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"American fiction Minority authors History and criticism."
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Postethnic narrative criticism : magicorealism in Oscar \Zeta\ Acosta, Ana Castillo, Julie Dash, Hanif Kureishi, and Salman Rushdie
Magical realism has become almost synonymous with Latin American fiction, but this way of representing the layered and often contradictory reality of the topsy-turvy, late-capitalist, globalizing world finds equally vivid expression in U.S. multiethnic and British postcolonial literature and film. Writers and filmmakers such as Oscar Zeta Acosta, Ana Castillo, Julie Dash, Hanif Kureishi, and Salman Rushdie have made brilliant use of magical realism to articulate the trauma of dislocation and the legacies of colonialism that people of color experience in the postcolonial, multiethnic world. This book seeks to redeem and refine the theory of magical realism in U.S. multiethnic and British postcolonial literature and film. Frederick Aldama engages in theoretically sophisticated readings of Ana Castillo’s So Far from God, Oscar Zeta Acosta’s Autobiography of a Brown Buffalo, Salman Rushdie’s Midnight’s Children, Shame, The Satanic Verses, and The Moor’s Last Sigh, Julie Dash’s Daughters of the Dust, and Stephen Frears and Hanif Kureishi’s Sammy and Rosie Get Laid. Coining the term magicorealism to characterize these works, Aldama not only creates a postethnic critical methodology for enlarging the contact zone between the genres of novel, film, and autobiography, but also shatters the interpretive lens that traditionally confuses the transcription of the real world, where truth and falsity apply, with narrative modes governed by other criteria.
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Activism and the American Novel
Since the 1980s, many activists and writers have turned from identity politics toward ethnic religious traditions to rediscover and reinvigorate their historic role in resistance to colonialism and oppression. In her examination of contemporary fiction by women of color-including Toni Morrison, Ana Castillo, Toni Cade Bambara, Louise Erdrich, and Leslie Marmon Silko-Channette Romero considers the way these novels newly engage with Vodun, Santería, Candomblé, and American Indian traditions. Critical of a widespread disengagement from civic participation and of the contemporary novel's disconnection from politics, this fiction attempts to transform the novel and the practice of reading into a means of political engagement and an inspiration for social change.
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New Visions of Community in Contemporary American Fiction
In this engaging, optimistic close reading of five late twentieth-century novels by American women, Magali Cornier Michael illuminates the ways in which their authors engage with ideas of communal activism, common commitment, and social transformation. The fictions she examines imagine coalition building as a means of moving toward new forms of nonhierarchical justice; for ethnic cultures that, as a result of racist attitudes, have not been assimilated, power with each other rather than power over each other is a collective goal.Michael argues that much contemporary American fiction by women offers models of care and nurturing that move away from the private sphere toward the public and political. Specifically, texts by women from such racially marked ethnic groups as African American, Asian American, Native American, and Mexican American draw from the rich systems of thought, histories, and experiences of these hybrid cultures and thus offer feminist and ethical revisions of traditional concepts of community, coalition, subjectivity, and agency.Focusing on Amy Tan’s The Joy Luck Club, Barbara Kingsolver’s The Bean Trees and Pigs in Heaven, Ana Castillo’s So Far from God, and Toni Morrison’s Paradise, Michael shows that each writer emphasizes the positive, liberating effects of kinship and community. These hybrid versions of community, which draw from other-than-dominant culturally specific ideas and histories, have something to offer Americans as the United States moves into an increasingly diverse twenty-first century. Michael provides a rich lens through which to view both contemporary fiction and contemporary life.
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Transcending the new woman : multiethnic narratives in the Progressive Era
\"Examines multiethnic women writers' responses to the ideal of the New Woman in America at the dawn of the twentieth century, opening up a world of literary texts that lend new insight, revealing how these authors articulated the contradictions of the American New Woman, and how social class, race, or ethnicity impacted women's experiences\"--Provided by publisher.
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Fiction Across Borders
Theorists of Orientalism and postcolonialism argue that novelists betray political and cultural anxieties when characterizing \"the Other.\" Shameem Black takes a different stance. Turning a fresh eye toward several key contemporary novelists, she reveals how \"border-crossing\" fiction represents socially diverse groups without resorting to stereotype, idealization, or other forms of imaginative constraint. Focusing on the work of J. M. Coetzee, Amitav Ghosh, Jeffrey Eugenides, Ruth Ozeki, Charles Johnson, Gish Jen, and Rupa Bajwa, Black introduces an interpretative lens that captures the ways in which these authors envision an ethics of representing social difference. They not only offer sympathetic portrayals of the lives of others but also detail the processes of imagining social difference.
Whether depicting the multilingual worlds of South and Southeast Asia, the exportation of American culture abroad, or the racial tension of postapartheid South Africa, these transcultural representations explore social and political hierarchies in constructive ways. Boldly confronting the orthodoxies of recent literary criticism, Fiction Across Borders builds upon such seminal works as Edward Said's Orientalism and offers a provocative new study of the late twentieth-century novel.
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Ghetto images in twentieth-century American literature : writing apartheid
\"In this comprehensive work, Tyrone R. Simpson, II, explores how six American writers--Anzia Yezierska, Michael Gold, Hubert Selby Jr., Chester Himes, Gloria Naylor, and John Edgar Wideman--have artistically responded to the racialization of U.S. frostbelt cities in the twentieth century. By using the critical tools of spatial theory, critical race theory, urban history, and urban sociology, Simpson accounts for how these writers imagine the subjective response to the race-making power of space\"-- Provided by publisher.
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Positive Pollutions and Cultural Toxins
In this innovative study,Positive Pollutions and Cultural Toxins, John Blair Gamber examines urbanity and the results of urban living-traffic, garbage, sewage, waste, and pollution-arguing for a new recognition of all forms of human detritus as part of the natural world and thus for a broadening of our understanding of environmental literature.
While much of the discourse surrounding the United States' idealistic and nostalgic views of itself privileges \"clean\" living (primarily in rural, small-town, and suburban settings), representations of rurality and urbanity by Chicanas/Chicanos, African Americans, Asian Americans, and Native Americans, on the other hand, complicate such generalization. Gamber widens our understanding of current ecocritical debates by examining texts by such authors as Octavia Butler, Louise Erdrich, Alejandro Morales, Gerald Vizenor, and Karen Tei Yamashita that draw on the physical signs of human corporeality to refigure cities and urbanity as natural. He demonstrates how ethnic American literature reclaims waste objects and waste spaces-likening pollution to miscegenation-as a method to revalue cast-off and marginalized individuals and communities.Positive Pollutions and Cultural Toxinsexplores the conjunction of, and the frictions between, twentieth-century U.S. postcolonial studies, race studies, urban studies, and ecocriticism, and works to refigure this portrayal of urban spaces.
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