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The proposed research is dedicated to provide an insight into the problems frequently encountered by the Arab interpreter/translator into English at interpreting/translating the cultural events to be held in Saudi, with special emphasis on Janadriyah Annual Heritage and Cultural Festival. Celebrating Janadriyah Festival aims to disseminate the wide varieties of Saudi heritage and culture to the international world. Communicating the wide varieties of Saudi heritage and culture to the international world, the Arab interpreter/translator may face some strange or vernacular utterances, which are mainly dialectal. On formality scales, the study of dialects may be subsumed under the very broad rubric of vernaculars which come at the bottom of the formality versus informality scale. the bottom of the formality versus informality scale. In most cases, the interpreter is not adequately knowledgeable of the linguistic and cultural features of each single dialect. Accordingly, he/she has to interpret/translate this dialect into Modern Standard Arabic to be rendered into English. Not only does he/she understand the lexical and semantic derivations of the vernacular utterances but also conceive the historical, social, etymological and cultural metamorphosis of these utterances. Therefore, when interpreting/translating a text or a speech derived from a dialect, the interpreter/translator may face two problems: firstly how to understand such dialect and secondly how to reproduce it into English. Previous studies in this problematic area have not addressed how the vernacular language could be interpreted at the cultural events. Instead, they have focused only on employing the intralingual translation approach that provides a translation within one language. The intralingual approach does not explain the mechanism of understanding within the source language. Neither does it deal with the historical changes of meanings over time nor does it tackle the social and cultural elements that shape the meanings of words in language. Consequently, the proposed research will focus on the importance of the cultural translation in line with linguistic analysis for dealing with problems related to translate/ interpret Najd dialect in Janadriyah festival.

Fireworks\" is an attractive term for both eyes and ears when just uttered. There is a special kind of magic in \"fireworks\", that term which always has strong correlation with joy and excitement. This is because it is connected with those stunning displays witnessed during celebrations throughout ages. It connects the past to the present as humanity has been enjoying its thrilling displays for quite a long while. A question mark frequently hangs over the usage of fireworks during the Mamluk period. Did the Mamluks really know fireworks?! Answering this question needs further searching the historical roots of fireworks during this era. This study \"celebrations and occasions witnessing fireworks in accordance with the Mamluk historical sources\", leaves no shadow of doubt that Mamluks used fireworks. It tackles the historical marks of the fireworks' usage in the celebrations and occasions which took place in the Mamluk period. Actually, fireworks played a magnificent role in religious festivals, national ceremonies, river celebrations and family celebrations. In addition, they were a means of entertainment as well as power show off during this period.

سعت الورقة إلى التعرف على احتفال بونغال في ولاية تاملنادو الهندية. المهرجان بمثابة نتاج وعصارة العادات والتقاليد والمعتقدات وابن البيئات والأحداث التي عاشت عليها الأمم والشعوب، ضربا بجذورها إلى أعمق أعماق الثقافات والحضارات وجزء لا يتجزأ من التنشئة الاجتماعية، وترقية المجتمع والأمم والشعوب وتوطيد العلاقة بين أعضاء المجتمع. وتناولت الورقة ولاية تاملنادو في صفحات التاريخ، والعلاقة الثنائية بين العرب وتاملنادو، مشيرة إلى الحياة الاجتماعية والثقافية هناك، مع الوقوف على بونغال مهرجان الحصاد والتواصل الاجتماعي وتاريخه. وتطرقت إلى طبق بونغال وأيام المهرجان التي تشمل أربعة أيام تحمل اسم (بوغي، سوريا، ماتو، كانوم) بونغال. واختتمت الورقة بالإشارة إلى جلكاتو، وهو نوع من اللهو التقليدي بإطلاق الثور القوي من حجيزته إلى حشد الشبان المتمرسين، ويحاولون إمساكه بسنام كبير بتشييده على ظهر الثور وهو يحاول الهروب، فضلا عن ذكر تاريخ جلكاتو وأنواعه. كُتب هذا المستخلص من قِبل المنظومة 2022

هدف المقال إلى التعرف على أونام مهرجان حصاد كيرالا. وانقسم المقال إلى عدد من النقاط، بينت النقطة الأولى أهمية أونام. وجاءت النقطة الثانية بالخلفية التاريخية لمهرجان أونام. وأشارت النقطة الثالثة إلى الأسطورة الشهيرة المتعلقة بأونام. وتحدثت النقطة الرابعة عن الاحتفال بأونام لمدة عشرة أيام. واستعرضت النقطة الخامسة بعض المعالم الجذابة الرئيسية بمناسبة أونام، ومنها بساطة الزهور، ومأدبة أونام، وكماتيكالي، وكثاكالي، وبوليكالي، وسباق القوارب. واشتملت النقطة السادسة على ألعاب المباراة التي تقام بمناسبة أونام. واختتم المقال بالتأكيد على أن التاريخ والخلفية الأسطورية التي يقدمها مهرجان أونام هو بأمس الحاجة إلى قراءة معاصرة على ضوء ما يجري اليوم في المجتمع الهندوسي نفسه بين طبقاته المتنوعة وطوائفه العديدة. كُتب هذا المستخلص من قِبل دار المنظومة 2022

Amun-Re has two forms worshipped in Karnak and Luxor temple. The two forms of Amun are represented in Luxor temple and connected in the Opet festival. Amun of Karnak appears with special titles related to his worship; he is titled nsw ntrw ḫnty 'Ipt-swt, nb nswt tɜwy, and other titles. Amun of Luxor temple appears as creator ithyphallic god with titles like; 'Imn-R' nἰpt-rsyt, 'Imn-R' kɜ mwt. ƒ ḫnty ἰpt.ƒ, and other titles. The study of the scenes of Luxor temple shows the double identity of Amun Re. The two forms of Amun are encountered and they are represented in all parts of the temple. The study will shed light upon the real function of Luxor temple and the myth of Amun in the New kingdom period in Thebes. Luxor temple is the southern sanctuary of Amun, where a primitive form of Amun was worshiped as creator god. In the Opet festival the god Amun of Karnak visits Amun of Luxor temple to be regenerated for coming year. In this context, the two forms of Amun and the two temples are connected in the Opet festival and form the most important landmark in the religion of new kingdom Thebes.