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"الشعر"
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A Comparative Study of the Romantic Poetry of Dr. Ebrahim Nagi and Taher Beg Jaff
Human life has always been connected to the concept of love; it has recurred in the works of poets and writers creating a tremendous attraction. The manifestation of love has been influenced by cultural, literary, and social events of humankind through different times and places. Nagi and Jaff are among the most important Arab and Kurdish sonnet writing poets of the contemporary period. Unfortunately, Jaff is less known to the world due to the lack of research by authors and scholars in this regard; however, Jaff is one of the most prominent Kurdish poets. Nagi and Jaff were highly determined in writing sonnets; therefore, it is appropriate to consider them as pioneers of sonnet form particularly romantic sonnets. Nagi views his beloved differently and has a pure innocent love; he expresses a life full of love and adoration along with sorrow and grief. \"All expressions of nature and objects are reflected in the poet's sorrow and grief, no wine will ever soothe this sorrow even the attainment of the beloved\" Ehsan Abbas explains. However, Jaff reflects on the physical and material aspects of love and his beloved. Jaff's material and formal stance is rooted in his great love for the beloved. Mostly, Kurdish poets are influenced by poets and writers of other nations. The relationship between material love and pure love is different in the viewpoint of these two poets. Nagi believes that material or formal love is the beginning of pure divine love, provided that this love is not associated with lust; yet such viewpoint is not strong in Taher Beg Jaff's work probably due to his living condition which was aristocratic and carefree to some extent. Perhaps the impact of this factor can be observed in Jaff's formal and material love.
Journal Article
كتاب الشعر على الشعر
تسعى هذه المختارات الشعرية إلى إبراز ما يمثل عيون الشعر من أفكار وقضايا محددة. وهو ما تطلب معرفة بالفكرة، وبحثا عنها، واختيار أجملها وأقدرها على تجسيد تلك الأفكار والقضايا. وتسعى المختارات، كذلك، إلى تلمس تطور الشعرية العربية، في مقارباتها المتعددة معرفيا وجماليا، عبر المراحل المختلفة من تاريخ الشعر العربي. وبهذا فإن هذه المختارات تلتقي مع مثيلاتها في الإعلاء من البعد الجمالي والفرادة في الفكرة، وفي الوقت نفسه، تقدم، ضمنيا، بعدا معرفيا، عن قضية عميقة في تطور الشعر العربي. وهذا الاجتماع المعرفي والجمالي يؤدي بالضرورة إلى الارتقاء بالذائقة الشعرية. له همم ما إن تزال سيوفها قواطع لو كانت لهن مقاطع ألا إن نفس الشعر ماتت وإن يكنعداها حمام الموت فهي تنازع سأبكي القوافي بالقوافي فإنها عليها ولم تظلم بذاك جوازع.
Book
Tearless Sighs
This paper explores the theme of grief in Seamus Heaney's 'Mid Term Break'. An inspiring and suggestive work, the poem consists of eight stanzas depicting a profound experience of grief and pain undergone by the speaker's family after losing their youngest child in a tragic accident. For the paper's theoretical framework, the researcher sheds light on the definition of grief in psychology, distinguishing it from bereavement and mourning, its kinds, and various stages. An overview of Seamus Heaney, his works, and the dominant themes in his poetry is also given. Then, a detailed analysis of the poem under discussion is presented, showing how it reveals the theme of grief, particularly when the griever finds no words to express his state. Expressively, Heaney employs his poetic techniques to reflect the details of the grieving process in the poem.
Journal Article
Removing the Slash
One of the basic issues in ecocritical studies is the relationship between man and nature. It may be seen as a bidirectional discourse: man-in-nature and nature-in-man. The former that considers man just an element of the natural world makes way for several novel apprehensions of this world and the potentials it may provide for man's ontological beliefs about this long-manipulated part of human existence. One such apprehension is the magic realism view of nature as envisaged by German art historian and critic Franz Roh (1890-1965). Roh's original form of magic realism has paved the way for re-valuating the perspectives to cultural, artistic and literary criticism, for its essence is looking at things anew. The characteristics provided by Roh for the magic realism text well apply to the poetic production of American poet Mary Oliver (1935- 2019) who could open her readers' eyes to the magic elements in the natural world. For five decades, Oliver, the winner of several renowned prizes such as the Pulitzer Prize (1984) and the National Book Award (1992), could highlight the benefits of being in-nature through the achievement of a form of oneness with it. This study is an attempt to explore Oliver's adoption of Roh's concept of magic realism which may change man's attitude to the natural world from one of subjugation to a form of respect and preservation. To reach her goal, she could manipulate three strategies: reversal of categories, indistinction, and defocalization.
Journal Article
إذا المرء ... عند الشعراء : شواهد شعرية مبوبة للأدباء والخطباء والطلبة
هذا الكتاب ثمرة أربعين عاما هي عمر المؤلف قضاها يعبر بشعره عن تجاربه، ثم عاد ليبحث في تجارب الأولين ممن نطقوا بشعر الحكمة عن البلسم الشافي لنفوسنا، الدواء المناسب لعلاقاتنا، ثم يضعه في هذا الذخر الذي سماه (إذا المرء.. عند الشعراء)، فهو يريد أن يقول في الشطر الأول من عنوانه : إذا فعل المرء كذا.. كانت نتيجة فعله كذا، ويقول في الشطر الثاني : ليس هذا الذي أضعه بين يديك من حكمة شاعر واحد، وإنما هو عصارة قرائح شعراء مختلفين، عاشوا في أزمنة وأمكنة مختلفة، وجمعوا لنا من رحيق الحياة هذا العسل الذي نتذوقه الآن. والمؤلف ليس بعيدا عن طبيعة هذا العمل الأدبي، وإنما هو المربي يعلم طلابه فنون الحياة، وشاعر خبير بطعم الشعر ينتقي منه زبدته ويعرض عن زبده، متمثلا قوله تعالى : (فأما الزبد فيذهب جفاء، وأما ما ينفع الناس فيمكث في الأرض). ومعتبرا بقول نبيه صلى الله عليه وسلم : (إن من الشعر لحكمة)
Book
A Feminist Rhetorical Analysis of Anti-feminist Poetry in English and Arabic
Language is the fundamental element of communication and understanding in society. It relates immediately to human thoughts and is embodied in written or spoken signs or signals. The field that scientifically studies language (its forms and structures) is called Linguistics. Among the linguistic studies of language is Rhetoric which studies the importance of speech or texts for the audience. Rhetoric is the art of persuasion; it comprises different arguments raised by the speaker/writer depending on social, religious, moral or even traditional evidence in order to prove that the raised arguments are real. In this way, the writer/speaker associates the language to similar or related realities in order to reach the purpose of her/his language. However, presenting arguments and evidence it not always accurate because there are arguments that rely on weak evidence. The purpose of argumentative techniques is still to persuade the audience about a personal view or a societal concept. From this perspective, the feminist linguists suggest that rhetoric is actually masculine; that is, rhetoric is anti-feminist. Therefore, linguists presented a great deal of evidence to prove this theory and bring the feminist ideology into rhetoric. This study aims at providing a feminist rhetorical analysis of the anti-feminist poetry to study the status of women in rhetoric and whether the arguments that demean women are true or not. For this purpose, the current study utilizes Fiorenza's (1995) model of analysis; a feminist rhetorical tool to analyze anti-feminist poems written by male poets in English and Arabic in order to study the arguments as well as the evidence the poets present against women.
Journal Article