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What can we learn about the Chinese revolution by placing a doubly marginalized group--rural women--at the center of the inquiry? In this book, Gail Hershatter explores changes in the lives of seventy-two elderly women in rural Shaanxi province during the revolutionary decades of the 1950s and 1960s. Interweaving these women's life histories with insightful analysis, Hershatter shows how Party-state policy became local and personal, and how it affected women's agricultural work, domestic routines, activism, marriage, childbirth, and parenting--even their notions of virtue and respectability. The women narrate their pasts from the vantage point of the present and highlight their enduring virtues, important achievements, and most deeply harbored grievances. In showing what memories can tell us about gender as an axis of power, difference, and collectivity in 1950s rural China and the present, Hershatter powerfully examines the nature of socialism and how gender figured in its creation.

Declassified Keyhole imagery partially provides multi-temporal coverage that can support land-use change analysis. However, the volume of commercial (paid) Keyhole data is much larger than that of free imagery, and the extent to which commercial data can enhance the application of Keyhole imagery for land-use change analysis remains unknown. In this work, the full archive of Keyhole images for China was obtained from the USGS to identify regions with repeated coverage automatically by using the ArcPy library in Python. The years from 1960 to 1984 were divided into five 5-year periods (T1, 1960~1964; T2, 1965~1969; T3, 1970~1974; T4, 1975~1979; and T5, 1980~1984). The Keyhole images’ metadata, including resolution, acquisition time, and image extent, were utilized to classify the images into meter level (C1), five-meter level (C2), and ten-meter level (C3). The spatial distributions of combinations of imagery at different resolutions for each period and the repeated coverage of imagery at each resolution across the five periods were investigated to extract repeated-coverage regions. The coverage proportions were nearly 100% for C1 imagery for the T3, T4, and T5 periods; C2 for T1 and T2; and C3 for T1 and T3. The T3 period featured extensive coverage at all three resolutions (66%). The T1 period was mainly covered by C2/C3 (93%), and T4 had C1/C3 coverage (68%). In contrast, T2 relied primarily on C2 imagery (100%), and T5 was only covered by C1 (96%). For C1 imagery, land-use changes in almost all areas in China in the T3/T4/T5 time span could be detected, and for C2 and C3 images, the corresponding time spans were T1/T2 and T1/T3. Although this study focused on repeated-coverage area detection within China, the methodology and Python codes provided allow for the implementation of an automated process for land-use change detection from the 1960s to the 1980s in other regions worldwide.

This chapter contains sections titled: Prologue Protestants 1949–1954: Compliance The “Christian Manifesto” and Growth of the Three Self The Fate of Evangelicals in the TSPM: The Case of Chen Chonggui Catholics 1949–1957: Resistance From the Great Leap to the Cultural Revolution, 1958–1966 Some Thoughts

This article examines the challenge of Chinese communism in East Germany in the 1960s. It shows how the Sino–Soviet Split and the Chinese Cultural Revolution endangered the public transcripts of East German state socialism by undermining its organizing metaphors and principles. Chinese cadres used their East Berlin embassy as a stage, showcase and megaphone for their dissenting vision of communism throughout the decade, winning some support from elderly communists, young anti-authoritarians and students from the Global South. Studying the East German campaign against what was known as 'Mao Zedong Thought' sheds light on the transnational traffic of actors and ideas within the Second World in the turbulent decade of the 1960s. The official and vernacular response to the Maoist challenge suggests that East German ideology was constituted by a double demarcation in the 1960s, against Western social democracy and capitalism to its right and Chinese communism to its left.

The first chapter of this book, “Framing Taiwan Cinema: Perspectives on History in Hou Hsiao-hsien’s Three Times”, which is intended to be read alongside a screening of Hou Hsiao-hsien’s 2005 film Three Times, provides an accessible introduction to Taiwan cinema by synthesizing in one location key moments in Taiwan’s film history. While the locus of this chapter is Taiwan’s Mandarin state films, the chapter includes intersections with other national film traditions and describes how Mandarin film gradually replaced the vibrant Taiwanese-dialect film (taiyu pian) tradition in the 1970s. In order to do so, it traces the era’s prominent figures, movements, and dates. This includes a summary of Taiwan film in the early 1960s, the influence of Hong Kong film, especially in 1963, with director Li Hanxiang’s The Love Eterne (Liang Shanbo yu Zhu Yingtai), a brief account of Taiwan’s so-called “golden age” film in the early 1970s, patriotic war films of the mid-1970s, and adaptations of nativist literature by the state in late 1970s films. Overall, this chapter provides an overview of Taiwan cinema and places in position a scaffolding of historical details and information essential for the analyses presented in the following chapters.

This chapter contains sections titled: Initial Stage: Chinese Women's Engagement with Filmmaking, 1920s–1940s A New Beginning: Chinese Woman Directors in the 1950s Development of Women's Cinema in the 1960s and 1970s Transformation and Reshaping of Chinese Women's Cinema since the 1980s Conclusion