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6 result(s) for "Albania History 18th century."
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Bittersweet Europe
From the late nineteenth century to the post-communist period, Albanian and Georgian political and intellectual elites have attributed hopes to \"Europe,\" yet have also exhibited ambivalent attitudes that do not appear likely to vanish any time soon. Albanians and Georgians have evoked, experienced, and continue to speak of \"Europe\" according to a tense triadic entity-geopolitics, progress, culture-which has generated aspirations as well as delusions towards it and themselves. This unique dichotomy weaves a nuanced, historical account of a changing Europe, continuously marred by uncertainties that greatly affect these countries' domestic politics as well as foreign policy decisions. A systematic and rich account of how Albanians and Georgians view Europe, this book offers a fresh perspective on the vast East/West literature and, more broadly, on European intellectual, cultural, and political history.
Ecclesiastical Pressures and Language Politics: The Boundary Work of Albanian Language in the 17th-18th Centuries
In this article, I examine early religious literature in the Albanian language in the seventeenth and eighteenth centuries, which, in combination with ecclesiastical rivalries and a differential opposition to Ottoman rule, must have promoted an inherent cultural process of differentiation, especially between Greek-speaking and Albanian-speaking Orthodox Christians. In particular, I argue that the contradicting motivations of political contradistinction, Enlightenment propagation, Orthodox evangelism, ecclesiastical confrontation, and missionary counteraction lead inadvertently to a boundary work of the social reorganization of linguistic and cultural difference.
They don’t even know how to copy
This article explores the prevalence of concerns over artistic originality in Albania’s postsocialist art world. Based on anthropological fieldwork, it discusses how Albanian artists discipline each other’s work, particularly by noting its lack of originality in relationship to well-known Western artists but also their own. Emphasizing the social and organizational role of such concerns, I analyze them in light of various factors that have become salient after Albania’s transition from postsocialism to a market economy, including the loss of a system of authority following the liberalization of art production from state support and oversight and the failure to develop a stable one since 1991. The discourse on originality expresses Albanian artists’ perceived marginal status in the transnational art world and market and is deployed to transcend this status.
Kosovo: a case of ethnic change of population
The centuries-old conflict between the Serbs and the Albanians is discussed. Velebit argues that Kosovo is a case of ethnic change of population.