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"20th Century Literature"
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The Edinburgh companion to twentieth-century British and American War literature
by
Piette, Adam
,
Rawlinson, Mark
in
20th century
,
American literature
,
American literature -- 20th century -- History and criticism
2012,2016
The first reference book to deal so fully and incisively with the cultural representations of war in 20th-century English and US literature and film. The volume covers the two World Wars as well as specific conflicts that generated literary and imaginative responses from English and US writers.
A Shrinking Island
2009,2004,2003
This book describes a major literary culture caught in the act of becoming minor. In 1939, Virginia Woolf wrote in her diary, \"Civilisation has shrunk.\" Her words captured not only the onset of World War II, but also a longer-term reversal of national fortune. The first comprehensive account of modernism and imperialism in England,A Shrinking Islandtracks the joint eclipse of modernist aesthetics and British power from the literary experiments of the 1930s through the rise of cultural studies in the 1950s.
Jed Esty explores the effects of declining empire on modernist form--and on the very meaning of Englishness. He ranges from canonical figures (T. S. Eliot and Virginia Woolf) to influential midcentury intellectuals (J. M. Keynes and J.R.R. Tolkien), from cultural studies pioneers (Raymond Williams and E. P. Thompson) to postwar migrant writers (George Lamming and Doris Lessing). Focusing on writing that converts the potential energy of the contracting British state into the language of insular integrity, he argues that an anthropological ethos of cultural holism came home to roost in late-imperial England. Esty's interpretation challenges popular myths about the death of English literature. It portrays the survivors of the modernist generation not as aesthetic dinosaurs, but as participants in the transition from empire to welfare state, from metropolitan art to national culture. Mixing literary criticism with postcolonial theory, his account of London modernism's end-stages and after-lives provides a fresh take on major works while redrawing the lines between modernism and postmodernism.
Blood of Others
2022
Blood of Others offers a cultural history of Crimea and
the Black Sea region, one of Europe's most volatile flashpoints, by
chronicling the aftermath of Stalin's 1944 deportation of the
Crimean Tatars in four different literary traditions.
The Politics of Irony in American Modernism
2013,2014,2020
This book shows how American literary culture in the first half of the twentieth century saw \"irony'\" emerge as a term to describe intersections between aesthetic and political practices. Against conventional associations of irony with political withdrawal, Stratton shows how the term circulated widely in literary and popular culture to describe politically engaged forms of writing. It is a critical commonplace to acknowledge the difficulty of defining irony before stipulating a particular definition as a stable point of departure for literary, cultural, and political analysis. This book, by contrast, is the first to derive definitions of \"irony\" inductively, showing how writers employed it as a keyword both before and in opposition to the institutionalization of New Criticism. It focuses on writers who not only composed ironic texts but talked about irony and satire to situate their work politically: Randolph Bourne, Benjamin De Casseres, Ellen Glasgow, John Dos Passos, Ralph Ellison, and many others.
Thresholds of Illiteracy: Theory, Latin America, and the Crisis of Resistance
2014,2020
Thresholds of Illiteracy reevaluates Latin American theories and narratives of cultural resistance by advancing the concept of \"illiteracy\" as a new critical approach to understanding scenes or moments of social antagonism. \"Illiteracy,\" Acosta claims, can offer us a way of talking about what cannot be subsumed within prevailing modes of reading, such as the opposition between writing and orality, that have frequently been deployed to distinguish between modern and archaic peoples and societies. This book is organized as a series of literary and cultural analyses of internationally recognized postcolonial narratives. It tackles a series of the most important political/aesthetic issues in Latin America that have arisen over the past thirty years or so, including indigenism, testimonio, the Zapatista movement in Chiapas, and migration to the United States via the U.S.-Mexican border. Through a critical examination of the \"illiterate\" effects and contradictions at work in these resistant narratives, the book goes beyond current theories of culture and politics to reveal radically unpredictable forms of antagonism that advance the possibility for an ever more democratic model of cultural analysis.