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6,716 result(s) for "ARMISTICES"
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War and Punishment
What makes wars drag on and why do they end when they do? Here H. E. Goemans brings theoretical rigor and empirical depth to a long-standing question of securities studies. He explores how various government leaders assess the cost of war in terms of domestic politics and their own postwar fates. Goemans first develops the argument that two sides will wage war until both gain sufficient knowledge of the other's strengths and weaknesses so as to agree on the probable outcome of continued war. Yet the incentives that motivate leaders to then terminate war, Goemans maintains, can vary greatly depending on the type of government they represent. The author looks at democracies, dictatorships, and mixed regimes and compares the willingness among leaders to back out of wars or risk the costs of continued warfare. Democracies, according to Goemans, will prefer to withdraw quickly from a war they are not winning in order to appease the populace. Autocracies will do likewise so as not to be overthrown by their internal enemies. Mixed regimes, which are made up of several competing groups and which exclude a substantial proportion of the people from access to power, will likely see little risk in continuing a losing war in the hope of turning the tide. Goemans explores the conditions and the reasoning behind this \"gamble for resurrection\" as well as other strategies, using rational choice theory, statistical analysis, and detailed case studies of Germany, Britain, France, and Russia during World War I. In so doing, he offers a new perspective of the Great War that integrates domestic politics, international politics, and battlefield developments.
Rain of ruin : Tokyo, Hiroshima, and the surrender of Japan
\"With the development of the B-29 \"Superfortress\" in summer 1944, strategic bombing, a central component of the Allied war effort against Germany, arrived in the Pacific theater. In 1945 Japan experienced the three most deadly bombing attacks of the war. The firebombing of Tokyo in March burned the city's most densely populated sector, killed some 85,000 residents, and left more than one million homeless. The attack was part of a months-long campaign of incendiary bombing that destroyed almost two-thirds of Japan's cities. The two atomic blasts in August killed hundreds of thousands in Hiroshima and Nagasaki, most of them civilians. The bombing brought a destabilizing devastation that, combined with a declaration of war by the Soviet Union, induced Japan, as they put it, to terminate the war. Many at the time and since have credited American air power, and especially the two atomic bombs, with Japan's surrender. But Richard Overy tells a different, more dimensional story. Drawing on his expertise on the war and its bombing campaigns, he delivers a precise recounting of these aerial attacks, and a balanced, informed assessment of how and why they occurred. Overy is astute on the Allied decision-making, and, notably, integrates the Japanese leadership as well. He ably navigates the dramatic endgame of the war, which featured factional infighting within the Japanese cabinet, a scramble by American officials to formulate an acceptable version of \"unconditional surrender,\" and the crucial role played by the emperor, Hirohito. The atomic bombing emerges as impactful but not decisive in this rich, multilayered history\"-- Provided by publisher.
Silent morning
This is the first book to study the cultural impact of the Armistice of 11 November 1918. It contains 14 new essays from scholars working in literature, music, art history and military history. The Armistice brought hopes for a better future, as well as sadness, disappointment and rage. Many people in all the combatant nations asked hard questions about the purpose of the war. These questions are explored in complex and nuanced ways in the literature, music and art of the period. This book revisits the silence of the Armistice and asks how its effect was to echo into the following decades. The essays are genuinely interdisciplinary and are written in a clear, accessible style.
Peace at last : a portrait of Armistice Day, 11 November 1918
In this portrait of Armistice Day, which ranges from midnight to midnight, Guy Cuthbertson brings together news reports, literature, memoirs, and letters to show how the people on the street, as well as soldiers and prominent figures like D.H. Lawrence and Lloyd George, experienced a strange, singular day of great joy, relief, and optimism.