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This study discusses the iconography and texts that are depicted on the headboard and footboard of the anthropoid wooden coffin of Ta-Bes at the Egyptian Museum, Cairo, TR. 5/10/16/11, which has never been published before. Neither the provenance nor the date of this coffin was identified before this study. This coffin is distinguished by its yellow inscriptions on a black background. The present study will deal with the description of both goddesses Isis and Nephthys that are depicted on the headboard and footboard, translation of the texts, and then comment on the date, parallels, and provenance. This study concludes that the coffin can be dated to the late Twenty-fifth or early Twenty-sixth Dynasty and designated its provenance to Akhmim. Furthermore, the different representations of the two goddesses on the headboard and footboard of coffins from the same period have been discussed. In addition to, the religious purpose of the scenes. Finally, epigraphical notes will be made at the end of this paper to enhance the date of the coffin.

Nowadays, Museums are increasingly prioritizing interactive experiences over traditional heritage and art exhibitions in order to create more engaging and immersive visits for their visitors. The use of digital tools, such as interactive storytelling, has become essential in this transformation. This shift is intended to offer visitors the chance to not only acquire knowledge but also to fully enjoy their museum experience. Through the integration of interactive storytelling, museums have the potential to revolutionize the communication and experience of information, ultimately enhancing audience engagement, immersion, and emotional connection with the exhibits. The Research problem focuses on exploring how new technology can impact visual and multimedia communication in museums. In addition to how Interactive Storytelling can revolutionize the way information is conveyed and experienced by museum visitors. Moreover, the Research aims to investigate how the use of interactive storytelling techniques impacts the way information is conveyed and experienced by museum visitors, understand the importance of interactive storytelling in museums, and provide valuable insights to enhance audience engagement and create more immersive and meaningful museum visits. Research methodology: To achieve this goal; the research adopts a descriptive approach, gathering information to establish a theoretical framework based on previous studies and conducting an analytical study of the Tutankhamun Immersive Exhibition in Egyptian grand museum. The Results indicate that the integration of interactive storytelling in museums has a substantial impact on audience experience, resulting in enhanced engagement, immersion, emotional attachment to the exhibits, cultural and historical awareness. Through this research, we seek to provide practical recommendations on how to use this technology effectively in museums, which contributes to improving visitors experience and increasing their cultural and historical awareness.

Egypt is blessed with a rich history and heritage of antiquities and museums, and the museum is the place that collects a collection of exhibits and valuable things and preserves the cultural heritage of peoples throughout the ages as a witness to the civilization and achievements of peoples. Egypt enjoys a large repertoire of antiquities and museums to display its antiquities and history, and given the role played by museums in displaying antiquities and human heritage, especially in the Egyptian Museum in Tahrir, which is distinguished by many artifacts, the method of displaying them needs development. Considering the technological development in this era, there is a need to develop a future strategic vision for the project to develop the museum display in the Egyptian Museum in Tahrir according to international standards

تتناول الورقة البحثية دراسة علمية للوحة مصنوعة من الحجر الجيري والمنقوشة بالحفر الغائر، الخاصة بكاهنة حتحور المدعوة إيرت Irt CG 1613، والتي تتفرد عن غيرها بكونها إهداء من زوج لزوجته الأمر الذي جعل من تلك اللوحة عنصرا مميزا بذاته، وستتضمن تلك الورقة البحثية الإشارة إلى مادة الصنع والأبعاد والموقع الأصلي. كما تعرض بالوصف والتعليق لنصوص اللوحة المقسمة إلى ثلاثة سجلات، السجل الأول ويتضمن صيغة القربان والسجل الثاني وصورت فيه صاحبة اللوحة جالسة أمام مائدة قرابين عليها أرغفة الخبز، كما صور أسفلها مرآة وإناء لغسل اليدين وأخيرا رأس ثور، أما السجل الثالث والأخير فقد صورت فيه عملية ذبح الثور للحصول على فخذه. واعتمدت الدراسة على المنهج الوصفي التحليلي للعناصر المصورة والمدونة على اللوحة.

This door lintel was found at Sheikh Abd El-Qurna at Thebes and is currently housed at Cairo Museum. It was reused and contained the names of the two scribes, imn htp and from 22th till 23rd dynasty. There is no tomb that had the names of these two scribes at Sheikh Abd El-Qurna at Thebes, so either it has not been discovered yet or if there were a close relationship between them as two brothers perhaps buried in the tomb of the priest of Khonsu, the scribe of the house of the gold of Amun and the scribe of the treasury of the temple of Amun, xnsw-ms1 exist in the same place. This scribe had a son his name and titles were the priest of Khonsu , so he might had been the grandfather of the tow scribes.

The goal of this paper is to publish and study a funerary round topped stela, nowadays stored in the Egyptian Museum in Cairo (CG 22134)1. It was owned by the deceased Hor. In 1885, it was discovered by the French Egyptologist G. Maspero under the auspices of the French Mission in the ancient Necropolis of Al-Hawawish at Akhmim2. Based on the typology, orthography and stylistic features it could be dated to the first half of the second century BC3.

The present paper aims to study cleaning the linen fabric wrappings used for mummies throughout ancient Egyptian history. It was applied to the linen fabric wrappings of Tayuheret's mummy (the Third Intermediate Period). The conservation and restoration of the mummy took the following stages; first the dating and technical/ artistic analysis. The assessment of the impact which used materials in the mummification on the linen wrappings of the mummy, then, examining the role of deterioration factors on the physical and chemical characteristics of the linen fabric wrappings. Followed by, studying the latest examination types and scientific analysis for the sample of Tayuheret's mummy (linen wrappings, mummification materials, and dyed linen fabric wraps). Finally, providing a restoration and conservation method of the linen fabric wrappings according to the scientific conditions of the conservation and restoration of archaeological linen fabric.

This paper aims to publish and study the hieratic ostracon (O. Cairo JE72457/ SR 1472). It is an account text that relates to the grain rations and the distribution of water. It is an important addition to the very few documents on water distribution. The palaeography and the content suggest that this ostracon can be dated to the Ramesside Period, the first half of the 19th Dynasty- Ramesses II.

The present study contains the publication of four demotic ostraca with receipts concerning land. These texts, which are now kept in the Egyptian Museum in Cairo, were discovered in the Oriental Institute's 1929/30 season of excavation at Medinet Habu, (MH 4071, MH 4076, MH 196, and MH 4318 R&V). Their date can be determined from some interior evidences such as known persons. The first ostracon is dated to the late Ptolemaic period, while the other ones are dated to Roman; one of them belongs to the reign of Augustus. Three receipts of them were issued in money while one text concerns a payment in kind. These receipts concern the delivery of grain, which was always paid in kind and delivered to the granary, and sometimes when the harvest was decreased, the farmer would not be able to deliver the amount of wheat to the granary, so he had to pay its cash value to the bank. He could pay either in the year following the year in which the grain was due or even in the same year.