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El 16 de diciembre de 1965, la Universidad Nacional (UNAL) creó el Departamento de Biología como uno de los proyectos educativos más importantes de las ciencias biológicas en el país. El Departamento marcó el comienzo de una nueva estructura académica en la universidad y estableció las bases de la disciplina que mantiene como un legado y un referente nacional hasta la fecha. Haciendo memoria histórica, desde la creación del departamento de Biología, forma parte de la Facultad de Ciencias según el acuerdo 61 del Consejo Superior Universitario. Más tarde, en 1971, el Consejo Superior Universitario aprobó el Acuerdo 16 (del 17 de febrero) concedió la autonomía al Instituto de Ciencias Naturales del Departamento de Biología.

In a randomized trial involving previously untreated patients with metastatic intermediate- or poor-risk renal-cell cancer, nivolumab plus ipilimumab was associated with higher response rates, longer overall survival, and greater improvement in quality of life than sunitinib.

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The article is the result of a research focused on the history of the University of Buenos Aires, particularly on the uncompleted project of university reform that was fostered from May 1973. I analyze the case of the Cátedras Nacionales (1967-1971) as one of the experiences that precede the university project partially institutionalized since 1973. Among those cases that we have called formative experiences, the Cátedras Nacionales are a paradigmatic one, and perhaps the most explored. However, not always they have been recognized as the basis of the institutional transformation project that was fostered a few years later. Through a variety of primary sources, this paper argues that the Cátedras Nacionales and the University Reform Project are two separate moments which should be differentiated, but at the same time it is crucial to analyze the historical continuity of their postulates and the trajectories of the actors which participated on those events in order to understand the ways in which the reform project was institutionalized.

Iconoclastic in spirit, Magical Realism and the History of the Emotions in LatinAmerica is the first study of affect and emotion in magical realist literature.Against the grain of a vast body of scholarship, it argues that magical realism is neither exotic commodity nor postcolonial resistance, but an art form fueled by a search for spaces of.

El artículo se centra en la figura de Julián Gorkín, militante del Partido Obrero de Unificación Marxista (POUM) durante la Guerra civil española (1936-1939). Gorkín se exilió a México y empezó a trabajar para los EE. UU. Su ideología evolucionó desde el comunismo ortodoxo en la década de 1920 hasta abrazar corrientes socialdemócratas europeístas a partir de la década de 1960. En nuestro estudio examinamos la labor que desarrolló Gorkín como Cold Warrior y las operaciones en las que participó. además, analizamos cómo, a través de sus gestiones, otros españoles excomunistas sirvieron a los intereses de los EE. UU. Finalmente observamos como la dictadura de Franco se benefició indirectamente de estos trabajos para atacar el pasado republicano español. The article focuses on the figure of Julián Gorkín, a militant of the Marxist Unification Labour Party (POUM) during the Spanish Civil War (1936-1939). Gorkín went into exile in Mexico and began working for the USa. He moved inside the revolutionary line until he broke with the orthodoxia of the Third international in the 1920 decade and ended up linked to the american secret services. He turned into a fierce defender of the atlanticism Europeanism in the 1960’s. In our study we examined the work that Gorkín developed as Cold Warrior and the operations in which he was involved. in addition, we analyse how his work was essential to encourage other former Spanish communists to serve US interests. Finally, we explain how the Franco dictatorship benefited indirectly from this work in order to attack Spain’s republican past.