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"Williams, Paul, 1979- author"
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Dreaming the Graphic Novel
by
Williams, Paul
in
Comic books, strips, etc
,
Graphic novels
,
Graphic novels-History and criticism
2020
Winner of the Best Book Award in Comics History from the Grand Comics Database Honorable Mention, 2019-2020 Research Society for American Periodicals Book PrizeThe term \"graphic novel\" was first coined in 1964, but it wouldn't be broadly used until the 1980s, when graphic novels such as Watchmen and Maus achieved commercial success and critical acclaim. What happened in the intervening years, after the graphic novel was conceptualized yet before it was widely recognized? Dreaming the Graphic Novel examines how notions of the graphic novel began to coalesce in the 1970s, a time of great change for American comics, with declining sales of mainstream periodicals, the arrival of specialty comics stores, and (at least initially) a thriving underground comix scene. Surveying the eclectic array of long comics narratives that emerged from this fertile period, Paul Williams investigates many texts that have fallen out of graphic novel history. As he demonstrates, the question of what makes a text a 'graphic novel' was the subject of fierce debate among fans, creators, and publishers, inspiring arguments about the literariness of comics that are still taking place among scholars today. Unearthing a treasure trove of fanzines, adverts, and unpublished letters, Dreaming the Graphic Novel gives readers an exciting inside look at a pivotal moment in the art form's development.
Paul Gilroy
2013,2012
Paul Gilroy has been a controversial force at the forefront of debates around race, nation, and diaspora. Working across a broad range of disciplines, Gilroy has argued that racial identities are historically constructed, formed by colonization, slavery, nationalist philosophies, and consumer capitalism.
Paul Williams introduces Gilroy's key themes and ideas, including:
the essential concepts, including ethnic absolutism, civilizationism, postcolonial melancholia, iconization, and the 'black Atlantic'
analysis of Gilroy's broad-ranging cultural references, from Edmund Burke to hip-hop
a comprehensive overview of Gilroy's influences and the academic debates his work has inspired.
Emphasizing the timeliness and global relevance of Gilroy's ideas, this guide will appeal to anyone approaching Gilroy's work for the first time or seeking to further their understanding of race and contemporary culture.