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\"In Uses and Abuses of Moses, Theodore Ziolkowski surveys the major literary treatments of the biblical figure of Moses since the Enlightenment. Beginning with the influential treatments by Schiller and Goethe, for whom Moses was, respectively, a member of a mystery cult and a violent murderer, Ziolkowski examines an impressive array of dramas, poems, operas, novels, and films to show the many ways in which the charismatic figure of Moses has been exploited--the \"uses and abuses\" of the title--to serve a variety of ideological and cultural purposes. Ziolkowski's wide-ranging and in-depth study compares and analyzes the attempts by nearly one hundred writers to fill in the gaps in the biblical account of Moses' life and to explain his motivation as a leader, lawgiver, and prophet. As Ziolkowski richly demonstrates, Moses' image has been affected by historical factors such as the Egyptomania of the 1820s, the revolutionary movements of the mid-nineteenth century, the early move toward black liberation in the United States, and critical biblical scholarship of the late nineteenth century before, in the twentieth century, being appropriated by Marxists, Socialists, Nazis, and Freudians. The majority of the works studied are by Austro-German and Anglo-American writers, but Ziolkowski also includes significant examples of works from Hungary, Sweden, Norway, the Ukraine, Denmark, the Netherlands, Italy, and France. The figure of Moses becomes an animate seismograph, in Ziolkowski's words, through whose literary reception we can trace many of the shifts in the cultural landscape of the past two centuries. \"With Uses and Abuses of Moses: Literary Representations since the Enlightenment, Theodore Ziolkowski has delivered a magisterial account of the history of uses of Moses. Professor Ziolkowski is the preeminent interpreter of how the Bible has been received by and has shaped modern literature; this book demonstrates an encyclopedic breadth of vision as well as a concise and convincing assessment of significance. I can't think of any literary scholar who manages to combine so successfully a comprehensive view of a vast literary landscape, incisive judgment, and crisp, enjoyable prose.\" --John Barbour, St. Olaf College \"-- Provided by publisher.

Nineteenth-century literature teems with musicians, but conductors are conspicuously missing. Their absence is due to the low esteem in which the Kapellmeister—a figure responsible for all musical events at courts—was held. This view, which began to change with the treatises and compositions of Berlioz and Wagner, was fundamentally altered by the legendary maestros who emerged in the twentieth century. The shift from Romantic Kapellmeister to modern maestro is traced in a dozen novels and novellas in German, English, and French from Wilhelm Heinse, E. T. A. Hoffmann, and Balzac down to Robertson Davies, Donna Leon, and Wolfgang Herles.