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"1916-2010"
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شيئ من حياتي
خلال اعتقاله طوال اكثر من ثلاث سنوات في سجون بينوشيت، كتب لويس كورفالان، سرا، مذكرات طفولته وشبابه هذه في معسكر الاعتقال في (ريتوكي). إن هذه المذكرات وثيقة هامة لبساطتها وسذاجتها، لانسانيتها وخفة ظلها، ولكن قبل كل شيء وهي ميزة نادرة في السير الذاتية السياسية لانها تحطم الاشكال التقليدية وتفتح اسلوبا جديدا في رواية تاريخ قائد ثوري، من وجهة نظر بعيدة عن اللهجة الانتصارية، وعن الأغراض الدعائية، وعن تزيين وترصيع الماضي انطلاقا من المحصلات. بهذا فإن كتاب السكرتير العام للحزب الشيوعي التشيلي يتوصل الى اثارة القارىء بصدقه الفريد والعميق.
Bond Supply and Excess Bond Returns
2014
We examine empirically how the supply and maturity structure of government debt affect bond yields and expected returns. We organize our investigation around a term-structure model in which risk-averse arbitrageurs absorb shocks to the demand and supply for bonds of different maturities. These shocks affect the term structure because they alter the price of duration risk. Consistent with the model, we find that the maturity-weighted-debt-to-GDP ratio is positively related to bond yields and future returns, controlling for the short rate. Moreover, these effects are stronger for longer-maturity bonds and following periods when arbitrageurs have lost money.
Journal Article
ذكريات حياتي
by
البوري، وهبي أحمد، 1916-2010 مؤلف
in
البوري، وهبي أحمد، 1916-2010 يوميات
,
المثقفون ليبيا تراجم
,
ليبيا تاريخ قرون 20-21 مرويات شخصية
2013
تدور أحداث هذا الكتاب في الفترة ما بين عامي 1916 و2006 وهي فترة تقارب القرن من الزمن ويتعرض الكتاب في عمومه وبأسلوب قصصي مشوق إلى الحقب التاريخية المختلفة التي عاشها مؤلف الكتاب المرحوم د. وهبي البوري والأحداث والمتغيرات الزمنية التي عاصرها في صباه وشبابه وخاصة أجواء الحرب العالمية الثانية والتي قضاها خارج ليبيا ثم عصر الاستقلال وتكوين الدولة الليبية.
P. K. Page's \Inebriate\: A Gloss on a Glosa
2019
In her commentary on John Ashbery's iconic and ekphrastic \"Self-Portrait in a Convex Mirror,\" Helen Vendler expands the conception of art about art: in the code language of criticism when a poem is said to be about poetry the word \"poetry\" is often used to mean many things: how people construct an intelligibility out of the randomness they experience; how people choose what they love; how people integrate loss and gain; how they distort experience by wish and dream; how they perceive and consolidate flashes of harmony; how they (to end a list otherwise endless) achieve what Keats called a \"Soul or Intelligence destined to possess the sense of Identity\" (224) In other words, poems about poems are poems about being. In both of these books, Page uses the intricate form of the glosa to pay tribute to many of the writers who have influenced her throughout her career. [...]vitally, they had to parallel in an intimate way my own knowledge, experience or-but preferably and-some other indefinable factor I could recognize but not name. Yet when Rilke visited a Russian monastery as a young man, he was deeply attracted to the spiritual values it embodied; his Book of Hours was profoundly influenced by monastic rituals.
Journal Article
The Montreal Forties
1999
During WWII, a number of Canadian poets converged on Montreal and rewrote the story of modern English-Canadian poetry. The book discusses the four major English-Canadian poets to emerge in the 40s; PK Page, AM Klein, Irving Layton and Louis Dudek.
\After Rain\ Again: P K. Page and the Labour of Others
2017
[...]it validates a narrative of modernism that I take to be especially destructive to a fuller understanding of Page's poetic project and its politics-for which the question of style is somewhat (though not entirely) beside the point.(Planet 86) Art matters, she insists, because to be granted access to this place \"beyond\" is to be made \"whole again\" (Planet 86).[...]by asserting \"wholeness\" as the supreme value for Page's poetics, Trehearne and other critics merely redraw the uncrossable line between art and life, poetry and praxis, that Page's work had endeavoured to inscribe \"case by case, step by step\" throughout her long career.[...]The Educated Imagination begins with Frye separating out the work of the imagination from other kinds of work and assigning to the imagination \"the power of constructing possible models of human experience\" (5).[...]while nonartistic labour (everything from farming to science to journalism) deals with \"reality,\" art discovers \"the real realities\" which \"are bigger and more intense experiences than anything we can reach-except in our imagination, which is what we're reaching with\" (40).[...]I take the fourth stanza, which is placed centrally in the poem, as more crucial to its overall point than the janitor conceit: \"It is but matter / and it matters not / one whit or tittle / if I wear it out.\" works cited Ballantyne, Emily.
Journal Article
CLYDE STERLING BARNHART SR. (1916 - 2010)
Cumo presents an obituary for entomologist Clyde Sterling Barnhart, who died on Aug 18, 2010 at O'Bleness Memorial Hospital. Barnhart joined the Ohio Academy of Science in 1993 declaring entomology as his field of interest. His thesis concerned the effects of carbon dioxide anesthesia as related to the age of the adult house fly while his dissertation was entitled \"The Internal Anatomy of the Silverfish.\"
Journal Article