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4,413 result(s) for "الأدب الشعبي"
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Values of Oral Literature in African Society
Folksongs and traditional festivals are central to almost every activity of the Yoruba people. The contemporary world is full of pains, worries, sufferings and despair and various anti-social activities, in spite of pompous claims and glaring efforts of science and technology in solving old problems to create many new ones. Hence, every individual needs to relax, amuse, and get his or her mind off the dull struggles, worries and sorrows of life through folksongs and festivals. The Yoruba folksongs and festivals as soul-searchers and soul-menders therefore, serve the aesthetic, therapeutic and communicative purposes as tension relievers as well as elixir through which individuals are firmly reassured that there is still hope for humanity. Folksongs and traditional festivals, as manifestations of oral literary genre, possess the remarkable ability to simultaneously entertain, educate, heal and provide solace in individuals. Through them, virtues of the community are upheld and cultural values are projected. It thus concluded that Yoruba folksongs and festivals are a vital communicative instrument for pleasure and a therapy to heal and soothe individuals. Therefore, it is recommended that the Yoruba people continue to utilize folksongs as a means of entertaining, educating, consoling, and comforting themselves as the need arises. Additionally, the study underscores the importance of preserving and perpetuating traditional festival celebrations in Yoruba society, as they serve as a unifying force among the people and a potent platform for showcasing the rich culture and traditions of the Yoruba people to the wider world. Other African societies should also intensify efforts in employing folksongs and festival performances to project their respective cultural identity to the wider world.
جود من الموجود
يدخل كتاب جودا من الموجود الأدب الشعبي في دائرة اهتمام المتخصصين في علوم اللغة العربية وآدابها تحديدا والباحثين في الموضوعات ذات الصلة بوجه عام ؛ حيث يقع كتاب جود من الموجود الأدب الشعبي ضمن نطاق تخصص علوم اللغة ووثيق الصلة بالفروع الأخرى مثل الشعر، والقواعد النحوية، والصرف، والأدب، والبلاغة، والآداب العربية
Mythologizing the Story of Creation in Indaba, My Children
This paper aims at studying the story of the creation of the universe in Book One of the Bantu Text Indaba, My Children (1964) in an attempt to contextualize it within parallel creation myths from other traditions and cultures. The paper claims that the text under study is a creation myth, which is viewed as a sacred text with a cosmogonist function: to inform about the creation of the universe. To achieve this end, the researcher compares the common motifs recurrent in two of the most famous creation myths: the Book of Genesis of the Hebrew Bible and the Babylonian creation myth known as the Enûma Eliš on one hand, and the ones found in Indaba, My Children on the other. These motifs are the sexual act as a means of creation, the human form of the first creative being, bringing order after a state of chaos, and creation out of the feeling of loneliness. Through comparing those recurrent motifs in the above-mentioned texts, the researcher asserts that creation myths, even if they are geographically apart, share certain motifs and features that distinguish all of them.
الجهود الفردية لجمع الأدب الشعبي وتدوينه ودراسته في منطقة عسير
الأدب الشعبي لا يحقق الفائدة الحقيقية منه إلا بالإفادة منه كرافد من روافد الاستدامة الثقافية لأمة من الأمم. وعملية جمع وتدوين ودراسة الأدب الشعبي عملية شاقة خاصة إذا ما نهض بها مجموعة من الأفراد لا المؤسسات. يحاول هذا البحث رصد أبرز الجهود الفردية في جمع وتدوين ودراسة الأدب الشعبي السعودي بمنطقة عسير. ويتخذ البحث من كتابي: \"حكايات شعبية لـ علي مغاوي\" و\"حالات التمسرح التراثي (العُجْبة ونماذج أخرى) لـ أحمد السروي \" نموذجين للوقوف على أبرز الصعوبات والتحديات التي تواجه دارسي الأدب الشعبي في كافة مراحله (الجمع، التدوين الدراسة، الإشهار).
جماليات الشعر الشعبي الجزائري
حظي الشعر الشعبي مؤخرا باهتمام الدارسين والباحثين والجماهير الشعبية، نظرا لشمولية مواضيعه السياسية والدينية والاجتماعية والتاريخية والوطنية... وغيرها، وهو أحد أشكال التعبير في الأدب الشعبي لا يقل اهتماما عن القصة الشعبية والأغاني الشعبية وأدب الملاحم، بل أنه بات ضرورة حتمية لدى المجتمعات الشعبية باعتباره مرآة عاكسة لها، يعبر عن أمالهم وآلامهم، بطريقة شفاهية يتذوقه العام والخاص ويتداولونه فيما بينهم، لأنه يعبر عن وجدانهم ويمثل تفكيرهم، ويعكس مستواهم الحضاري. تسلط الضوء هذه الورقة البحثية على الشعر الشعبي الجزائري، وأهميته والوقوف عند مضامينه وقيمته وفنيته وجماليته وأدبيته، وتاريخه وجمالية أغراضه المتنوعة في الوقت الذي لازال النص الشعبي عموما بحاجة إلى الدراسة والتحليل ونفض غبار التهميش والنسيان، فجيء الموضوع بعنوان جماليات الشعر الشعبي الجزائري.