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"النقد"
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The Foreign Literary Discourse Via the Eyes of the Non-Native Critic
Literary criticism studies the style of oral and written literary discourses. It is based on the principles that can explain the particular choices made by individuals and social groups in their use of language. The texts style varies according to the factors of genre, context, era and the author's thought. Hence, literary criticism can be affected by the critic's cultural/historical background and worldview. So, this paper deals with the problematic of how the non-native critic can achieve such neutrality that enables him/her to successfully interpret the foreign literary discourse. It aims also at presenting the main types of competences (linguistic, literary, and cultural) needed by the critic to enrich his/her ability of studying this kind of discourses.
Journal Article
النقد الأدبي الجمالي : نبش الذهنية وبناء المرجعية /
كتاب نبش الذهنية وبناء المرجعية : النقد الأدبي الجمالي والذي قام بتأليفه عبد الجليل شوقي في حوالي 176 صفحة من القطع المتوسط كتاب في الأدب يشتمل على دراسة أدبية يسعى من خلاله المؤلف إلى توضيح معنى النقد الأدبي والجمالي وبحث المرجعية الجمالية في النقد الأدبي القديم وتلتمس ملامح الذهنية النقدية العربية فتناول مرجعيات النقد ومرجعيات الناقد والنقد الأدبي الجمالي.
Book
خرافة موت النقد الأدبي
يأتي كتاب الناقد عبد الله الغذامي \"النقد الثقافي، قراءة في الأنساق الثقافية العربية\" المنشور سنة ۲۰۰۰م ضمن الأعمال النقدية المصنفة في إطار مرحلة \"ما بعد الحداثة\"، وفيه يعلن موت النقد الأدبي، واستبدال النقد الثقافي به. ثم ينعى النقد الأدبي الناقد الأكاديمي البريطاني رونان ماكدونالد في كتابه \"موت الناقد\" المترجم إلى العربية سنة ٢٠١٥. وما تداعيات ذلك على الساحة النقدية والصروح الأدبية؟ فهل مات النقد الأدبي؟ وما سبب الوفاة؟ ومتى؟ يتناول هذا البحث بيان حقيقة موت النقد الأدبي التي وشت بها مرحلة ما بعد الحداثة، والعوامل التي تآزرت لتنتهي به إلى الموت- طبقا لوصف الغذامي ومكدونالد، بيد أن مفهوم موت النقد الأدبي استنادا إلى وجهة نظر الغذامي ليس المفهوم نفسه لدى رونان ماكدونالد، فالأسباب تختلف لدى كل منهما، فضلا عن اختلاف المواقف حد التقاطع. من ناحية أخرى، يبين البحث علاقات النقد الأدبي الوطيدة بالحقول المعرفية المجاورة مما يدحض خرافة القول بأفول نجمه؛ لأن أساس النقد الثقافي ومنطلقاته الذي يعده الغذامي بديلا عن النقد الأدبي هو هذه الصلات التي لم يهملها النقد الأدبي في تاريخه الطويل، ومناهجه المتعددة التي أغنت ميدانه، وشحذت أدواته، وعززت مكانته وأهميته، وقد شكلت مصادر الحداثة وما بعدها ومؤلفات النقد الثقافي سندا رئيسا للبحث.
Journal Article
Towards an Environmental Justice
Linda Hogan is a Chickasaw poet who wrote various volumes of poetry that reflect her love for Chickasaw's history, land, and oral traditions. She also wrote about the environment and the natural world. Although she is a well-known environmentalist, scholars have not investigated her environmental vision and its connection to native traditions and the ecosystem, specifically in her collection of poetry Dark. Sweet: New & Selected Poems (2014). This study aims to answer the following questions: What is the environmental perspective of Linda Hogan in her collection of poetry Dark. Sweet: New & Selected Poems (2014)? How does she present environmental justice in her poetry? How does she connect her environmental vision to her tribal heritage? The study also deals with Hogan's holistic representation of the human experience in the natural world. Through the application of the ecocritical approach, the study reveals the poet's depiction of past injustices of colonization and its lingering ecological effects on humans and the ecosystem. Additionally, it examines Native American storytelling and traditional healing practices and how they can form the balance between human, ecological and spiritual system. The study adopted a qualitative method that involves a thematic analysis of the poet's work. The findings show that Hogan communicates her tribal ecological vision through her strategy of ecoresistance. They also reveal that humans and the ecosystem were the discounted casualties of European colonization. For Native Americans, to decolonize themselves and the land, they must strive for environmental justice along with seeking the right for self determination. The researcher recommends conducting a study that identifies the influence of Hogan's Anglo culture on her environmental poetic writings by considering that she is of mixed-blood heritage.
Journal Article
Monstrosity and Ecophobia in Frankenstein, Moby Dick and Dracula
Since ancient times, images of monsters have appeared in many works and served as embodiments of human fears and sources of ecophobia. Monstrosity evoked contempt, hatred, and ultimately ecophobia, which Estok describes as irrational fear, contempt, or lack of mindfulness toward the natural environment. This paper explores the character of the monster as an embodiment of ecophobia in three Gothic novels: Mary Shelley's Frankenstein (1818), Herman Melville's Moby Dick (1851), and Bram Stoker's Dracula (1897), by interpreting monstrosity in socio-cultural contexts. The following questions will be addressed: How is monstrosity represented? How do monsters exhibit ecophobia? What role does the monster play in creating ecophobia? This paper concludes that monstrosity reflects nineteenth-century preoccupations such as human corruption and scientific excess. It also concludes that viewing monstrosity from an ecocritical perspective highlights the need for harmony in humans' relationship with nature, suggesting that humans should develop a naturalistic understanding and embrace and preserve all aspects of the natural world. Tracing the interconnections between monstrosity and ecophobia epitomizes the writers' distinct concerns about inappropriate human behaviors in both the real and fictional worlds.
Journal Article
Acculturation in Margaret Atwood's the Handmaid's Tale
In this study, The Handmaid's Tale by Margaret Atwood's cultural criticism is examined via the lens of acculturation theory. This research has a cross-sectional design and is theoretical. People from different backgrounds who come together experience cultural and psychological changes. Most of these groups have formed a variety of cultural, linguistic, and religious organizations since first coming together. When people are exposed to different cultures, both their own and those they visit, acculturation takes place. Due to issues with immigration, business, and other political issues, people migrate outside of their home nations to acclimate to new cultures, values, languages, and behaviours. Refugees, immigrants, and asylum seekers are highlighted as a result. According to the finds, women are reduced to serving as child-bearing \"vessels\" to save the nation. This tale of a woman under oppression takes place in a world of dictatorship, constant watchfulness, and political manipulation. In both texts, writers depict a dystopia because a sizable section of the population is now infertile due to climate change and pollution.
Journal Article
Simulation of the Algerian Novel to Global Texts
In this study, we aim to explore the critical theoretical and conceptual aspects associated with the term \"intertextuality,\" a modern literary technique that enables authors to achieve prominence in global literature. It is widely acknowledged that every literary or artistic work is rooted in and derives from preceding texts, forming intertextual relationships and connections. We have selected \" Ha and the Journeys of Ishtar\" by Algerian writer Ezzedine Jalawji as our primary text, noted for its rich intertextuality encompassing religious, literary, historical, and heritage dimensions, and its integration of various literary genres within the novelistic form. This technique is prominently displayed in his contemporary Algerian narratives, which oscillate between traditional roots and modern experimental forms. Our research attempts to trace and explore its characteristics, interpret its meanings, decode its symbols, highlight its aesthetic elements, and examine its multifaceted functions in these novels. Key questions we seek to address include: - To what extent has Ezzedine Jalawji utilized the technique of intertextuality in his works? - How has he employed this technique to achieve genre openness and ascend in the realm of narrative experimentation on a global scale? - Has Ezzedine Jalawji successfully achieved global recognition through this technique? - Do the subtitles serve the narrative content's theme, or is it vice versa, or are both merely experimental? Our research paper endeavors to answer these questions.
Journal Article
نقد المصادر التاريخية عند القلقشندى
يعتبر النقد عمل مهجى مهم من أجل الوصول الى الحقيقة التاريخية وقد عرفت منهجية النقد التاريخي عند القلقشندي بالتنوع في استعمال هدا الأسلوب فقد تعامل بحذر في التعامل مع بعض المصادر، وحاول أن يعلل ويقدم تبرير لبعض وجهات نظره في كثير من الأحيان، وقد غلبته عاطفته في بعض الأحيان فلم يستطع أن يخفي مواقفه.
Journal Article