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"White, Richard, 1947-"
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The middle ground : Indians, empires, and republics in the Great Lakes region, 1650-1815
\"An acclaimed book and widely acknowledged classic, The Middle Ground steps outside the simple stories of Indian-white relations - stories of conquest and assimilation and stories of cultural persistence. It is, instead, about a search for accommodation and common meaning. It tells how Europeans and Indians met, regarding each other as alien, as other, as virtually nonhuman, and how between 1650 and 1815 they constructed a common, mutually comprehensible world in the region around the Great Lakes that the French called pays d'en haut. Here the older worlds of the Algonquians and of various Europeans overlapped, and their mixture created new systems of meaning and of exchange. Finally, the book tells of the breakdown of accommodation and common meanings and the re-creation of the Indians as alien and exotic. First published in 1991, the 20th anniversary edition includes a new preface by the author examining the impact and legacy of this study\"-- Provided by publisher.
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The frontier in American culture
Log cabins and wagon trains, cowboys and Indians, Buffalo Bill and General Custer. These and other frontier images pervade our lives, from fiction to films to advertising, where they attach themselves to products from pancake syrup to cologne, blue jeans to banks. Richard White and Patricia Limerick join their inimitable talents to explore our national preoccupation with this uniquely American image. Richard White examines the two most enduring stories of the frontier, both told in Chicago in 1893, the year of the Columbian Exposition. One was Frederick Jackson Turner's remarkably influential lecture, \"The Significance of the Frontier in American History\"; the other took place in William \"Buffalo Bill\" Cody's flamboyant extravaganza, \"The Wild West.\" Turner recounted the peaceful settlement of an empty continent, a tale that placed Indians at the margins. Cody's story put Indians—and bloody battles—at center stage, and culminated with the Battle of the Little Bighorn, popularly known as \"Custer's Last Stand.\" Seemingly contradictory, these two stories together reveal a complicated national identity. Patricia Limerick shows how the stories took on a life of their own in the twentieth century and were then reshaped by additional voices—those of Indians, Mexicans, African-Americans, and others, whose versions revisit the question of what it means to be an American. Generously illustrated, engagingly written, and peopled with such unforgettable characters as Sitting Bull, Captain Jack Crawford, and Annie Oakley, The Frontier in American Culture reminds us that despite the divisions and denials the western movement sparked, the image of the frontier unites us in surprising ways.
eBook
Railroaded : the transcontinentals and the making of modern America
This work is a history of the transcontinental railroads and how they transformed America in the decades after the Civil War. The transcontinental railroads of the late nineteenth century were the first corporate behemoths. Their attempts to generate profits from proliferating debt sparked devastating panics in the U.S. economy. Their dependence on public largess drew them into the corridors of power, initiating new forms of corruption. Their operations rearranged space and time, and remade the landscape of the West. As wheel and rail, car and coal, they opened new worlds of work and ways of life. Their discriminatory rates sparked broad opposition and a new antimonopoly politics. With characteristic originality, range, and authority, Richard White shows the transcontinentals to be pivotal actors in the making of modern America. But the triumphal myths of the golden spike, robber barons larger than life, and an innovative capitalism all die here. Instead we have a new vision of the Gilded Age, often darkly funny, that shows history to be rooted in failure as well as success.
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The lavender scare
With the United States gripped in the panic of the 1950s Cold War, President Dwight D. Eisenhower deems homosexuals to be “security risks” and vows to rid the federal government of all employees discovered to be gay or lesbian. Tens of thousands lose their jobs. But the mass firings have an unintended effect: they stir outrage in the gay community and thrust an unlikely hero into the forefront of the LGBTQ rights movement. In addition to illuminating a little-known chapter of American history, The Lavender Scare is a timely reminder of the value of vigilance and social action when civil liberties are under attack.
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Who killed Jane Stanford? : a gilded age tale of murder, deceit, spirits and the birth of a university
\"A premier historian penetrates the fog of corruption and cover-up still surrounding the murder of a Stanford University founder to establish who did it, how, and why. In 1885 Jane and Leland Stanford cofounded a university to honor their recently deceased young son. After her husband's death in 1893, Jane Stanford, a devoted spiritualist who expected the university to inculcate her values, steered Stanford into eccentricity and public controversy for more than a decade. In 1905 she was murdered in Hawaii, a victim, according to the Honolulu coroner's jury, of strychnine poisoning. With her vast fortune the university's lifeline, the Stanford president and his allies quickly sought to foreclose challenges to her bequests by constructing a story of death by natural causes. The cover-up gained traction in the murky labyrinths of power, wealth, and corruption of Gilded Age San Francisco. The murderer walked. Deftly sifting the scattered evidence and conflicting stories of suspects and witnesses, Richard White gives us the first full account of Jane Stanford's murder and its cover-up. Against a backdrop of the city's machine politics, rogue policing, tong wars, and heated newspaper rivalries, White's search for the murderer draws us into Jane Stanford's imperious household and the academic enmities of the university. Although Stanford officials claimed that no one could have wanted to murder Jane, we meet several people who had the motives and the opportunity to do so. One of these, we discover, also had the means\"-- Provided by publisher.
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Jazz writings : essays and reviews 1940-84
Brings together Larkin's reviews, articles and essays written for The Guardian, The Observer, The New Statesman and numerous other publications. As well as being passionate and knowledgeable about jazz, the pieces are beautifully written.
eBook
The republic for which it stands : the United States during Reconstruction and the Gilded Age, 1865-1896
An \"account of the Gilded Age's real legacy that lies buried beneath its capitalists of legend and its corrupt politicians\"--Provided by publisher.
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The fall of Gilead
Enter once more the world of Roland Deschain--and the world of the Dark Tower. The evil deceptions woven by the merciless, mesmerizing power of the mystical seeing sphere known as \"Maerlyn's Grapefruit\" warped Roland Deschain of Gilead's sense of reality, causing him to unintentionally commit a shocking and unforgivable crime--one which may earn him a swift journey to the gallows. But what has happened to Roland is only a taste of the bitter fat eof all of Mid-World's noblest defenders, as the violent insanity and destructive scheming of the monstrous \"Good Man\" John Farson and the inhuman Marten Broadcloak finally culminate in an all-out assault on the city of Gilead itself.
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The dark tower. The gunslinger. 6, Last shots
\"Enter once more the world of Roland Deschain--and the world of the Dark Tower--presented in a ... graphic novel form that will unlock the doorways to terrifying secrets and bold storytelling as part of the dark fantasy masterwork and magnum opus from ... Stephen King\"-- Provided by publisher.
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