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Today, black-owned barber shops play a central role in African American public life. The intimacy of commercial grooming encourages both confidentiality and camaraderie, which make the barber shop an important gathering place for African American men to talk freely. But for many years preceding and even after the Civil War, black barbers endured a measure of social stigma for perpetuating inequality: though the profession offered economic mobility to black entrepreneurs, black barbers were obliged by custom to serve an exclusively white clientele. Quincy T. Mills traces the lineage from these nineteenth-century barbers to the bustling enterprises of today, demonstrating that the livelihood offered by the service economy was crucial to the development of a black commercial sphere and the barber shop as a democratic social space.Cutting Along the Color Linechronicles the cultural history of black barber shops as businesses and civic institutions. Through several generations of barbers, Mills examines the transition from slavery to freedom in the nineteenth century, the early twentieth-century expansion of black consumerism, and the challenges of professionalization, licensing laws, and competition from white barbers. He finds that the profession played a significant though complicated role in twentieth-century racial politics: while the services of shaving and grooming were instrumental in the creation of socially acceptable black masculinity, barbering permitted the financial independence to maintain public spaces that fostered civil rights politics. This sweeping, engaging history of an iconic cultural establishment shows that black entrepreneurship was intimately linked to the struggle for equality.

On April 2, 1917, Woodrow Wilson thrust the United States into World War I by declaring, \"The world must be made safe for democracy.\" For the 380,000 African American soldiers who fought and labored in the global conflict, these words carried life or death meaning. Relating stories bridging the war and postwar years, spanning the streets of Chicago and the streets of Harlem, from the battlefields of the American South to the battlefields of the Western Front, Chad L. Williams reveals the central role of African American soldiers in World War I and how they, along with race activists and ordinary citizens alike, committed to fighting for democracy at home and beyond.Using a diverse range of sources, Williams connects the history of African American soldiers and veterans to issues such as the obligations of citizenship, combat and labor, diaspora and internationalism, homecoming and racial violence, \"New Negro\" militancy, and African American historical memories of the war. Democracy may have been distant from the everyday lives of African Americans at the dawn of the war, but it nevertheless remained a powerful ideal that sparked the hopes of black people throughout the country for societal change.Torchbearers of Democracyreclaims the legacy of black soldiers and establishes the World War I era as a defining moment in the history of African Americans and peoples of African descent more broadly.

John Ernest offers a comprehensive survey of the broad-ranging and influential African American organizations and networks formed in the North in the late eighteenth century through the end of the Civil War. He examines fraternal organizations, churches, conventions, mutual aid benefit and literary societies, educational organizations, newspapers, and magazines. Ernest argues these organizations demonstrate how African Americans self-definition was not solely determined by slavery as they tried to create organizations in the hope of creating a community.

Life Histories of the Dobe !Kung re-examines an important anthropological data set for the Dobe !Kung, the well-known \"Bushmen\" of the Kalahari Desert, collected by Nancy Howell and colleagues. Using life history analysis, Howell reinterprets this rich material to address the question of how these hunter-gatherers maintain their notably good health from childhood through old age in the Kalahari's harsh environment. She divides the population into life history stages that correlate with estimated chronological ages and demonstrates how and why they survive, even thrive, on a modest allotment of calories. She describes how surplus food is produced and distributed, and she considers both the motives for the generous sharing she has observed among the Dobe !Kung and some evolutionary implications of that behavior.

InThe Hadza, Frank Marlowe provides a quantitative ethnography of one of the last remaining societies of hunter-gatherers in the world. The Hadza, who inhabit an area of East Africa near the Serengeti and Olduvai Gorge, have long drawn the attention of anthropologists and archaeologists for maintaining a foraging lifestyle in a region that is key to understanding human origins. Marlowe ably applies his years of research with the Hadza to cover the traditional topics in ethnography-subsistence, material culture, religion, and social structure. But the book's unique contribution is to introduce readers to the more contemporary field of behavioral ecology, which attempts to understand human behavior from an evolutionary perspective. To that end,The Hadzaalso articulates the necessary background for readers whose exposure to human evolutionary theory is minimal.

African American culture is often considered expressive, dramatic, and even defiant. InThe Sovereignty of Quiet, Kevin Quashie explores quiet as a different kind of expressiveness, one which characterizes a person's desires, ambitions, hungers, vulnerabilities, and fears. Quiet is a metaphor for the inner life, and as such, enables a more nuanced understanding of black culture.The book revisits such iconic moments as Tommie Smith and John Carlos's protest at the 1968 Mexico City Olympics and Elizabeth Alexander's reading at the 2009 inauguration of Barack Obama. Quashie also examines such landmark texts as Gwendolyn Brooks'sMaud Martha, James Baldwin'sThe Fire Next Time, and Toni Morrison'sSulato move beyond the emphasis on resistance, and to suggest that concepts like surrender, dreaming, and waiting can remind us of the wealth of black humanity.

Bounds of Blackness explores the history of Black America's intellectual and cultural engagement with the modern state of Sudan. Ancient Sudan occupies a central place in the Black American imaginary as an exemplar of Black glory, pride, and civilization, while contemporary Sudan, often categorized as part of \"Arab Africa\" rather than \"Black Africa,\" is often sidelined and overlooked. In this pathbreaking book, Christopher Tounsel unpacks the vacillating approaches of Black Americans to the Sudanese state and its multiethnic populace through periods defined by colonialism, postcolonial civil wars, genocide in Darfur, and South Sudanese independence. By exploring the work of African American intellectuals, diplomats, organizations, and media outlets, Tounsel shows how this transnational relationship reflects the robust yet capricious terms of racial consciousness in the African Diaspora.

The Harlem Renaissance was a watershed moment for racial uplift, poetic innovation, sexual liberation, and female empowerment.Aphrodite's Daughtersintroduces us to three amazing women who were at the forefront of all these developments, poetic iconoclasts who pioneered new and candidly erotic forms of female self-expression. Maureen Honey paints a vivid portrait of three African American women-Angelina Weld Grimké, Gwendolyn B. Bennett, and Mae V. Cowdery-who came from very different backgrounds but converged in late 1920s Harlem to leave a major mark on the literary landscape. She examines the varied ways these poets articulated female sexual desire, ranging from Grimké's invocation of a Sapphic goddess figure to Cowdery's frank depiction of bisexual erotics to Bennett's risky exploration of the borders between sexual pleasure and pain. Yet Honey also considers how they were united in their commitment to the female body as a primary source of meaning, strength, and transcendence. The product of extensive archival research,Aphrodite's Daughtersdraws from Grimké, Bennett, and Cowdery's published and unpublished poetry, along with rare periodicals and biographical materials, to immerse us in the lives of these remarkable women and the world in which they lived. It thus not only shows us how their artistic contributions and cultural interventions were vital to their own era, but also demonstrates how the poetic heart of their work keeps on beating.

Black women in marginalized communities are uniquely at risk of battering, rape, sexual harassment, stalking and incest. Through the compelling stories of Black women who have been most affected by racism, persistent poverty, class inequality, limited access to support resources or institutions, Beth E. Richie shows that the threat of violence to Black women has never been more serious, demonstrating how conservative legal, social, political and economic policies have impacted activism in the U.S.-based movement to end violence against women. Richie argues that Black women face particular peril because of the ways that race and culture have not figured centrally enough in the analysis of the causes and consequences of gender violence. As a result, the extent of physical, sexual and other forms of violence in the lives of Black women, the various forms it takes, and the contexts within which it occurs are minimized-at best-and frequently ignored.Arrested Justicebrings issues of sexuality, class, age, and criminalization into focus right alongside of questions of public policy and gender violence, resulting in a compelling critique, a passionate re-framing of stories, and a call to action for change.

Today, the military is one the most racially diverse institutions in the United States. But for many decades African American soldiers battled racial discrimination and segregation within its ranks. In the years after World War II, the integration of the armed forces was a touchstone in the homefront struggle for equality-though its importance is often overlooked in contemporary histories of the civil rights movement. Drawing on a wide array of sources, from press reports and newspapers to organizational and presidential archives, historian Christine Knauer recounts the conflicts surrounding black military service and the fight for integration.Let Us Fight as Free Menshows that, even after their service to the nation in World War II, it took the persistent efforts of black soldiers, as well as civilian activists and government policy changes, to integrate the military. In response to unjust treatment during and immediately after the war, African Americans pushed for integration on the strength of their service despite the oppressive limitations they faced on the front and at home. Pressured by civil rights activists such as A. Philip Randolph, President Harry S. Truman passed an executive order that called for equal treatment in the military. Even so, integration took place haltingly and was realized only after the political and strategic realities of the Korean War forced the Army to allow black soldiers to fight alongside their white comrades. While the war pushed the civil rights struggle beyond national boundaries, it also revealed the persistence of racial discrimination and exposed the limits of interracial solidarity.Let Us Fight as Free Menreveals the heated debates about the meaning of military service, manhood, and civil rights strategies within the African American community and the United States as a whole.