Search Results Heading

MBRLSearchResults

mbrl.module.common.modules.added.book.to.shelf
Title added to your shelf!
View what I already have on My Shelf.
Oops! Something went wrong.
Oops! Something went wrong.
While trying to add the title to your shelf something went wrong :( Kindly try again later!
Are you sure you want to remove the book from the shelf?
Oops! Something went wrong.
Oops! Something went wrong.
While trying to remove the title from your shelf something went wrong :( Kindly try again later!
    Done
    Filters
    Reset
  • Discipline
      Discipline
      Clear All
      Discipline
  • Is Peer Reviewed
      Is Peer Reviewed
      Clear All
      Is Peer Reviewed
  • Item Type
      Item Type
      Clear All
      Item Type
  • Is Full-Text Available
      Is Full-Text Available
      Clear All
      Is Full-Text Available
  • Year
      Year
      Clear All
      From:
      -
      To:
  • More Filters
      More Filters
      Clear All
      More Filters
      Subject
    • Country Of Publication
    • Publisher
    • Source
    • Language
    • Place of Publication
    • Contributors
    • Location
6 result(s) for "Zicree, Marc Scott"
Sort by:
Twilight of the Censors
Rod Serling never set out to be a writer of science fiction, horror, or fantasy. Once Rod Serling sold The Twilight Zone as a series in 1958, he called up Ray Bradbury in a panic and pleaded, \"Help me, I don't know anything about science fiction.\"
For God's Sake, Shoot Something
Here's a familiar scenario: You've been laboring on scripts for some time now. Some have been great, some not, but you've attained a level of professional polish and believe you've accomplished what you set out to do on the page.
A Writer's Guide for Navigating Comic-Con
Prior to last year's San Diego Comic-Con I coached a friend on how to work the convention to his greatest advantage. He'd gone on the Comic-Con website, listed the guests he wanted to speak to, planned what he would say, checked off panels and presentations, and booked a hotel room long in advance for all five days of the convention.
Old Writers Learn New Tricks
There's a document called the TV Tracker List that collates all the writer-producers on every network comedy and drama, along with their representation. It's an eye-opening list. Almost every writer-producer on every network show is represented by one of the major agencies. Let's name them: CAA, William Morris/Endeavor, ICM, UTA, Paradigm, with a far smaller scattering repped by Gersh, Rothman Brecher, Kaplan Stahler, APA, and the Alpern Group.