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"Amateur radio stations"
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Rebels on the Air
Explores the alternative radio that refuses to succumb to the big business that monopolizes the airwaves
Boring DJs who never shut up, and who don't even pick their own records. The same hits, over and over. A constant stream of annoying commercials. How did radio get so dull?
Not by accident, contends journalist and historian Jesse Walker. For decades, government and big business have colluded to monopolize the airwaves, stamping out competition, reducing variety, and silencing dissident voices. And yet, in the face of such pressure, an alternative radio tradition has tenaciously survived.
Rebels on the Air explores these overlooked chapters in American radio, revealing the legal barriers established broadcasters have erected to ensure their dominance. Using lively anecdotes drawn from firsthand interviews, Walker chronicles the story of the unsung heroes of American radio who, despite those barriers, carved out spaces for themselves in the spectrum, sometimes legally and sometimes not. Walker's engaging, meticulous account is the first comprehensive history of alternative radio in the United States.
From the unlicensed amateurs who invented broadcasting to the community radio movement of the 1960s and 1970s, from the early days of FM to today's micro radio movement, Walker lays bare the hidden history of broadcasting. Above all, Rebels on the Air is the story of the pirate broadcasters who shook up radio in the 1990sand of the new sorts of radio we can expect in the next century, as the microbroadcasters crossbreed with the even newer field of Internet broadcasting.
eBook
Ada Lace, take me to your leader
When eight-year-old Ada uses her love of science and technology to tinker with a ham radio, Nina hears sounds that she thinks are space aliens.
Book
Ham radio's technical culture
Decades before the Internet, ham radio provided instantaneous, global, person-to-person communication. Hundreds of thousands of amateur radio operators -- a predominantly male, middle- and upper-class group known as \"hams\" -- built and operated two-way radios for recreation in mid twentieth century America. In Ham Radio's Technical Culture, Kristen Haring examines why so many men adopted the technical hobby of ham radio from the 1930s through 1970s and how the pastime helped them form identity and community.Ham radio required solitary tinkering with sophisticated electronics equipment, often isolated from domestic activities in a \"radio shack,\" yet the hobby thrived on fraternal interaction. Conversations on the air grew into friendships, and hams gathered in clubs or met informally for \"eyeball contacts.\" Within this community, hobbyists developed distinct values and practices with regard to radio, creating a particular \"technical culture.\" Outsiders viewed amateur radio operators with a mixture of awe and suspicion, impressed by hams' mastery of powerful technology but uneasy about their contact with foreigners, especially during periods of political tension.Drawing on a wealth of personal accounts found in radio magazines and newsletters and from technical manuals, trade journals, and government documents, Haring describes how ham radio culture rippled through hobbyists' lives. She explains why hi-tech employers recruited hams and why electronics manufacturers catered to these specialty customers. She discusses hams' position within the military and civil defense during World War II and the Cold War as well as the effect of the hobby on family dynamics. By considering ham radio in the context of other technical hobbies -- model building, photography, high-fidelity audio, and similar leisure pursuits -- Haring highlights the shared experiences of technical hobbyists. She shows that tinkerers influenced attitudes toward technology beyond hobby communities, enriching the general technical culture by posing a vital counterpoint.
eBook
The troubles of Johnny Cannon
In 1961 Alabama, twelve-year-old Johnny tries to keep his promise to look after his disabled Pa when his older brother leaves for military service, but secrets from the past, Cuban politics, and racial tensions would make the task challenging even for his hero, Superman.
Book
La Police de l'Air
As France wrestles over the uses and societal impact of digital media and the Internet, it is instructive to recall another era of communications innovation, namely the introduction of interwar radio to the French public, and the government's reaction to controversial applications by the citizenry. Recent scholarship has underscored the importance of interwar radio broadcasting to France and its territories. Less explored, however, is the work of amateur user/developers who shaped the radio medium as an instrument of speaking, as well as listening. Determined to manage applications of radio, the French Interior Ministry formed a Police de l'Air to monitor France's airwaves, including the activities of amateur radio users (i.e., hams), whose lawful (and sometimes unlawful) use of point-to-point and broadcast communication had begun to significantly disrupt the government's effort to dictate the future forms and uses of radio. Against a backdrop of political crisis and attempts to manage print and electronic communication and dissent, the skirmishes between the Police de l'Air and amateur radio users reveal historical aspects of contemporary debates over use, access, and qualifications to speak and be heard in mediated cultural and political settings.
Journal Article
