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89 result(s) for "1392-1910"
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Engraving Virtue: The Printing History of a Premodern Korean Moral Primer
In Engraving Virtue, Young Kyun Oh investigates the publishing history of the Samgang Haengsil-to (Illustrated Guide to the Three Relations), a moral primer of Choson (1392-1910), and traces the ways in which woodblock printed books contributed to shaping premodern Korea. Originally conceived by the court as a book with which to instill in its society Confucian ethics encased in the stories of moral heroes and heroines as filial sons, loyal subjects, and devoted wives, the Samgang Haengsil-to embodies various aspects of Choson society. With careful examinations of its various editions and historical documents, Oh presents how the life of this book reflected the complicated factors of the Choson society and how it became more than just a reading material.
A Family of No Prominence
Koreans are known for their keen interest in genealogy and inherited ancestral status. Yet today's ordinary Korean would be hard pressed to explain the whereabouts of ancestors before the twentieth century. WithA Family of No Prominence, Eugene Y. Park gives us a remarkable account of a nonelite family, that of Pak Tŏkhwa and his descendants (which includes the author). Spanning the early modern and modern eras over three centuries (1590-1945), this narrative of one family of thechungin class of people is a landmark achievement. What we do know of the chungin, or \"middle people,\" of Korea largely comes from profiles of wealthy, influential men, frequently cited as collaborators with Japanese imperialists, who went on to constitute the post-1945 South Korean elite. This book highlights many rank-and-filechungin who, despite being better educated than most Koreans, struggled to survive. We follow Pak Tŏkhwa's descendants as they make inroads into politics, business, and culture. Yet many members' refusal to link their family histories and surnames to royal forebears, as most other Koreans did, sets them apart, and facilitates for readers a meaningful discussion of identity, modernity, colonialism, memory, and historical agency.
The Emotions of Justice
The Choson state (1392-1910) is typically portrayed as a rigid society because of its hereditary status system, slavery, and Confucian gender norms. However,The Emotions of Justicereveals a surprisingly complex picture of a judicial system that operated in a contradictory fashion by discriminating against subjects while simultaneously minimizing such discrimination. Jisoo Kim contends that the state's recognition ofwon, or the sense of being wronged, permitted subjects of different genders or statuses to interact in the legal realm and in doing so illuminates the intersection of law, emotions, and gender in premodern Korea.
Wrongful Deaths
This collection presents and analyzes inquest records that tell the stories of ordinary Korean people under the Choson court (1392-1910). Extending the study of this period, usually limited to elites, into the realm of everyday life, each inquest record includes a detailed postmortem examination and features testimony from everyone directly or indirectly related to the incident. The result is an amazingly vivid, colloquial account of the vibrant, multifaceted sociocultural and legal culture of early modern Korea.
A Medium for Chanting the Buddha’s Name for Rebirth in the Pure Land: The Woodblock Print of Kwŏnsu-Chŏngŏp-Wangsaeng-Ch’ŏpkyŏngdo in Chosŏn Korea
This study examines the Kwŏnsu-chŏngŏp-wangsaeng-ch’ŏpkyŏngdo (勸修淨業往生捷徑圖), a woodblock print created for Pure Land practice during the Chosŏn period. The print served as material evidence demonstrating how Pure Land faith developed within Chosŏn Buddhism, which consolidated various schools under the Sŏn tradition while integrating doctrinal studies and Pure Land faith. Through iconographic analysis of the transformation tableau and examination of its publication colophon, this paper explores how yŏmbul-Sŏn practice evolved from the early Chosŏn period and how this print functioned as a practical medium for daily Buddha recitation practice. The study argues that the Kwŏnsu-chŏngŏp-wangsaeng-ch’ŏpkyŏngdo represents empirical evidence of the synthesis between Sŏn meditation and Pure Land faith, demonstrating the inclusive approach of Chosŏn Buddhist masters who accepted both Mind-Only Pure Land and Western Pure Land concepts for the purpose of widespread religious instruction.