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2,177
result(s) for
"Africa History 20th century."
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A Civilised Savagery
2005,2014,2004
In the two decades before World War One, Great Britain witnessed the largest revival of anti-slavery protest since the legendary age of emancipation in the mid-nineteenth century. Rather than campaigning against the trans-Atlantic slave trade, these latter-day abolitionists focused on the so-called 'new slaveries' of European imperialism in Africa, condemning coercive systems of labor taxation and indentured servitude, as well as evidence of atrocities.
A Civilized Savagery illuminates the multifaceted nature of British humanitarianism by juxtaposing campaigns against different forms of imperial labor exploitation in three separate areas: the Congo Free State, South Africa, and Portuguese West Africa. In doing so, Kevin Grant points out how this new type of humanitarianism influenced the transition from Empire to international government and the advent of universal human rights in subsequent decades.
George Padmore and decolonization from below : pan-Africanism, the Cold War, and the end of empire
by
James, Leslie
in
20th Century History
,
Africa -- History -- Autonomy and independence movements
,
African diaspora
2015,2014
01
02
From his base in London, the Trinidad-born Marxist, George Padmore, was a central figure of mid-twentieth century pan-Africanism who became critically involved in debates about the nature and practice of European imperialism. Focusing on Padmore's political manoeuvring, Leslie James traces his politics through the ongoing influence of the Caribbean and the legacy of the Garvey movement; the international communist movement and Soviet decolonization; debates about fascism and colonialism; the new 'reform' rhetoric apparent in World War II; the beginnings of the Cold War; and, pivotally, post-war African politics that confronted a wealth of new dynamics including independent Ghana, apartheid South Africa, and the Mau Mau Emergency in Kenya. Within the ideas and political practice of this forthright man lie a number of common questions about the circulation of ideas, the shape of black radical thought, and the weight of Cold War politics within the modern history of European imperialism and the end of empire.
02
02
This book argues that the rising tide of anti-colonialism after the 1930s should be considered a turning point not just in harnessing a new mood or feeling of unity, but primarily as one that viewed empire, racism, and economic degradation as part of a system that fundamentally required the application of strategy to their destruction.
13
02
Leslie James is Leverhulme Early Career Fellow in the Department of African Studies and Anthropology, University of Birmingham. Prior to this, she was Lecturer in World History at the University of Cambridge. Other publications include the forthcoming volume, Decolonization and the Cold War: Negotiating Independence , co-edited with Elisabeth Leake.
04
02
Introduction: The Artful Anti-Colonialist
1. Origins: 'The Most Completely Political Negro'
2. Putting Empire in Black and White: Padmore's Ideas about Race and Empire
3. 'The Long, Long Night is Over': A War of Opportunity?
4. Writing Anti-Imperial Solidarity from London: George Padmore's Colonial Journalism, 1940-1951
5. The Psychological Moment: The Colonial Office, Pan-Africanism, and the Problem of the Soviet Union, 1946-1950
6. A Buttress for the 'Beacon Light'
7. The Era of Padmore the 'Outsider': Nation, Diaspora, and Modernity, 1950-1956
8. Ghana, Death, and the Afterlife
Conclusion: 'The Soliloquy of Africa'
Warfare in independent Africa
\"This book surveys the history of armed conflict in Africa in the period since decolonization and independence\"-- Provided by publisher.
Chinese labour in South Africa, 1902-10 : race, violence, and global spectacle
2013
This book explores the decision of the British Empire to import Chinese labour to southern Africa despite the already tense racial situation in the region. It enables a clearer understanding of racial and political developments in southern Africa during the reconstruction period and places localised issues within a wider historiography.
Africa in the time of cholera : a history of pandemics from 1817 to the present
\"This book combines evidence from natural and social sciences to examine the impact on Africa of seven cholera pandemics since 1817\"--Provided by publisher.
Charcot in Morocco
by
Charcot, Jean-Martin
,
Gelfand, Toby
in
1825-1893
,
Charcot, J. M
,
Charcot, J. M. (Jean Martin), 1825-1893 -- Travel -- Morocco
2012
Charcot in Moroccois the first-ever publication of Dr. Jean-Martin Charcot's travel diary of his 1887 trip to Morocco. Considered the father of neuropathology, Charcot (1825-1893) is a seminal character in the history of neurology and psychology. His Moroccan travel diary includes his \"objective\" observations of the local Jewish community, which only fortified his assumptions about the relationship between race and neuropathology. These became a conspicuous feature of his ideas about the hereditary origins of nervous ailments. His ideas - taught as doctrine to a vast audience, including a young Sigmund Freud - reveal the convergence of clinical observation and European anti-Semitism at the end of the nineteenth century.Including an enlightening critical introduction by renowned Charcot expert Toby Gelfand,Charcot in Moroccoprovides new insights into the personality of this influential figure and his perspectives on the \"Orient\" and its inhabitants.
Nationalist African cinema
2014,2016
In the last decade, a certain discomfort, at times even impatience emerged among critics of African cinema. The onset of such uneasiness can be traced back to the demise of the liberationist discourse, to the questioning of the monolithic expression “African cinema”, and finally to the critical exploration of various forms of visual narratives developing at a fast speed on the continent. Nationalist African Cinema: Legacy and Transformations reexamines African cinema of the nationalist era within the context of contemporary major Euro-American film trends. It argues that the aesthetic diversification of African cinema can be traced as far back as the nationalist era.