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9,150 result(s) for "American periodicals"
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Ladies' Pages
Beginning in the late nineteenth century, mainstream magazines established ideal images of white female culture, while comparable African American periodicals were cast among the shadows. Noliwe M. Rooks'sLadies' Pagessheds light on the most influential African American women's magazines--Ringwood's Afro-American Journal of Fashion, Half-Century Magazine for the Colored Homemaker, Tan Confessions, Essence,andO, the Oprah Magazine--and their little-known success in shaping the lives of black women.Ladies' Pagesdemonstrates how these rare and thought-provoking publications contributed to the development of African American culture and the ways in which they in turn reflect important historical changes in black communities. What African American women wore, bought, consumed, read, cooked, and did at home with their families were all fair game, and each of the magazines offered copious amounts of advice about what such choices could and did mean. At the same time, these periodicals helped African American women to find work and to develop a strong communications network. Rooks reveals in detail how these publications contributed to the concepts of black sexual identity, rape, migration, urbanization, fashion, domesticity, consumerism, and education. Her book is essential reading for everyone interested in the history and culture of African Americans.
The Rise and Fall of Early American Magazine Culture
Between the newly canonized novels of the 1790s and the long-familiar novels of the 1820s, early American literary magazines figured themselves as museums, bringing together a multitude of notable content and enabling readers to choose what to consume. A transatlantic literary form that refused to break with British cultural models and genealogy, the early American magazine had at its center the anonymous authority of the editor and a porous distinction between reader and author. Esteemed subscribers were treated as magnets to attract other subscribers, and subscribers were prompted to become contributors, giving these early American publications the appearance of public forums. The Rise and Fall of Early American Magazine Culture reexamines these publications and their reach to show how magazine culture was multivocal, as opposed to novel culture, which imposed a one-sided authorial voice and restricted the agency of the reader._x000B__x000B_In this first book-length study of the history of American magazine culture in the colonial and early national period, Jared Gardner describes how those who invested considerable energies in this form--including some of the period's most important political and literary figures such as Charles Brockden Brown and Washington Irving--sought to establish a very different model of literary culture than what came to define American literary history and its scholarship. He cautions against privileging novels or authors as the essential touchstones of American literary history and instead encourages an understanding of how the \"editorial function\" favored by magazine culture shaped reading and writing practices._x000B__x000B_Countering assumptions about early American print culture and challenging our scholarly fixation on the novel, Gardner reimagines the early American magazine as a rich literary culture that operated as a model for nation-building by celebrating editorship over authorship and serving as a virtual salon in which citizens were invited to share their different perspectives. This important work revisits largely lost interventions in the forms and politics of literature and sounds a vibrant call to radically revise early American literary history.
Women Writers and Journalists in the Nineteenth-Century South
The first study to focus on white and black women journalists and writers both before and after the Civil War, this book offers fresh insight into Southern intellectual life, the fight for women's rights and gender ideology. Based on new research into Southern magazines and newspapers, this book seeks to shift scholarly attention away from novelists and toward the rich and diverse periodical culture of the South between 1820 and 1900. Magazines were of central importance to the literary culture of the South because the region lacked the publishing centers that could produce large numbers of books. As editors, contributors, correspondents and reporters in the nineteenth century, Southern women entered traditionally male bastions when they embarked on careers in journalism. In so doing, they opened the door to calls for greater political and social equality at the turn of the twentieth century.
The Improbable First Century of Cosmopolitan Magazine
Today, monthly issues of Cosmopolitan magazine scream out to readers from checkout counters and newsstands. With bright covers and bold, sexy headlines, this famous periodical targets young, single women aspiring to become the quintessential \"Cosmo girl.\" Cosmopolitan is known for its vivacious character and frank, explicit attitude toward sex, yet because of its reputation, many people don't realize that the magazine has undergone many incarnations before its current one, including family literary magazine and muckraking investigative journal, and all are presented in The Improbable First Century of Cosmopolitan Magazine. The book boasts one particularly impressive contributor: Helen Gurley Brown herself, who rarely grants interviews but spoke and corresponded with James Landers to aid in his research. When launched in 1886, Cosmopolitan was a family literary magazine that published quality fiction, children's stories, and homemaking tips. In 1889 it was rescued from bankruptcy by wealthy entrepreneur John Brisben Walker, who introduced illustrations and attracted writers such as Mark Twain, Willa Cather, and H. G. Wells. Then, when newspaper magnate William Randolph Hearst purchased Cosmopolitan in 1905, he turned it into a purveyor of exposé journalism to aid his personal political pursuits. But when Hearst abandoned those ambitions, he changed the magazine in the 1920s back to a fiction periodical featuring leading writers such as Theodore Dreiser, Sinclair Lewis, and William Somerset Maugham. His approach garnered success by the 1930s, but poor editing sunk Cosmo's readership as decades went on. By the mid-1960s executives considered letting Cosmopolitan die, but Helen Gurley Brown, an ambitious and savvy businesswoman, submitted a plan for a dramatic editorial makeover. Gurley Brown took the helm and saved Cosmopolitan by publishing articles about topics other women's magazines avoided. Twenty years later, when the magazine ended its first century, Cosmopolitan was the profit center of the Hearst Corporation and a culturally significant force in young women's lives. The Improbable First Century of Cosmopolitan Magazine explores how Cosmopolitan survived three near-death experiences to become one of the most dynamic and successful magazines of the twentieth century. Landers uses a wealth of primary source materials to place this important magazine in the context of history and depict how it became the cultural touchstone it is today. This book will be of interest not only to modern Cosmo aficionadas but also to journalism students, news historians, and anyone interested in publishing.