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4 result(s) for "رسم الوجه"
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Using Portrait Art Styles to Create Designs for Women
Through the widespread spread of portraiture as an inspiration to many fashion houses and retail clothing companies, which is a great attraction for a large group of young people within our society, through their use of the faces of celebrities and public figures who may have ideas that contradict our principles and identity, and what follows On this from the gradual loss of our identity and our belonging to the African continent. So this research aims to revive the traditional African style in women's clothing in a contemporary style, using a mixture of traditional African design lines (Dashiki, Kaftan, Agbada) and portraiture art. The choice was made on an original copy of a painted portrait representing an African woman from the researcher's work that was shown at the exhibition - Africa in Egyptian Eyes - May 2017 , which was reproduced in 8 copies by the researcher, representing four styles of portraiture (abstract, flat portraiture, illustrated portraiture, fantasy portraiture) and so used in designing women's clothing ,the eight painted portrait has been applied to stain material through digital printing technology to produce the final 8 pieces of clothes, the statistical results determined the best designs that were produced ( (1,2, 4) they got the highest marks, as each of (2, 4) depended on the abstract style, while (1) was based on the flat portraiture style, and (8) achieved the lowest marks and was based on the imaginative style.
البورتريه صورة الشخصية في شعر حلمي سالم
يعني \"البورتريه\" (portrait) في الفنون التشكيلية تمثيل الوجه الإنساني نحتا أو رسما أو تصويرا، وقد استعاره الأدب واتخذه الأدباء طريقة من طرق التعبير عن الذات والآخر، ويعد \"البورتريه\" ظاهرة في شعر \"حلمي سالم\" (1951- 2012م) منذ ديوانه الثاني \"سكندريا يكون الألم\" 1981م، فلا يكاد يخلو ديوان من دواوينه من \"بورتريه\" لشخصيات رافقته في رحلة الحياة أو شخصيات أسهمت في تشكيل شخصيته الأدبية والفكرية، وقد تناول البحث ثلاثة أشكال للبورتريه في شعر الشاعر: البورتريه السريالي، وهو البورتريه الذي حفل بتقنيات غرائبية الصورة، والبورتريه الانطباعي، الذي رسم فيه الشاعر صورة الموت التي رآها لرفقائه في حصار بيروت عام 1982م، والبورتريه التعبيري، وهو بورتريه القضية، وتناول فيه العلاقة بين الشرق والغرب عبر رحلة طه حسين وأحمد عبد المعطي حجازي والمتنبي، وخلص البحث إلى أن البورتريه في شعر حلمي سالم لم يكن تصوير ملامح الشخصية الخارجية، بل تصويرا داخليا، يقف على تشكيل الشخصية فكريا ونفسيا. وقد تنوعت تقنيات رسم شخصيات البورتريه، ومنها التقنيات السردية عبر فعل الحكي \"كان\" وصوت الراوي ومتوالية أفعال الشخصية، وقد عكست شخصيات البورتريهات وجها من وجوه الشاعر حلمي سالم نفسه.