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This article examines the bond and intersection between Africana women residing outside of the continent and Africa, as portrayed in the films of Haile Gerima. Employing qualitative analysis, it scrutinizes the narrative and thematic elements from his works Child of Resistance (1972), Bush Mama (1976), Ashes and Embers (1982), and Sankofa (1993). The focus of the analysis rests on the shared history and memory between Africana women and their African roots, using insights from the Africana womanist theoretical viewpoint. Africana Womanism emphasizes the special experiences and challenges faced by women of African descent. It also stresses the importance of male alliance with women to fight gender inequality and create a fair society. Identifying Gerima as a male filmmaker who is concerned with Africana women's cinematic representation, the study of his films reveals links between African heritage and the complex issues of race, class, and gender related to their historical reality. Historical and social themes of slavery, anti-colonial struggles, and African culture connect these realities. He also uses the films to create stories that connect the burdens of past injustices with the strength and activism of Africana women today. Through this lens, Gerima's works emerge as a vital male contribution to the discourse surrounding Africana women.

This article examines the concept of Nommo, which has African roots, within the film Child of Resistance, by filmmaker Haile Gerima of African descent in 1972, emphasising its significance for the self-naming and self-definition of Africana women. It explains the rationale behind analysing Gerima's work from an African womanist perspective by investigating the insights that male filmmakers provide on African women's cinematic representation. By examining particular monologues, scenes, and narrative elements, this article underscores how Nommo connects with the film's representation of African-descent women's self-naming and self-definition. It illustrates the empowerment and resistance within the character's narrative and aims to enhance the conversation about the complexities surrounding gender and the representation of Africana women in cinema.