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This book explores the evolution of British identity and participatory politics in the 1790s. Wil Verhoeven argues that in the course of the French Revolution debate in Britain, the idea of 'America' came to represent for the British people the choice between two diametrically opposed models of social justice and political participation. Yet the American Revolution controversy in the 1790s was by no means an isolated phenomenon. The controversy began with the American crisis debate of the 1760s and 1770s, which overlapped with a wider Enlightenment debate about transatlantic utopianism. All of these debates were based in the material world on the availability of vast quantities of cheap American land. Verhoeven investigates the relation that existed throughout the eighteenth century between American soil and the discourse of transatlantic utopianism: between America as a physical, geographical space, and 'America' as a utopian/dystopian idea-image.

This book argues that the British government's repression of the 1790s rivals the French Revolution as the most important historical event for our understanding the development of Romantic literature. Romanticism has long been associated with both rebellion and escapism, and much Romantic historicism traces an arc from the outburst of democratic energy in British culture triggered by the French Revolution to a dwindling of enthusiasm later in the 1790s, when things in France turned violent. Writers such as Wordsworth and Coleridge can then be seen as \"apostates\" who turned from radical politics to a poetics of transcendence. Bugg argues instead for a poetics of silence, and his book is set against the backdrop of the so-called Gagging Acts and other legislation of William Pitt, which in literature manifests itself stylistically as silence, stuttering, fragmentation, and encoding. Mining archives of unpublished documents, including manuscripts, diaries, and letters, where authors were more candid, as well as rereading the work of both major and minor figures, a number of whom were subject to prison sentences, Five Long Winters offers a new way of approaching the literature of the Romantic era.

This is not a traditional international relations text that deals with war, trade or power politics. Instead, this book offers an authoritative analysis of the social, cultural and intellectual aspects of diplomatic life in the age of the Enlightenment and the French Revolution. It authoritatively illustrates several modes of Britain’s engagement with Europe, whether political, artistic, scientific, literary or cultural. Mori consults an impressively wide range of sources for this study including the private and official papers of 50 men and women in the British diplomatic service. Attention is given to topics rarely covered in diplomatic history such as the work and experiences of women and issues of national, regional and European identity This book will be essential reading for students and lecturers of the history of International Relations and will offer a fascinating insight in to the world of diplomatic relations to all those with an interest in British and European history.

Intellectual Politics and Cultural Conflict in the Romantic Period maps the intellectual formation of English plebeian radicalism and Scottish philosophic Whiggism over the long eighteenth century and examines their associated strategies of critical engagement with the cultural, social and political crises of the early nineteenth century. It is a story of the making of a wider British public sphere out of the agendas and discourses of the radical and liberal publics that both shaped and responded to them. When juxtaposed, these competing intellectual formations illustrate two important expressions of cultural politics in the Romantic period, as well as the peculiar overlapping of national cultural histories that contributed to the ideological conflict over the public meaning of Britain's industrial modernity. Alex Benchimol's study provides an original contribution to recent scholarship in Romantic period studies centred around the public sphere, recovering the contemporary debates and national cultural histories that together made up a significant part of the ideological landscape of the British public sphere in the early nineteenth century.

Between 1789 and 1815, Britain faced a surge of challenges brought about by the French Revolution. Growing tensions with France, then the outbreak of war, exacerbated domestic political controversy, giving rise to new forms of political protest, to which the government responded with ever-increasing severity. Reforming Ideas in Britain brings together a series of essays to provide a vibrant historiography of Britain's political thought and movements during the 1790s and beyond. Challenging traditional perceptions of the period, Philp prompts us to reconsider the weight of various ideas, interpretations and explanations of British politics and language; showing us instead that this dynamic world of popular politics was at once more chaotic, innovative and open-minded than historians have typically perceived it to be. This is an essential interdisciplinary text for scholars of history, political theory and romanticism that offers a fresh perspective on radicalism, loyalism and republicanism in Britain during the French Revolution.

1790 saw the publication of Edmund Burke’s Reflections on the Revolution in France – the definitive tract of modern conservatism as a political philosophy. Though women of the period wrote texts that clearly responded to and reacted against Burke’s conception of English history and to the contemporary political events that continued to shape it, this conversation was largely ignored or dismissed, and much of it remains to be reconsidered today. Examining the works of women writers from Jane Austen and Mary Wollstonecraft to the Strickland sisters and Mary Anne Everett Green, this book begins to recuperate that conversation and in doing so uncovers a more complete and nuanced picture of women’s participation in the writing of history. Professor Mary Spongberg puts forward an alternate, feminized historiography of Britain that demonstrates how women writers’ recourse to history caused them to become generically innovative and allowed them to participate in the political debates that framed the emergence of modern British historiography, and to push back against the Whig interpretation of history that predominated from 1790-1860.

Politician, journalist, reformer, convict, social commentator and all-round thorn in the side of the establishment, William Cobbett cut a swathe through late-eighteenth and early-nineteenth century British society with his copious and acerbic writings on any and every issue that caught his attention. Both a radical and a conservative, and with strong opinions on any given subject, Cobbett had a talent for controversial and pugnacious writing that echoes down the centuries and still rings fresh today. Commemorating the 250th anniversary of Cobbett’s birth in 1763, this book provides a selection of his writings - both published and unpublished - that highlight his talents, obsessions, and concerns. From corruption and Parliamentary reform, poverty and commerce, to patriotism and religion, the selections display Cobbett at his best - sometimes outraged and excoriating, sometimes sympathetic and reasoned - but always honest and witty. Divided into 14 chapters each dealing with a particular theme, the selections are contextualised so as to provide the necessary historical background for any readers who may be unfamiliar with the period. In so doing, the book not only brings to life the dynamic and rumbustious world of Georgian England within which Cobbett moved, but also reveals many uncanny parallels with modern concerns. Whether espousing political reform, promoting rural affairs or decrying a spiralling national debt, many of Cobbett’s opinions seem as relevant today as when they were first written. Certainly modern readers will find much here to educate, amuse and admire.

The French Revolution ignited the biggest debate on politics and society in Britain since the Civil War 150 years earlier. The public controversy lasted from the initial, positive reaction to French events in 1789 to the outlawing of the radical societies in 1799. This Cambridge Companion highlights the energy, variety and inventiveness of the literature written in response to events in France and the political reaction at home. It contains thirteen specially commissioned essays by an international team of historians and literary scholars, a chronology of events and publications, and an extensive guide to further reading. Six essays concentrate on the principal writers of the Revolution controversy: Burke, Paine, Godwin and Wollstonecraft. Others deal with popular radical culture, counter-revolutionary culture, the distinctive contribution of women writers, novels of opinion, drama, and poetry. This volume will serve as a comprehensive yet accessible reference work for students, advanced researchers and scholars.

Recent revisionist history has questioned the degree of social and economic change attributable to the French Revolution. Some historians have also claimed that the Revolution was primarily an urban affair with little relevance to the rural masses. This book tests these ideas by examining the Revolutionary, Napoleonic and Restoration attempts to transform the tenure of communal land in one region of southern France; the department of the Gard. By analysing the results of the legislative attempts to privatize common land, this study highlights how the Revolution's agrarian policy profoundly affected French rural society and the economy. Not only did some members of the rural community, mainly small-holding peasants, increase their land holdings, but certain sectors of agriculture were also transformed; these findings shed light on the growth in viticulture in the south of France before the monocultural revolution of the 1850s. The privatization of common land, alongside the abolition of feudalism and the transformation of judicial institutions, were key aspects of the Revolution in the countryside. This detailed study demonstrates that the legislative process was not a top-down procedure, but an interaction between a state and its citizens. It is an important contribution to the new social history of the French Revolution and will appeal to economic and social historians, as well as historical geographers.

How was the social and cultural life of Britain affected by the fear that the French Revolution would spread across the channel? In this brilliant, engagingly written, and profusely illustrated book, John Barrell, well-known for his studies of the history, literature, and art of the period, argues that the conflict between the ancien regime in Britain and the emerging democratic movement was so fundamental that it could not be contained within what had previously been thought of as the 'normal' arena of politics. Activities and spaces which had previously been regarded as 'outside' politics suddenly no longer seemed to be so, and the fear of revolution produced a culture of surveillance and suspicion which penetrated every aspect of private life. Drawing on an unusually wide range of sources, including novels, poems, plays, newspapers, debates in parliament, trials, political pamphlets, and caricatures, The Spirit of Despotism focuses on a number of examples of such invasions of privacy. It shows how the culture of suspicion affected how people spoke and behaved in London coffee-houses; how it influenced attitudes to the king's behaviour in private, especially during his summer holidays in Weymouth; how it infiltrated the country cottage, previously idealized as a protected haven of peace and retirement from political life; and how it influenced the fashion of the period, so that even the way people chose to style their hair came to be seen as a political issue.