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The experience of architectural spaces is formed by the way they are staged. The Drama of Space examines the composition and articulation of architectural spaces in terms of spatial dramaturgy, as a repertoire of means and strategies for shaping spatial experience. This fundamental approach to architectural design is presented in four parts: Archetypal principles of spatial composition are traced from the study of three assembly buildings of the early modern period in Venice. Theatre, film, music, and theory provide background knowledge on dramaturgy. Detailed analyses of 18 international case studies offer new perspectives on contemporary architecture. The book ends with a systematic presentation of the dramaturgy of space, its parameters and tools, in architectural design.

This book explores the beginnings of the interior design profession in nineteenth-century France. Drawing on a wealth of visual sources, from collecting and advice manuals to pattern books and department store catalogues, it demonstrates how new forms of print media were used to 'sell' the idea of the unified interior as a total work of art, enabling the profession of interior designer to take shape. In observing the dependence of the trades on the artistic and public visual appeal of their work, the book establishes crucial links between the fields of art history, material and visual culture, and design history.

THE HANDBOOK OF INTERIOR DESIGN The Handbook of Interior Design offers a compilation of current works that inform the discipline of interior design. These examples of design scholarship present a detailed overview of current research and critical thinking. The volume brings together a broad range of essays from an international group of scholars who represent the diversity of work in the field. Intended to engage those involved in the study and practice of interior design, the Handbook considers the connections between theory, research, and practice that shape the field of interior design, as well as the theoretical perspectives that inform the field. It contains over thirty essays which together demonstrate the wide range of opinions and knowledge in the discipline, grouped in sections to reflect key components of their content. A close reading of the essays will uncover contradictory as well as supporting positions on aspects of interior design, challenging the reader to think critically and develop a personal stance toward the subject.

The Second Edition of Sustainable Residential Interiors addresses cutting edge processes, strategies, and principles as well as details for in-depth product vetting criteria.Award-winning, leading interior designer Annette Stelmack shares her expertise from the perspective of LEED Building Design & Construction projects, healthy interiors, and.

Biophilia is the theory that people possess an inherent affinity for nature, which developed during the long course of human evolution. In recent years, studies have revealed that this inclination continues to be a vital component to human health and wellbeing. Given the pace and scale of construction today with its adversarial, dominative relationship with nature, the integration of nature with the built environment is one of the greatest challenges of our time. In this sweeping examination, Stephen Kellert describes the basic principles, practices, and options for successfully implementing biophilic design. He shows us what is-and isn't-good biophilic design using examples of workplaces, healthcare facilities, schools, commercial centers, religious structures, and hospitality settings. This book will to appeal to architects, designers, engineers, scholars of human evolutionary biology, and-with more than one hundred striking images of designs-anyone interested in nature-inspired spaces.

Designing the French Interior traces France’s central role in the development of the modern domestic interior, from the pre-revolutionary period to the 1970s, and addresses the importance of various media, including drawings, prints, pattern books, illustrated magazines, department store catalogs, photographs, guidebooks, and films, in representing and promoting French interior design to a wider audience. Contributors to this original volume identify and historicize the singularity of the modern French domestic interior as a generator of reproducible images, a site for display of both highly crafted and mass-produced objects, and the direct result of widely-circulated imagery in its own right. This important volume enables an invaluable new understanding of the relationship between architecture, interior spaces, material cultures, mass media and modernity.

Harry Francis Mallgrave combines a history of ideas about architectural experience with the latest insights from the fields of neuroscience, cognitive science and evolutionary biology to make a powerful argument about the nature and future of architectural design.Today, the sciences have granted us the tools to help us understand better than ever.

Interior design has shifted significantly in the past fifty years from a focus on home decoration within family and consumer sciences to a focus on the impact of health and safety within the interior environment. This shift has called for a deeper focus in evidence-based research for interior design education and practice. Research Methods for Interior Design provides a broad range of qualitative and quantitative examples, each highlighted as a case of interior design research. Each chapter is supplemented with an in-depth introduction, additional questions, suggested exercises, and additional research references. The book’s subtitle, Applying Interiority, identifies one reason why the field of interior design is expanding, namely, all people wish to achieve a subjective sense of well-being within built environments, even when those environments are not defined by walls. The chapters of this book exemplify different ways to comprehend interiority through clearly defined research methodologies. This book is a significant resource for interior design students, educators, and researchers in providing them with an expanded vision of what interior design research can encompass.

Interaktive Anwendungen nehmen in der Innenarchitektur durch fortschreitende Technik und Digitalisierung eine immer wichtigere Rolle ein. Ob bei Produkten, Möbeln oder Räumen: Die Vernetzung mit dem Nutzer ist der Trend, für den auch umwelt- und verhaltenspsychologische Aspekte relevant sind. Die Publikation dokumentiert die Vielfalt solcher Anwendungen, vom Lichtschalter bis hin zum komplett gestalteten Raum (einer Schule, eines Flugplatzes, eines Spas) und präsentiert dabei High- wie auch Lowtech-Projekte. Das Buch erläutert die verschiedenen Prinzipien der Interaktion zwischen Produkt und Nutzer und stellt dann in sechs Kapiteln jeweils anhand von sechs Projektbeispielen eine dieser interaktiven Funktionen vor: kommunizieren, stimulieren, anpassen, reagieren, umformen und herausfordern. Fueled by an increasingly interconnected world, the desire for engaging experiences plays a more important role in interiors than ever before. There is a tendency in the design of products, furniture, and environments toward enhanced interaction that employs psychosocial principles. This publication presents both high and low-tech applications ranging from a light fixture to art installations and fully realized buildings. The book illustrates human-centered design strategies through a series of six chapters, each including examples that introduce one of following approaches: communicating, stimulating, synomorphic, transactional, transformative, and challenging.