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30 result(s) for "Alternative schools Fiction."
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The Unidentified
In a futuristic alternative school set in a shopping mall where video game-playing students are observed and used by corporate sponsors for market research, Katey \"Kid\" Dade struggles to figure out where she fits in and whether she even wants to.
Stories from the end of the world: in search of plots for a failing system
Purpose The purpose of this paper is to consider three types of stories: media, personal accounts and fiction, and look for plots depicting situations of fundamental shift in the framing and basic definitions of reality. The authors examine them from the point of view of their usefulness for developing creative responses to systemic change. Design/methodology/approach The authors conducted a narrative study in three stages, aimed at identifying strong plots pertaining to systemic change. The analyzed material came from three different sources of narratives (fiction, media and creative stories) and was approached by the use of two different narrative methods: symbolic interpretation and narrative collage. Findings Currently many voices are being raised that the authors are living in times of interregnum, a period in between working systems. There is also a mounting critique of the business school as an institution perpetuating dysfunctional ideologies, rather than enhancing critical and creative thinking. The authors propose that the humanities, and, in particular, learning from fiction (and science fiction) can offer a language to talk about major (systemic) change help and support learning about alternative organizational realities. Research limitations/implications The study pertains to discourse and narratives, not to material aspects of culture construction. Practical implications Today, there is a mounting critique of business schools and their role in society. Following Martin Parker’s call to transform them into schools of organizing, helping to develop and discuss different alternatives instead of reproducing the dominant model, the authors suggest that education should be based, to much larger extent than until now, on the humanities. The authors propose educational programmes including the study of fiction and film. Social implications The authors propose that the humanities (and the study of fiction) can equip society with a suitable language to discuss and problematize systemic change. Originality/value This paper adds to narrative social studies through providing an analysis of strong plots showing ways of coping with systemic collapse, and through an examination of these plots’ significance for organizational education, learning, and planning. The authors present an argument for the broader use of fiction as a sensemaking, teaching, and learning tool for managing organizations in volatile environments.
Love is both wave and particle
In this love story set in Ithaca, New York, at an alternative high school whose two requirements for admisstion are academic excellence and psychiatric disability, a boy and girl work on their year-long senior project to write their life stories as informed by the points-of-view of people who have known them through their lives.
From informational reading to information literacy
PurposeThe purpose of this paper is to historicise research conducted in the fields of Information Seeking and Learning and Information Literacy and thereby begin to outline a description of the history of information in the context of Swedish compulsory education.Design/methodology/approachDocument work and documentary practices are used as alternatives to concepts such as information seeking or information behaviour. Four empirical examples of document work – more specifically informational reading – recorded in Swedish primary classrooms in the 1960s are presented.FindingsIn the recordings, the reading style students use is similar to informational reading in contemporary educational settings: it is fragmentary, facts-oriented, and procedure-oriented. The practice of finding correct answers, rather than analysing and discussing the contents of a text seems to continue from lessons organised around print textbooks in the 1960s to the inquiry-based and digital teaching of today.Originality/valueThe paper seeks to analyse document work and documentary practices by regarding “information” as a discursive construction in a particular era with material consequences in particular contexts, rather than as a theoretical and analytical concept. It also problematises the notion that new digital technologies for producing, organising, finding, using, and disseminating documents have drastically changed people’s behaviours and practices in educational and other contexts.
So done
\"When best friends Metai and Jamila are reunited after a summer apart, their friendship threatens to combust from the pressure of secrets, middle school, and looming auditions for a potentially life-changing new talented-and-gifted program\"-- Provided by publisher.
POWER and the Future of Appalachia
As coal-mining employment and production levels reach historic low levels in the Appalachian region, institutions and actors articulate divergent discourses of what futures may be possible for the Appalachian region. Using Ada Smith’s (2016) notion of “Appalachian Futurism” as a point of departure (understanding how theorizations of the past structure and limit what is imaginable for the future), I analyze the ways that a federal grants program, the POWER Initiative, frames Appalachia’s economic transition. Through analysis of program documents and investments, I identify how particular discourses of development lead to programmatic foci of interventions around “entrepreneurship” and “workforce development.” I then look at an alternative framing of the discourse of economic transition: one that posits a development agenda focused on improving quality of life for communities, as opposed to job and business creation. Drawing on documents from the Highlander Research and Education Center and on a dozen interviews with economic development practitioners, I detail the ways institutions and actors frame and reframe discourses as part of ideological struggle. In the conclusion, I examine trends for the future development of the region and offer policy suggestions for a more just economic future in the coalfields.
Call me Sunflower
Forced to move to North Carolina, eleven-year-old Sunny schemes to get her adoptive mother back together with the man who has been like her father, until she finds a photograph that changes everything.
‘Community’, semiotic flows, and mediated contribution to activity
This article begins with an overview and problematization of the term community through a brief assessment of its history, diverse uses, core attributes, heterogeneous elements, and collocational companions. Following this, I describe demographics and processes associated with collective engagement in digitally mediated environments. Utilizing select alternatives to the term ‘community’ and incorporating the cultural-historical notions of mediation and activity, I then present research describing exogenous influences affecting educational uses of technology in L2 settings, the use of instant messaging and blogging for out-of-class FL interaction at the secondary school level, and a pedagogically focused example of a remixing text posted to an online fan fiction website. I conclude by proposing bridging activities as an approach for connecting the emergent logics of digital vernaculars with the analytics of formal schooling.
Not your average Jo
\"Riley Jo is a teenager who knows what she wants. Born and raised in Bentonville, Arkansas, this Korean American girl has her sights set on being a musician. So when her parents are surprisingly cool about her attending the prestigious Los Angeles-based arts-focused boarding school her senior year of high school, she jumps at the chance. This is her moment to make her indie rock dreams a reality! Things at Carlmont Academy start out strong: She joins a band, and they set out to make plans to perform at the annual spring concert-with a chance to land a record contract. Another student, Xander, decides his school project will be a documentary about the band leading up to their first show. But not everything goes how Riley Jo imagined. She is soon sidelined when her other bandmates feel she is \"too Asian\" to be their lead singer, and they choose her classmate Bodhi Collins for the role instead. Bodhi is rock music royalty, with a dad who is a famous music exec. And he's got the \"all-American rock star look.\" Her classmates suggest she try making K-pop, but her heart is in indie rock. Riley Jo decides to take matters into her own hands and writes an original song to showcase her talent. But Bodhi takes the credit . . . and given his connections, the band lets him. Xander captures all of this in his film, which he leaks in order to show the truth behind the band. Riley Jo decides to sign up for the spring concert and perform on her own . . . but will she finally be able to take center stage?\"-- Provided by pubisher.
Enabling Access and Enhancing Comprehension of Video Content for Postsecondary Students with Intellectual Disability
There is a great need for new innovative tools to integrate individuals with intellectual disability into educational experiences. This multiple baseline study examined the effects of various adaptations for improving factual and inferential comprehension of non-fiction videos by six postsecondary students with intellectual disability. Video adaptations included alternative narration, two types of captions (highlighted text and picture/word-based), and interactive video searching for answers. According to the visual and statistical analyses, students performed significantly better with adapted and interactive video clips. There was no difference between the types of captions. Furthermore, social validity interviews revealed that all students enjoyed the adapted and interactive videos and found them beneficial.