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7 result(s) for "American drama Minority authors History and criticism."
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Performance, exile and 'America'
\"This collection of essays investigates dramatic and performative renderings of 'America' as an exilic place, investigating how 'America' and exile are imagined, challenged and theatricalized in the works of various theatre artists in the light of the current political climate in the USA\"--Provided by publisher.
Activism and the American Novel
Since the 1980s, many activists and writers have turned from identity politics toward ethnic religious traditions to rediscover and reinvigorate their historic role in resistance to colonialism and oppression. In her examination of contemporary fiction by women of color-including Toni Morrison, Ana Castillo, Toni Cade Bambara, Louise Erdrich, and Leslie Marmon Silko-Channette Romero considers the way these novels newly engage with Vodun, Santería, Candomblé, and American Indian traditions. Critical of a widespread disengagement from civic participation and of the contemporary novel's disconnection from politics, this fiction attempts to transform the novel and the practice of reading into a means of political engagement and an inspiration for social change.
Unsettling the Bildungsroman
What kinds of uncertainties and desires do generic issues evoke? How can we account for the continuing hold of the Bildungsroman as a model of analysis? Unsettling the Bildungsroman: Reading Contemporary Ethnic American Women's Fiction combines genre and cultural theory and offers a cross-ethnic comparative approach to the tradition of the female novel of development and the American coming-of-age narrative. Examining closely the work of Jamaica Kincaid, Sandra Cisneros, Maxine Hong Kingston, and Audre Lorde, the chapters foreground processes of constructing an alternative \"art of living\" which challenges the Bildungsroman's drive for either assimilation or ethnic homogeneity and pushes for new configurations of ethnic and American female identity. Drawing on feminist/gender studies, psychoanalytic theory, translation theory, queer theory, and disability studies, the book provides a theoretically engaged rethinking of the Bildungsroman's form and function. Addressing questions of aesthetics and politics, freedom and belonging, betrayal and responsibility, and tracing the Bildungsroman's links with life-writing forms such as immigrant narrative, mother-daughter story, biomythography, and illness narrative, the study outlines the various ways in which the novel of individual development becomes an appropriate site for the negotiation of several enduring and contentious tensions in ethnic American writing. Of potential interest to scholars of American literature, but also ethnic, feminist and postcolonial literatures, and to students of American literature and culture, the book demonstrates the Bildungsroman's ongoing relevance and expanded capacity of representation in an ethnic American and postcolonial context.
Modeling Minority Women
This powerful study reconceptualizes ideas of ethnic literature while investigating the construction of ethnic heroines, shifting the focus away from cultural politics and considering instead narrative or poetic qualities which involve surprising relationships between Anglo-American women's writing and fiction produced by Asian American and African American women authors.
Signatures of the Past: Cultural Memory in Contemporary Anglophone North American Drama Book Review
Review(s) of: Signatures of the Past: Cultural Memory in Contemporary Anglophone North American Drama, by Marc Maufort and Caroline De Wagter, eds, Brussells: PIE Peter Lang, 2008.
Othello and the \plain face\ Of Racism
A discussion of attitudes to color in Shakespeare's England and in \"Othello,\" and an examination of instances in which racist mythology inscribes critical responses to the play are presented.
Signatures of the Past: Cultural Memory in Contemporary Anglophone North American Drama Book Review
Review(s) of: Signatures of the Past: Cultural Memory in Contemporary Anglophone North American Drama, by Marc Maufort and Caroline De Wagter, eds, Brussells: PIE Peter Lang, 2008.