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How to transcend land grab economies, even by means of art?The reader REALTY moves from the safety of critique to the vulgarity of suggestions.The pandemic's effect on mobility presents a historic opportunity.Rarely has criticism of our extractive artworld logic of one-place-after-another been louder.

Freelance writer and curator Tirdad Zolghadr chooses his top 10 inspirations, which include: WAGE, the New York-based collective addressing the organised irresponsibility of the art market; the 'Artforum' 2008 debate between Robert Storr and Francesco Bonami, Okwui Enwezor, and Jessica Morgan; Manifesta 6, Nicosia, Cyprus (Autumn 2006), the event and its cancellation; Therese Kristiansson's 'Verktyglasda for TVA Motorsagar Och En Yxa' (Toolbox for two chainsaws and an axe) (2006), a minimalist contraption at the Liljevalchs Konsthall in Stockholm in 2006; and the public art in his immediate neighbourhood in Mitte, Berlin. Zolghadr is curating the '2010 Taipei Biennial' with Hongjohn Lin.

With a subtle sense of site and medium, format and form, Sandi Hilal, Alessandro Petti, and Eyal Weizman use architecture to articulate possibilities of decolonization: \"Recognizing that Israeli colonies and military bases are amongst the most excruciating instruments of domination, the project assumes that a viable approach to the issue of their appropriation is to be found [in] inaugurating an 'arena of speculation' that incorporates varied cultural and political perspectives.\" [...] we rarely do.