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The influx of African migrants into Europe in recent years has raised important issues about changing labor economies, new technologies of border control, and the effects of armed conflict. But attention to such broad questions often obscures a fundamental fact of migration: its effects on ordinary life. Affective Circuits brings together essays by an international group of well-known anthropologists to place the migrant family front and center. Moving between Africa and Europe, the book explores the many ways migrants sustain and rework family ties and intimate relationships at home and abroad. It demonstrates how their quotidian efforts—on such a mass scale—contribute to a broader process of social regeneration. The contributors point to the intersecting streams of goods, people, ideas, and money as they circulate between African migrants and their kin who remain back home. They also show the complex ways that emotions become entangled in these exchanges. Examining how these circuits operate in domains of social life ranging from child fosterage to binational marriages, from coming-of-age to healing and religious rituals, the book also registers the tremendous impact of state officials, laws, and policies on migrant experience. Together these essays paint an especially vivid portrait of new forms of kinship at a time of both intense mobility and ever-tightening borders.

The port city of Liverpool, England, is home to one of the oldest Black communities in Britain. Its members proudly date their history back at least as far as the nineteenth century, with the global wanderings and eventual settlement of colonial African seamen. Jacqueline Nassy Brown analyzes how this worldly origin story supports an avowedly local Black politic and identity--a theme that becomes a window onto British politics of race, place, and nation, and Liverpool’s own contentious origin story as a gloriously cosmopolitan port of world-historical import that was nonetheless central to British slave trading and imperialism. This ethnography also examines the rise and consequent dilemmas of Black identity. It captures the contradictions of diaspora in postcolonial Liverpool, where African and Afro-Caribbean heritages and transnational linkages with Black America both contribute to and compete with the local as a basis for authentic racial identity. Crisscrossing historical periods, rhetorical modes, and academic genres, the book focuses singularly on \"place,\" enabling its most radical move: its analysis of Black racial politics as enactments of English cultural premises. The insistent focus on English culture implies a further twist. Just as Blacks are racialized through appeals to their assumed Afro-Caribbean and African cultures, so too has Liverpool--an Irish, working-class city whose expansive port faces the world beyond Britain--long been beyond the pale of dominant notions of authentic Englishness. Dropping Anchor, Setting Sail studies \"race\" through clashing constructions of \"Liverpool.\"

This article revisits the trope of the traffic in body parts in colonial and postcolonial Equatorial Africa. Current analyses, mostly written by anthropologists and sociologists, explain these rumors by the destructive integration of Africa in the world's economy and the commodification of the human body. While acknowledging their fertility, I argue that these approaches fail to understand how, during the colonial era, Europeans and Africans participated in the re-enchanting of the human body. The first part of the article examines Equatorial African conceptions of the body as central in the crafting of power and social reproduction, and reconstructs how these views were disturbed by colonial intrusion. The second part turns to European discourses and suggests that the colonial situation revealed significant contradictions in the western fiction of a modern disconnect between the body and power. The series of political and moral transgressions triggered by the conquest made apparent how Europeans themselves envisioned political survival as a form of positive exchange revolving around the body-fetish. The third section puts these ideas to the test of funeral practices to show how, in the colony, black and white bodies became re-sacralized as political resources. Building on these findings, the conclusion questions anthropologists' and historians' tendency to draw epistemic boundaries between western and African imaginaries.

Michel reviews \"Gender, Kinship, Power: A Comparative and Interdisciplinary History\" edited by Mary Jo Maynes, Birgitte Soland and Ulrike Strasser and \"Protecting Women: Labor Legislation in Europe, the United States, and Australia, 1880-1920\" edited by Ulla Wikander, Alice Kessler-Harris and Jane Lewis.