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225 result(s) for "القصائد الغنائية"
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The Philosophy of Using the Maqam Transitions by Muhammad Abdel Wahab in a Poem Sahrat Miho Al lyali
The study aims to shed light on the philosophy and style of Mohammed Abdul Wahab in the maqam transitions through the study and analysis of one of his works of art poem (I stayed from him nights), and used a survey form of experts in the selected musical sample, and the research followed the descriptive method applied where listening, analysis and playing the maqam transitions contained in the lyric model, the most important recommendations of the research is the study and analysis of the compositions and mechanisms of Mohammed Abdul Wahab, and focus on the characteristics of these works of transformation and methods of transformation, and try to employ them in the service of some branches of the lyric form. Arabic music (Arabic composition - Arabic solvage - Oriental analysis), to develop and develop the level of scholars and researchers in various specialized colleges and music institutes. It is also possible to use the melodic and musical skills in some of Mohamed Abdel Wahab's works, and to formulate melodic and lyrical exercises along the same line as an application that measures the understanding and understanding of the points of excellence and difference in these works of art.
بنية الخطاب السردي في مقالة \حوار عن الحب\ \Ἐρωτικὸς\ لبلوتارخوس
Plutarch was able to write a strong narrative structure for his essay on love Ἐρωτικὸς, as well as he was able, through his formulation of this work, to clarify his idea, which he had always sought from the beginning, and he relied on some elements that establish the narrative structure of his work, among these elements are the manifestations of the narration that It seemed obvious in the narrator, the story, and the recipient, these three elements that are considered the backbone of the narrative structure of the work. The narrator is the embodiment of the author of the work, and the story is the message that the author wants to convey to the recipient. The recipient is chosen by the author of the work to convey his message to him. Then we tried to explore the relationship between the narrator and the author; the narrator is the son of the author, and this means that all his information is documented by his father. We also mentioned the author's opinion that he wanted to express through the story. Secondly, we were confronted with the narrative formulas presented in the narration and the purpose that explains the way whom the author using in his work, then with contemplative and philosophical paragraphs that illustrate the depth of the author's thinking, and with the narrator's description of the main characters of the work. Thirdly, we have discussed time in the work, which relies on three elements: the fragmentation of the temporal structure and the temporal resumption, which determines the time of the story and the time of the narration, and the element of place, which clarifies the location of the story, because the story does not take place in a vacuum, but needs a place. Finally, we were confronted with the author's language through three elements: the informative, figurative and referential language that illustrates the narrator's ability to tell the story and document its events, or the use of similes and figurative expressions that gave spirit to the work and made it more than an article, bringing it into the world of history, where creative elements came together, pointing to Plutarch's creativity .
تدريبات صولفائية مبتكرة مستنبطة من قصيدة الرضا والنور لمحمد الموجي
تعتبر القصيدة الغنائية هي من أرقى أنواع الغناء العربي، ويهتم بها الملحنون اهتماما خاصا ويميزونها عن سواها من القوالب الغنائية لرقيها وعلو شأنها، والقصيدة الدينية تعتبر من أقدم ألوان الغناء، واعتمدت القصيدة في بدايتها على الألحان المرتجلة ثم أصبح لها ألحانا موزونة يتقيد بها المؤدى، وتتكون من مذاهب يؤديها المنشدين وتتكرر عده مرات بالتناوب مع المؤدى المنفرد مع الارتجالات الحرة، وتعد أم كلثوم ظاهره فنية في غناء شتى الألوان الغنائية وخاصة القصائد بأنواعها المختلفة. ثم تناول الباحث مشكلة البحث، أسئلة البحث، أهداف البحث، أهمية البحث، إجراءات البحث، مصطلحات البحث، الدراسات السابقة. وانقسم البحث إلى إطارين:- الإطار الأول نظري ويشمل: أولا: القصيدة الغنائية. ثانيا: السيرة الذاتية لمحمد الموجي. الإطار الثاني تطبيقي ويشمل: عينة البحث: قصيدة \"الرضا والنور\" لحن محمد الموجي ثم أختتم الباحث بالنتائج والتوصيات الخاصة بالبحث ثم المراجع وملخص البحث.