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156 result(s) for "1930-1939"
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Media, Pulpit, and Populist Persuasion
I study the political impact of the first populist radio personality in American history. Father Charles Coughlin blended populist demagoguery, anti-Semitism, and fascist sympathies to create a hugely popular radio program that attracted 30 million weekly listeners in the 1930s. I find that exposure to Father Coughlin’s anti-Roosevelt broadcast reduced Franklin D. Roosevelt’s vote share in the 1936 presidential election. Coughlin’s effects were larger among Catholics and persisted after Coughlin left the air. Moreover, places more exposed to Coughlin’s broadcast were more likely to form a local branch of the pro-Nazi German-American Bund and sold fewer war bonds during World War II.
Modern British playwriting. The 1960s : voices, documents, new interpretations
This title provides a comprehensive survey and study of the theatre produced in the 1960s. It features a critical analysis and reevaluation of the work of four key playwrights authored by a team of experts, together with an extensive commentary on the period.
The lights that failed : European international history, 1919-1933
This book is first and foremost a history of ruling-class diplomacy, but other factors are not ignored: the Bolsheviks, the Turks, and the insurgencies in Europe. This book provides detailed narrative and cogent analysis of the all that happened in Paris in 1919 and all that came out of it, with the aftermath of the peace process and the difficulty of avoiding war for twenty years. This book falls into two parts. Part 1 shows how the peacemakers and their successors dealt with the problems of a shattered Europe. The war had fundamentally altered both the internal structures of many of the European states and transformed the traditional order. The book shows that the management of the European state system in the decade after 1919, while in some ways resembling that of the past, assumed a shape that distinguished it both from the pre-war decades and the post-1933 period. Part II covers the ‘hinge years’ 1929 to 1933. These were the years in which many of the experiments in internationalism came to be tested and their weakness revealed. Many of the difficulties stemmed from the enveloping economic depression. The way was open to the movements towards étatism, autarcy, virulent nationalism, and expansionism which characterized the post-1933 European scene. The events of these years were critical to both Hitler's challenge to the European status quo and the reactions of the European statesmen to his assault on what remained of an international system.
Routes into the abyss
Examining the 1930s and the different reactions to the crisis, this volume offers a global comparative perspective that includes a comparison across time to give insight into the contemporary global recession. Germany, Italy, Austria and Spain with their antidemocratic, authoritarian or fascistic answers to the economic crisis are compared not only to an opposite European perspective - the Swedish example - but also to other global perspectives and their political consequences in Japan, China, India, Turkey, Brazil and the United States. The book offers no recipe for economic, social or political action in today's recession, but it shows a wide range of reactions in the past, some of which led to catastrophe.
The sound of musicals
Despite having had its obituary written many times, the movie musical remains a flourishing twenty-first century form, and as this volume demonstrates, one that exists far beyond the confines of Broadway and Hollywood.The Sound of Musicals examines the films, stars, issues and traditions of the genre from the 1930s to the present day.
The Soviets, the Munich Crisis, and the Coming of World War II
The Munich crisis is everywhere acknowledged as the prelude to World War II. If Hitler had been stopped at Munich then World War II as we know it could not have happened. The subject has been thoroughly studied in British, French and German documents and consequently we know that the weakness in the Western position at Munich consisted in the Anglo-French opinion that the Soviet commitment to its allies - France and Czechoslovakia - was utterly unreliable. What has never been seriously studied in the Western literature is the whole spectrum of East European documentation. This book targets precisely this dimension of the problem. The Romanians were at one time prepared to admit the transfer of the Red Army across their territory. The Red Army, mobilised on a massive scale, was informed that its destination was Czechoslovakia. The Polish consul in Lodavia reported the entrance of the Red Army into the country. In the meantime, Moscow focused especially on the Polish rail network. All of these findings are new, and they contribute to a considerable shift in the conventional wisdom on the subject.
Demystifying Disney
Demystifying Disney: A History of Disney Feature Animation provides a comprehensive and thoroughly up-to-date examination of the Disney studio’s evolution through its animated films. In addition to challenging certain misconceptions concerning the studio’s development, the study also brings scholarly definition to hitherto neglected aspects of contemporary Disney. Through a combination of economic, cultural, historical, textual, and technological approaches, this book provides a discriminating analysis of Disney authorship, and the authorial claims of others working within the studio; conceptual and theoretical engagement with the constructions of ‘Classic’ Disney, the Disney Renaissance, and Neo-Disney; Disney’s relationship with other studios; how certain Disney animations problematise a homogeneous reading of the studio’s output; and how the studio’s animation has changed as a consequence of new digital technologies. For all those interested in gaining a better understanding of one of cinema’s most popular and innovative studios, this will be an invaluable addition to the existing literature.
Framing the Nation
Framing the Nation: Documentary Film in Interwar France argues that, between World Wars I and II, documentary film made a substantial contribution to the rewriting of the French national narrative to include rural France and the colonies. The book mines a significant body of virtually unknown films and manuscripts for their insight into revisions of French national identity in the aftermath of the Great War. From 1918 onwards, government institutions sought to advance social programs they believed were crucial to national regeneration. They turned to documentary film, a new form of mass communication, to do so. Many scholars of French film state that the French made no significant contribution to documentary film prior to the Vichy period. Using until now overlooked films, Framing the Nation refutes this misconception and shows that the French were early and active believers in the uses of documentary film for social change - and these films reached audiences far beyond the confines of commercial cinema circuits in urban areas.