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This volume assembles essential essays some published only posthumously, others obscure, another only recently translated by W. E. B. Du Bois from 1894 to early 1906. They show the first formulations of some of his most famous ideas, namely, \"the veil,\" \"double-consciousness,\" and the \"problem of the color line.\" Moreover, the deep historical sense of the formation of the modern world that informs Du Bois's thought and gave rise to his understanding of \"the problem of the color line\" is on display here. Indeed, the essays constitute an essential companion to Du Bois's masterpiece published in 1903 as The Souls of Black Folk. The collection is based on two editorial principles: presenting the essays in their entirety and in strict chronological order. Copious annotation affords both student and mature scholar an unprecedented grasp of the range and depth of Du Boiss everyday intellectual and scholarly reference. These essays commence at the moment of Du Bois's return to the United States from two years of graduate-level study in Europe at the University of Berlin. At their center is the moment of Du Boi's first full, self-reflexive formulation of a sense of vocation: as a student and scholar in the pursuit of the human sciences (in their still-nascent disciplinary organization that is, the institutionalization of a generalized \"sociology\" or general \"ethnology\"), as they could be brought to bear on the study of the situation of the so-called Negro question in the United States in all of its multiply refracting dimensions. They close with Du Bois's realization that the commitments orienting his work and intellectual practice demanded that he move beyond the institutional frames for the practice of the human sciences. The ideas developed in these early essays remained the fundamental matrix for the ongoing development of Du Boiss thought. The essays gathered here will therefore serve as the essential reference for those seeking to understand the most profound registers of this major American thinker.

What was it like to grow up black and female in the segregated South?To answer this question, LaKisha Simmons blends social history and cultural studies, recreating children's streets and neighborhoods within Jim Crow New Orleans and offering a rare look into black girls' personal lives.

On April 2, 1917, Woodrow Wilson thrust the United States into World War I by declaring, \"The world must be made safe for democracy.\" For the 380,000 African American soldiers who fought and labored in the global conflict, these words carried life or death meaning. Relating stories bridging the war and postwar years, spanning the streets of Chicago and the streets of Harlem, from the battlefields of the American South to the battlefields of the Western Front, Chad L. Williams reveals the central role of African American soldiers in World War I and how they, along with race activists and ordinary citizens alike, committed to fighting for democracy at home and beyond.Using a diverse range of sources, Williams connects the history of African American soldiers and veterans to issues such as the obligations of citizenship, combat and labor, diaspora and internationalism, homecoming and racial violence, \"New Negro\" militancy, and African American historical memories of the war. Democracy may have been distant from the everyday lives of African Americans at the dawn of the war, but it nevertheless remained a powerful ideal that sparked the hopes of black people throughout the country for societal change.Torchbearers of Democracyreclaims the legacy of black soldiers and establishes the World War I era as a defining moment in the history of African Americans and peoples of African descent more broadly.

The geography of American retail has changed dramatically since the first luxurious department stores sprang up in nineteenth-century cities. Introducing light, color, and music to dry-goods emporia, these \"palaces of consumption\" transformed mere trade into occasions for pleasure and spectacle. Through the early twentieth century, department stores remained centers of social activity in local communities. But after World War II, suburban growth and the ubiquity of automobiles shifted the seat of economic prosperity to malls and shopping centers. The subsequent rise of discount big-box stores and electronic shopping accelerated the pace at which local department stores were shuttered or absorbed by national chains. But as the outpouring of nostalgia for lost downtown stores and historic shopping districts would indicate, these vibrant social institutions were intimately connected to American political, cultural, and economic identities.The first national study of the department store industry, From Main Street to Mall traces the changing economic and political contexts that transformed the American shopping experience in the twentieth century. With careful attention to small-town stores as well as glamorous landmarks such as Marshall Field's in Chicago and Wanamaker's in Philadelphia, historian Vicki Howard offers a comprehensive account of the uneven trajectory that brought about the loss of locally identified department store firms and the rise of national chains like Macy's and J. C. Penney. She draws on a wealth of primary source evidence to demonstrate how the decisions of consumers, government policy makers, and department store industry leaders culminated in today's Wal-Mart world. Richly illustrated with archival photographs of the nation's beloved downtown business centers, From Main Street to Mall shows that department stores were more than just places to shop.

This is a book about prejudice and democracy, and the prejudice of democracy. In comparing the historical struggles of two geographically disparate populations - Indian Dalits (once known as Untouchables) and African Americans - Gyanendra Pandey, the leading subaltern historian, examines the multiple dimensions of prejudice in two of the world's leading democracies. The juxtaposition of two very different locations and histories, and within each of them of varying public and private narratives of struggle, allows for an uncommon analysis of the limits of citizenship in modern societies and states. Pandey, with his characteristic delicacy, probes the histories of his protagonists to uncover a shadowy world where intolerance and discrimination are part of both public and private lives. This unusual and sobering book is revelatory in its exploration of the contradictory history of promise and denial that is common to the official narratives of nations such as India and the United States and the ideologies of many opposition movements.

In 1948, the Orioles, a Baltimore-based vocal group, recorded \"It's Too Soon to Know.\" Combining the sound of Tin Pan Alley with gospel and blues sensibilities, the Orioles saw their first hit reach #13 on the pop charts, thus introducing the nation to vocal rhythm & blues and paving the way for the most successful groups of the 1950s.In the first scholarly treatment of this influential musical genre, Stuart Goosman chronicles the Orioles' story and that of myriad other black vocal groups in the postwar period. A few, like the Orioles, Cardinals, and Swallows from Baltimore and the Clovers from Washington, D.C., established the popularity of vocal rhythm & blues nationally. Dozens of other well-known groups (and hundreds of unknown ones) across the country cut records and performed until about 1960. Record companies initially marketed this music as rhythm & blues; today, group harmony continues to resonate for some as \"doo-wop.\"Focusing in particular on Baltimore and Washington and drawing significantly from oral histories, Group Harmony details the emergence of vocal rhythm & blues groups from black urban neighborhoods. Group harmony was a source of empowerment for young singers, for it provided them with a means of expression and some aspect of control over their lives where there were limited alternatives. Through group harmony, young black males celebrated and musically confounded, when they could not overcome, complex issues of race, separatism, and assimilation during the postwar period.Group harmony also became a significant resource for the popular music industry. Goosman interviews dozens of performers, deejays, and industry professionals to examine the entrepreneurial promise of midcentury popular music and chronicle the convergence of music, place, and business, including the business of records, radio, promotion, and song writing.Featured in the book's account of the black urban roots of rhythm & blues are the recollections of singers from groups such as the Cardinals, Clovers, Dunbar Four, Four Bars of Rhythm, Five Blue Notes, Hi Fis, Plants, Swallows, and many others, including Jimmy McPhail, a well-known Washington vocalist; Deborah Chessler, the manager and songwriter for the original Orioles; Jesse Stone, the writer and arranger from Atlantic Records; Washington radio personality Jackson Lowe; and seminal black deejays Al (\"Big Boy\") Jefferson, Maurice (\"Hot Rod\") Hulbert, and Tex Gathings.

On Melbenan Drive just west of Atlanta, sunlight falls onto a long row of well-kept lawns. Two dozen homes line the street; behind them wooden decks and living-room windows open onto vast woodland properties. Residents returning from their jobs steer SUVs into long driveways and emerge from their automobiles. They walk to the front doors of their houses past sculptured bushes and flowers in bloom. For most people, this cozy image of suburbia does not immediately evoke images of African Americans. But as this pioneering work demonstrates, the suburbs have provided a home to black residents in increasing numbers for the past hundred years—in the last two decades alone, the numbers have nearly doubled to just under twelve million. Places of Their Own begins a hundred years ago, painting an austere portrait of the conditions that early black residents found in isolated, poor suburbs. Andrew Wiese insists, however, that they moved there by choice, withstanding racism and poverty through efforts to shape the landscape to their own needs. Turning then to the 1950s, Wiese illuminates key differences between black suburbanization in the North and South. He considers how African Americans in the South bargained for separate areas where they could develop their own neighborhoods, while many of their northern counterparts transgressed racial boundaries, settling in historically white communities. Ultimately, Wiese explores how the civil rights movement emboldened black families to purchase homes in the suburbs with increased vigor, and how the passage of civil rights legislation helped pave the way for today's black middle class. Tracing the precise contours of black migration to the suburbs over the course of the whole last century and across the entire United States, Places of Their Own will be a foundational book for anyone interested in the African American experience or the role of race and class in the making of America's suburbs.

Collects nearly four decades' worth of writings by Detroit political and labor activist James Boggs. Born in the rural American south, James Boggs lived nearly his entire adult life in Detroit and worked as a factory worker for twenty-eight years while immersing himself in the political struggles of the industrial urban north. During and after the years he spent in the auto industry, Boggs wrote two books, co-authored two others, and penned dozens of essays, pamphlets, reviews, manifestos, and newspaper columns to become known as a pioneering revolutionary theorist and community organizer. In Pages from a Black Radical's Notebook: A James Boggs Reader, editor Stephen M. Ward collects a diverse sampling of pieces by Boggs, spanning the entire length of his career from the 1950s to the early 1990s. Pages from a Black Radical's Notebook is arranged in four chronological parts that document Boggs's activism and writing. Part 1 presents columns from Correspondence a newspaper written during the 1950s and early 1960s. Part 2 presents the complete text of Boggs's first book, The American Revolution: Pages from a Negro Worker's Notebook, his most widely known work. In Part 3, \"Black Power—Promise, Pitfalls, and Legacies, \" Ward collects essays, pamphlets, and speeches that reflect Boggs's participation in and analysis of the origins, growth, and demise of the Black Power movement. Part 4 comprises pieces written in the last decade of Boggs's life, during the 1980s through the early 1990s. An introduction by Ward provides a detailed overview of Boggs's life and career, and an afterword by Grace Lee Boggs, James Boggs's wife and political partner, concludes this volume. Pages from a Black Radical's Notebook documents Boggs's personal trajectory of political engagement and offers a unique perspective on radical social movements and the African American struggle for civil rights in the post–World War II years. Readers interested in political and ideological struggles of the twentieth century will find Pages from a Black Radical's Notebook to be fascinating reading.

In the 1920s, the South Side was looked on as the new Black Metropolis, but by the turn of the decade that vision was already in decline-a victim of the Depression. In this timely book, Christopher Robert Reed explores early Depression-era politics on Chicago's South Side. The economic crisis caused diverse responses from groups in the black community, distinguished by their political ideologies and stated goals. Some favored government intervention, others reform of social services. Some found expression in mass street demonstrations, militant advocacy of expanded civil rights, or revolutionary calls for a complete overhaul of the capitalist economic system. Reed examines the complex interactions among these various groups as they played out within the community as it sought to find common ground to address the economic stresses that threatened to tear the Black Metropolis apart.

In the midst of vast cultural and political shifts in the early twentieth century, politicians and cultural observers variously hailed and decried the rise of the \"New Negro.\" This phenomenon was most clearly manifest in the United States through the outpouring of Black arts and letters and social commentary known as the Harlem Renaissance. What is less known is how far afield of Harlem that renaissance flourished-how much the New Negro movement was actually just one part of a collective explosion of political protest, cultural expression, and intellectual debate all over the world. In this volume, the Harlem Renaissance \"escapes from New York\" into its proper global context. These essays recover the broader New Negro experience as social movements, popular cultures, and public behavior spanned the globe from New York to New Orleans, from Paris to the Philippines and beyond. Escape from New York does not so much map the many sites of this early twentieth-century Black internationalism as it draws attention to how New Negroes and their global allies already lived. Resituating the Harlem Renaissance, the book stresses the need for scholarship to catch up with the historical reality of the New Negro experience. This more comprehensive vision serves as a lens through which to better understand capitalist developments, imperial expansions, and the formation of brave new worlds in the early twentieth century. Contributors: Anastasia Curwood, Vanderbilt U; Frank A. Guridy, U of Texas at Austin; Claudrena Harold, U of Virginia; Jeannette Eileen Jones, U of Nebraska-Lincoln; Andrew W. Kahrl, Marquette U; Shannon King, College of Wooster; Charlie Lester; Thabiti Lewis, Washington State U, Vancouver; Treva Lindsey, U of Missouri-Columbia; David Luis-Brown, Claremont Graduate U; Emily Lutenski, Saint Louis U; Mark Anthony Neal, Duke U; Yuichiro Onishi, U of Minnesota, Twin Cities; Theresa Runstedtler, U at Buffalo (SUNY); T. Denean Sharpley-Whiting, Vanderbilt U; Michelle Stephens, Rutgers U, New Brunswick; Jennifer M. Wilks, U of Texas at Austin; Chad Williams, Brandeis U.