and Northern Ireland in particular, and how memorialisation of traumatic events – official, unofficial and private – has shaped both the public sphere and the hidden recesses of everyday life. Two almost simultaneous events from 1916 – the Easter Rising in Dublin and the Battle of the Somme – have acquired extraordinary resonance in the contemporary politics of memory in Northern Ireland.
Journal Article
Foreign correspondents and the irish revolution 1919-1923
The Irish revolution of 1918-1923 not only led to the establishment of an independent Irish state; it is also recalled for the notoriety of the Black and Tans, the gendarmerie of war veterans recruited by the British government to fight a war of reprisals against the IRA. Historians have held that public perceptions of the war in Ireland were crucial to its outcome. In particular they cite critical press coverage as instrumental in turning the British public against the government's policy in Ireland. But there has been no study which thoroughly examines the work of journalists and writers who went to Ireland at this time. This thesis uses the published work of journalists and writers, evidence from archives in Britain, Ireland and the United States, journalists' memoirs and contemporary press criticism to explain the role journalists played in the conflict. It shows how British and American newspaper correspondents were able to report from Ireland with far greater freedom than they enjoyed during the First World War. Aided by their sympathy for the Irish cause and splits among the political elite in London, British correspondents set out to restore their reputation as crusading truth tellers by making visible practices of colonial warfare that would usually have remained hidden. American correspondents were enlisted by British officials as mediators. The war occurred in an age when the press and public opinion were thought to have a crucial influence on politics. Both the British government and the Irish revolutionaries tried to define the news. While examining the professional assumptions and rituals of the correspondents, the thesis examines the impact of wider political ideas on journalism. And it looks at how famous literary journalists used Ireland as a site for debates about their own societies.
Dissertation
